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Black Chamber

 

The term "black chamber" has come to represent any code-breaking organization, but was originally applied to groups of code-breakers associated with the French postal service that intercepted, read, copied and decoded diplomatic mail. In the twentieth century, Americans created a black chamber to intercept and decode radio transmissions (telegraphs) rather than postal mail.

In the seventeenth century, talented individuals such as Antoine Rossignol (1600–1682) in France, and John Wallis (1616–1703) in England showed the value of code breakers in affairs of state. Their efforts encouraged European governments in the eighteenth century to recruit further generations of cryptologists, and create formal cryptology organizations that took their collective title from the French cabinet noir/ ("black chamber"). Usually located within post office buildings, the members of the black chamber would carefully open the sealed mail, make copies of suspect passages, and close the letters with forged wax seals. Then the laborious task of deciphering coded communications would begin.

Most of Europe's black chambers were closed in the mid-nineteenth century by a combination of public opinion and new social philosophies. The reading of other people's mail was seen as an infringement of personal freedom. In England public pressure forced the government to cease its opening of diplomatic mail in 1844. Four years later, the black chambers of Austria and France also ended their work.

America did not have a black chamber until the early twentieth century, and it was concerned with radio transmissions (telegraphs) rather than postal mail. Its fame is mainly due to Herbert Osborne Yardley (1889–1958), who described the inner workings of the covert organization in his book, The American Black Chamber. Yardley wrote his controversial text after the closing of the code-breaking organization in 1929. The Hoover government wanted to promote trust in international relations, and as Secretary of State Henry Stimson noted, "Gentlemen do not read each other's mail." However, by 1940, the black chamber had to be reformed (without Yardley) to counter the threat of war. Today black chambers have become electronic monitoring systems, which many governments use to monitor suspicious communications across the world.

Further Reading

Books

Kahn, David, The Codebreakers: The Story of Secret Writing. New York, NY: The Macmillan Company, 1967.

Yardley, Herbert O. The American Black Chamber. Indianapolis: Bobbs-Merrill, 1931.

——. The Chinese Black Chamber, Boston: Houghton Mifflin, 1983.

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Album Review: Black Chamber
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  • Artist: David Toop
  • Rating: StarStarStarStarHalf Star
  • Release Date: 2003 03
  • Genre: Electronica

Review

It is amazing that an artist active since the 1970s can still reach new heights in 2003 without repeating himself. Young experimental electronica and electro-acoustic composers could learn many lessons from David Toop, especially from his Black Chamber. The pacing, the variety in moods and textures, the artistry of the electronic treatments -- everything about this album calls for repeated captivated listens. The overall atmosphere is slightly Japanese, starting with a quote on the back of the inlay card: The title refers to the room where the emperor from Kamatsu cooked for himself -- to remember how he lived before accessing to the throne. On this album, Toop also keeps ties with the past. Many tracks feature old friends: Paul Burnwell, Bob Cobbing (who together with Toop formed the trio abAna in the '70s), Terry Day, Tom Recchion, Yuhirito Watanabe. The unmistakable soprano sax of Lol Coxhill greets the ear in "Soft Cavities," inviting the listener in. Toop leaves his improvisation untampered, wrapping his electronics around it (Martin Archer uses the same approach in many of his pieces). "The Slapping Gun" ends with the voice of Cobbing slowed down to a crawl, a growl from beyond the grave he would probably be delighted with. "Apartment Thunder" and "Ill-Faced Doll" take the form of cinematic sound collages (including Japanese voices) with erotic overtones. "Black Chamber" concludes the disc in an unexpected way, an electric guitar playing a dreamy (even post-rockish) motif over a thundering bass drum and washes of Mellotron. If each piece works very well on its own ("Poison Incense" and "Plume" standing out as compositional gems), it is their calibrated sequence that gives Black Chamber its strength. This could be the shortest 54 minutes you will listen to in ages. ~ François Couture, All Music Guide

Tracks

Track TitleComposersPerformersTime
Soft Cavities David Toop David Toop (5:48)
Waxed Skin David Toop David Toop (5:34)
Apartment Thunder (Eros + Sacrifice) David Toop David Toop (3:26)
Raw Mouth Shape David Toop David Toop (4:02)
Silver Birds David Toop David Toop (2:23)
Plume, Preceded by Far Off Inside David Toop David Toop (4:00)
Ill-Faced Doll (Aozameta Omozashi Ni Katadorare) David Toop David Toop (8:35)
Gored Fig Sacs David Toop David Toop (1:07)
Blind Eel Priestess David Toop David Toop (5:59)
Poison Incense David Toop David Toop (3:37)
The Slapping Gun David Toop David Toop (5:45)
Life in the Folds David Toop David Toop (0:34)
Black Chamber David Toop David Toop (2:59)

Credits

Lol Coxhill (Sax (Soprano)), David Toop (Producer), David Toop (Engineer), David Toop (Performer), Terry Day (Bamboo Pipe), Tom Recchion (Strings), Tom Recchion (Organ (Hammond)), Tom Recchion (Tapes), Bob Cobbing (Voices), Bob Cobbing (Spoken Word), Black Mountain (Design), Paul Burnwell (Cymbals), Yurihito Watanabe (Vocals)
Wikipedia: Black Chamber
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The Black Chamber, otherwise known as MI-8 or Cipher Bureau, was the United States' first peacetime cryptanalytic organization, and a forerunner of the National Security Agency. The only prior codes and cypher organizations maintained by the US government had been some intermittent, and always abandoned, attempts by Armed Forces branches prior to World War I.

History

Headed by Herbert O. Yardley (1889–1958), it was founded immediately following World War I. Jointly funded by the Army and the State Department, MI-8 was disguised as a New York City commercial code company; it actually produced and sold such codes for business use. Its actual mission, however, was to break the communications (chiefly diplomatic) of other nations. Its most notable known success was during the Washington Naval Conference during which it aided American negotiators considerably by providing them with the decrypted traffic of many of the Conference delegations, most notably the Japanese.

In 1929, the State Department withdrew its share of the funding, the Army declined to bear the entire load, and the Black Chamber closed down MI-8. In his much later memoirs, then new Secretary of State Henry L. Stimson said that: "Gentlemen do not read each other's mail." His views on the worth of cryptanalysis had changed by the time he became Secretary of War during World War II, before and during which he, and the entire US command structure, relied heavily on decrypted enemy communications.

In 1931, and in need of money, Yardley wrote a book about MI-8, entitled The American Black Chamber.

The term "Black Chamber" predates Yardley's use of it in the title of his book. The first in a long line of cabinet noirs was established by King Henry IV of France in 1590 as part of the Poste aux Lettres. Its mission was to open, read and reseal letters, and great expertise was developed in the restoration of broken seals. In the knowledge that mail was being opened, correspondents began to develop systems to encrypt and decrypt their letters, the breaking of these codes giving birth to modern systematic scientific code breaking. The Black Chambers survived through to the Twentieth Century in a variety of guises and inspired similar organisations in other countries, such as the "Secret Office" of the British Office, and it is within this historical framework that Yardley uses the term.

It was also used at about that time in Poland (see article on Marian Rejewski).

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Copyrights:

Intelligence Encyclopedia. Encyclopedia of Espionage, Intelligence, and Security. Copyright © 2004 by The Gale Group, Inc. All rights reserved.  Read more
Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Black Chamber" Read more