For other uses, see Blind Faith (disambiguation).
Blind Faith is the self-titled album by the English supergroup Blind Faith,
which consisted of Eric Clapton (The Yardbirds,
Cream), Ginger Baker (Graham Bond Organisation, Cream), Steve Winwood (Spencer Davis Group, Traffic) and Ric Grech (Family). Their only album, Blind Faith was released in August 1969 (see 1969 in music).
There was an intense buzz about the band and its debut album Blind Faith, which on release topped Billboard's Pop Albums chart in America (as it did the UK charts) and peaked at #40 on the Black Albums
chart, an impressive feat for a British rock quartet.
They began to work out songs early in 1969, and in February and March the group was in London at Morgan Studios, preparing for the beginnings of basic tracks for their album although the first few almost
finished songs didn't show up until they were at Olympic Studios in April and May under
the direction of producer Jimmy Miller. The music community was already aware of the
linkup, despite Clapton's claim that he was cutting an album of his own on which Winwood would play. The rock press wasn't buying
any of it, knowing that Baker was involved as well, and then the promoters and record companies got involved, pushing those
concerned for an album and a tour.
The recording of their album was interrupted by such a tour of Scandinavia, then a U.S.
tour from July 11 (Newport) to August 24 (Hawaii), supported by Free and Delaney & Bonnie and Friends. Although a
chart topper the LP was recorded hurriedly and side two consisted of just two songs, one of them a 15-minute jam entitled "Do
What You Like." Nevertheless the band was able to produce two classic hits; Winwood's "Can't Find My Way Home" and Clapton's
"Presence of the Lord."
An expanded, deluxe edition of the album was released in 2001, with previously unreleased tracks and 'jams' included. Two live
tracks from the Hyde Park concert, Sleeping In The Ground by Sam Myers and the Rolling Stones song Under My Thumb are also available on Winwood's 4-CD retrospective The
Finer Things.
Album cover controversy
The release of the album provoked controversy because the cover featured a topless pubescent girl, holding in her hands a hood ornament from a 1957 Oldsmobile, which some perceived as phallic. The U.S. record company issued
it with an alternate cover which showed a photograph of the band on the front.
The cover art was created by photographer Bob Seidemann, a personal friend and former
flatmate of Clapton's who is primarily known for his photos of Janis Joplin and the
Grateful Dead. In the mid-1990s, in an advertising circular intended to help sell
lithographic reprints of the famous album cover, he explained his thinking behind the
image[1].
I could not get my hands on the image until out of the mist a concept began to emerge. To symbolize the achievement of human
creativity and its expression through technology a space ship was the material object. To carry this new spore into the universe,
innocence would be the ideal bearer, a young girl, a girl as young as Shakespeare's
Juliet. The space ship would be the fruit of the tree of knowledge and the girl, the
fruit of the tree of life.
The space ship could be made by Mick Milligan, a jeweler at the Royal College or [sic]
Art. The girl was another matter. If she were too old it would be cheesecake, too young and it would be nothing. The
beginning of the transition from girl to woman, that is what I was after. That temporal point, that singular flare of radiant
innocence. Where is that girl?
Seidemann wrote that he approached a girl reported to be 14 years old on the London
Tube about modeling for the cover, and eventually met with her parents, but that she proved too old for the effect he
wanted. Instead, the model he used was her younger sister, who was reported to be 11 years old. Her modeling fee, according to
Seidemann, was "a young horse" purchased for her by band manager Robert Stigwood.
Bizarre rumors both fueled and were fueled by the controversy, including that the girl was Baker's illegitimate daughter or
was a groupie kept as a slave by the band.
The image, titled "Blind Faith" by Seidemann, became the inspiration for the name of the band itself, which had been unnamed
when the artwork was commissioned.
According to Seidemann, "It was Eric who elected to not print the name of the band on the cover. This had never been done
before. The name was printed on the wrapper, when the wrapper came off, so did the type." (In actuality, it had been done
before, including on The Rolling Stones' 1964 debut album, Traffic's self-titled 1968 album and the 1965 album Rubber Soul by
The Beatles).
Track listing
- "Had to Cry Today" (Steve Winwood) –8:48
- "Can't Find My Way Home" (Steve Winwood) –3:16
- "Well...All Right" (Norman Petty, Buddy Holly,
Jerry Allison, Joe B. Mauldin) –4:27
- "Presence of the Lord" (Eric Clapton) –4:50
- "Sea of Joy" (Steve Winwood) –5:22
- "Do What You Like" (Ginger Baker) –15:18
- "Exchange and Mart" (Bonus Track) - 4:18
- "Spending All My Days" (Bonus Track) - 3:03
Personnel
Production
- Producer: Jimmy Miller
- Engineers: George Chkiantz, Keith Harwood, Andy Johns, Alan O'Duffy
- Mixing: Andy Johns, Jimmy Miller
- Remastering: Suha Gur
- Production coordination: Margaret Goldfarb
- Arranger: Chris Blackwell, Robert Stigwood
- Reissue supervisor: Bill Levenson
- Art direction: Vartan
- Cover design: Stanley Miller, Bob Seidemann
- Cover art: Stanley Miller
- Cover photo: Bob Seidmann
- Photography: Bob Seideman
Charts
Album - Billboard (North America)
| Year |
Chart |
Position |
| 1969 |
Black Albums |
40 |
| 1969 |
Pop Albums |
1 |
| 1977 |
Pop Albums |
126 |
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