Media darlings after the commercial success of their debut, Digable Planets attempted to prove their artistic merit with this second album, and succeeded wildly. A worthy, underrated successor, Blowout Comb was just as catchy and memorable as their first, and also offered the perfect response to critics and hip-hop fans who complained they weren't "real" enough. Except for a dark, indecipherable single named "Dial 7 (Axioms of Creamy Spies)," Blowout Comb excelled at pushing great grooves over sunny-day party jams, even when the crew was providing deft social commentary -- as on "Black Ego" and "Dial 7 (Axioms of Creamy Spies)." The trio used their greater clout to invite instrumentalists instead of relying completely on samples, and the music took on more aspects of the live jam than before. Though Blowout Comb still borrowed a host of riffs from great jazz anthems (from Bob James to Bobbi Humphrey), Digable Planets used them well, as beds for their back-and-forth freestyling and solos from guests. The Digables remade Roy Ayers' "We Live in Brooklyn, Baby" into "Borough Check," and invited Guru from Gang Starr to salute Brooklyn's block-parties and barbershops. (The focus on the neighborhood even carried over to the liner notes, laid out like a community newspaper.) The closer, a brassy, seven-minute "For Corners," also captured that fleeting feeling of neighborhood peace. Though Blowout Comb lacked the commercial punch of Reachin', Digable Planets made great strides in the two areas they'd previously been criticized: beats and rhymes. The beats were incredible, some of the best ever heard on a rap record, a hip-hop version of the classic, off-kilter, New Orleans second-line funk. The productions, all crafted by the group themselves, were laid-back and clearly superior to much hip-hop of the time. The raps, though certainly not hardcore, were just as intelligent as on the debut, and flowed much better. While Reachin' came to sound like a moment in time for the jazz-rap crowd, Blowout Comb has remained a timeless classic. ~ John Bush, All Music Guide
J. Truth (Vocals), Jahsun (Vocals), Seven Karat (Vocals), David Lee Jones (Sax (Alto)), Jeru the Damaja (Vocals), Lavish (Vocals), Henry Marquez (Art Direction), Dave Darlington (Producer), Jack Hersca (Assistant Engineer), Dave Darlington (Fretless Bass), Dave Darlington (Mixing), Bill Lounge (Vibraphone), Dave Darlington (Guitar (Acoustic)), J. Truth (Vocals (Background)), Afu the True (Vocals (Background)), Sara Webb (Vocals), Gerald Brazel (Trumpet), Shi Reltub (Vibraphone), Malik (Vocals), Dennis Wheeler (Executive Producer), Trim Ken Slim (Vocals (Background)), Lavish (Vocals (Background)), Crescents (Vocals (Background)), Donald Harrison (Sax (Tenor)), Digable Planets (Arranger), Davey Chalice (Bass), Carla Leighton (Design), Beneficent (Vocals), Donald Harrison (Flute), Lee Love (Vocals (Background)), Yvette Sugar (Vocals), Dave Darlington (Guitar), Daniela Federici (Photography), Crescents (Vocals), Brooklyn (Vocals), Stilletto (Vocals), Chegua (Rap), Mood Dude (Vocals (Background)), Eye Cee (Vocals (Background)), Davey Chalice (Vocals), Beneficent (Vocals (Background)), Tom Coyne (Mastering), Myrtle Ave Nigs (Vocals (Background)), Digable Planets (Producer), Tim "T-Bone" Williams (Trombone), P.O.W.E.R. (Vocals), Decky (Vocals), Sulaiman (Scratching), Chegua (Vocals), Myrtle Ave Nigs (Vocals), Trim Ken Slim (Vocals), Sulaiman (Vocals (Background)), Brooklyn (Vocals (Background)), Stilletto (Vocals (Background)), Afu the True (Vocals), Trim Ken Slim (?), Alan Goldsher (Bass), Huey Cox (Guitar (Acoustic)), Dave Darlington (Engineer), Beth Russo (Cello), Brother Junior Plus (Liner Notes), Seven Karat (Vocals (Background)), Carl Carter (Bass), Dave the Prince (Vocals), Dave Darlington (Keyboards), Yvette Sugar (Vocals (Background)), Dust Daughters (Vocals), Malik (Vocals (Background)), Huey Cox (Guitar), Eye Cee (Vocals), Mood Dude (Vocals), Lee Love (Vocals), Guru (Vocals), Dwayne Burno (Bass), Dexter Simmons (Assistant Engineer), Trim (Vocals), Dave the Prince (Vocals (Background))
"9th Wonder (Blackitolism)"
Released: September 13, 1994
"Dial 7 (Axioms of Creamy Spies)"
Released: February 14, 1995
Blowout Comb is the second studio album by American hip hop group Digable Planets, released October 18, 1994 on Pendulum Records. The album is titled after a grooming product that was used popularly by African Americans during the 1970s, amid the trend of the Afro hair style.[2] On the purpose of using it as the album title, rapper Ishmael "Butterfly" Butler of the group has said that "It means the utilization of the natural, a natural style".[2] The album features guest contributions by East Coast rappers such as Guru, Jeru the Damaja, and Jazzy Joyce.[12] It contains lyrics concerning themes of rapping prowess and the inner city, as well as black nationalism and the Five Percent Nation.[13]Blowout Comb proved to be Digable Planets's last studio album, as the group disbanded in 1995 due to creative differences.[10]