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Blue Interlude

 
Album Review: Blue Interlude
 

Review

With Wynton Marsalis, exuberance, energy and high-level musicianship is never an issue, but long-windedness can be. This may be one of the best of the trumpeter's mid-sized ensembles, a septet, with pianist Marcus Roberts, trombonist Wycliffe Gordon, saxophonists Wessell Anderson and Todd Williams, bassist Reginald Veal, and drummer Herlin Riley. It is also to the credit of Marsalis that he allows solid group interplay, and much room for his sidemen to not only stretch, but to also include their written works in the repertoire. The problem is for the listener, as the bulk of this material lays in long form, and is more a test for the band's stamina than the pleasure of the beholder. It works in concert, but not on the radio or at home. The 37-plus-minute title track, a grandiose treatise on bittersweet romance, is the most egregious with lengthy solos, tight but verbose ensemble sections, up-and-down dynamics, and rhythmic variations. "The Jubilee Suite" is only 12 minutes, and much more concise, echoing anthemic clarion calls, a hip modern New Orleans groove, and features for the clarinet of Williams and Marsalis. "And the Band Played On" is a processional march, and "Brother Veal" exudes a warm feeling marinated in easy swing, with the clarinet of Williams again a focal point. The last piece, "Sometimes It Goes Like That," is the most complex melody, using the typical variable tempo and melodic devices that make a Marsalis jazz tune fairly recognizable. The cover art and title might indicate this was a blue interlude in the personal life of Marsalis translated into music (and words on the indulgent "Monologue" prelude to the title cut) and self-consciously rendered. It's fine music, but not particularly unique or original. ~ Michael G. Nastos, All Music Guide

Tracks

Track TitleComposersPerformersTime
Brother Veal Wynton Marsalis Wynton Marsalis (3:23)
Monologue for Sugar Cane and Sweetie Pie Wynton Marsalis (5:55)
Blue Interlude (The Bittersweet Sage of Sugar Cane and Sweetie Pie) Wynton Marsalis Wynton Marsalis (37:14)
And the Band Played On Wycliffe Gordon Wynton Marsalis (5:22)
The Jubilee Suite: Day to Day/Running and Rambling/Grace Todd Williams Wynton Marsalis (12:20)
Sometimes It Goes Like That Wynton Marsalis Wynton Marsalis (7:11)

Credits

Marcus Roberts (Piano), Herlin Riley (Drums), Reginald Veal (Bass), Wessell Anderson (Sax (Alto)), Dr. George Butler (Producer), Stanley Crouch (Liner Notes), Tim Geelan (Technical Director), Wycliffe Gordon (Trombone), Wynton Marsalis (Piano), Wynton Marsalis (Trumpet), Wynton Marsalis (Main Performer), Wynton Marsalis (Performer), Mark Wilder (Engineer), Todd Williams (Clarinet), Todd Williams (Sax (Soprano)), Todd Williams (Sax (Tenor)), Sandy Palmer Grassi (Engineer), Steven Epstein (Producer), Todd Sebastian Williams (Clarinet), Todd Sebastian Williams (Sax (Soprano)), Todd Sebastian Williams (Sax (Tenor))
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Wikipedia: Blue Interlude
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Blue Interlude
Blue Interlude cover
Studio album by Wynton Marsalis Septet
Released 1991
Genre Neo-bop
Length 71:11
Label Columbia
Producer Steve Epstein
Professional reviews
Wynton Marsalis Septet chronology
Standard Time, Vol. 3: The Resolution of Romance
(1990)
Blue Interlude
(1991)
In This House, On This Morning
(1992)

Blue Interlude is an album by the Wynton Marsalis Septet, released in 1991 by Columbia Records.

Track listing

  1. "Brother Veal"
  2. "Monologue for Sugar Cane and Sweetie Pie"
  3. "Blue Interlude"
  4. "And The Band Played On"
  5. "The Jubilee Suite"
  6. "Sometimes It Goes Like That"

Personnel


 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Blue Interlude" Read more

 

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