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Bolognese School

 

Works produced and theories expounded by the Academy of the Progressives, founded in Bologna c. 1582 by Lodovico, Agostino, and Annibale Carracci. In reaction against Mannerism, they advocated drawing directly from life. Among their leading students were Domenichino and Guido Reni. Their clear, simple pictures accorded well with the artistic demands of the Counter-Reformation, which wanted works of art to be immediately comprehensible. What began as a regional movement became one of the most influential forces in 17th-century art.

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Art Encyclopedia: Marcantonio Franceschini
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(b Bologna, 5 April 1648; d Bologna, 24 Dec 1729). Italian painter and draughtsman. He was a leading master of his time. He painted altarpieces and cabinet pictures and was exceptionally skilled at large-scale fresco decoration, in which capacity he was widely active. He was the pupil of Carlo Cignani, himself the most distinguished pupil of Francesco Albani, and thus traced his artistic lineage directly back to Bolognese classicism. He interpreted the principles fundamental to this style with a rigour unequalled by any contemporary Italian master, being rivalled in this only by such French classicists as Eustache Le Sueur. Many artists were trained in his studio in Bologna and at his summer villa at Belpoggio. His closest follower was Giacinto Garofalini (1661-1723). Pupils of greater distinction included Giacomo Antonio Boni and Giuseppe Marchesi.

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Columbia Encyclopedia: Marcantonio Franceschini
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Franceschini, Marcantonio (märkäntô'nyō fränchāskē'), 1648-1729, Italian painter of the Bolognese school. After working as Carlo Cignani's assistant for more than 10 years, Franceschini developed an independent style about 1680. For the next two decades he executed many large-scale decorations in northern Italy, among them the three large frescoes in the tribune of San Bartolomeo, Bologna (1691-92) and the ceiling decoration of the palace, Modena (1696).
Wikipedia: Bolognese School (painting)
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The Bolognese School or the School of Bologna of painting flourished in Bologna, the capital of Emilia Romagna, between the 16th and 17th centuries in Italy, and rivalled Florence and Rome as the center of painting. Its most important representatives include the Carracci family, including Ludovico and his two cousins, the brothers Agostino and Annibale. Later it included other prominent Baroque painters: Domenichino and Lanfranco, active mostly in Rome as would be Guercino and Guido Reni. Accademia degli Incamminati in Bologna run by Lodovico Carracci.

Contents

List of artists

Period of Activity: 1501–1600

1601–1650

1650–1700 and after

See also

References

Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC. ed. The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. 


 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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