Track Picks: "Born in the U.S.A.," "Glory Days," "I'm on Fire"
Review
Bruce Springsteen had become increasingly downcast as a songwriter during his recording career, and his pessimism bottomed out with Nebraska. But Born in the U.S.A., his popular triumph, which threw off seven Top Ten hits and became one of the best-selling albums of all time, trafficked in much the same struggle, albeit set to galloping rhythms and set off by chiming guitars. That the witless wonders of the Reagan regime attempted to co-opt the title track as an election-year campaign song wasn't so surprising: the verses described the disenfranchisement of a lower-class Vietnam vet, and the chorus was intended to be angry, but it came off as anthemic. Then, too, Springsteen had softened his message with nostalgia and sentimentality, and those are always crowd-pleasers. "Glory Days" may have employed Springsteen's trademark disaffection, yet it came across as a couch potato's drunken lament. But more than anything else, Born in the U.S.A. marked the first time that Springsteen's characters really seemed to relish the fight and to have something to fight for. They were not defeated ("No Surrender"), and they had friendship ("Bobby Jean") and family ("My Hometown") to defend. The restless hero of "Dancing in the Dark" even pledged himself in the face of futility, and for Springsteen, that was a step. The "romantic young boys" of his first two albums, chastened by "the working life" encountered on his third, fourth, and fifth albums and having faced the despair of his sixth, were still alive on this, his seventh, with their sense of humor and their determination intact. Born in the U.S.A. was their apotheosis, the place where they renewed their commitment and where Springsteen remembered that he was a rock & roll star, which is how a vastly increased public was happy to treat him. ~ William Ruhlmann, All Music Guide
In contrast to his previous album, the critical favorite Nebraska, Born in
the U.S.A. featured anthemic, radio-friendly arrangements and 1980s production incorporating Springsteen's first use of
synthesizers. The album reached Number One on Billboard's 200 Chart on July 7, 1984 where it stayed until August 4. It spawned a record-tying seven Top 10 hit
singles in the United States, and is by far the best-selling album of Springsteen's career with over 15 million copies sold in
the U.S. alone. It was also a critical success, being voted as the best album of the year in The Village Voice's Pazz & Jop critics poll. In 2003,
the album was ranked number 85 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 1989, it was rated #6 on
Rolling Stone magazine's list of the 100 greatest albums
of the 1980s.
Born in the U.S.A. became the first compact disc manufactured in the
United States for commercial release, when CBS
Records opened its CD manufacturing plant in Terre Haute, Indiana in 1984. Discs previously had been imported from Japan.
The title track, "Born in the U.S.A.", a stinging tale of the hardships
suffered by returning Vietnam veterans, is one of Springsteen's best known songs, and
has accumulated a considerable amount of folklore. The song's anthemic feel (and the music video, which featured scenes of waving
flags and pastoral American communities reminiscent of a political campaign ad) led to widespread misinterpretation of the
track's meaning. (A darker, acoustic version of the song appears on the Springsteen collection "Tracks," and is sometimes
performed live.) Springsteen was praised by President Reagan as a great patriot; several
days later at a concert, Springsteen introduced the track "Johnny 99" (about a laid-off factory worker who kills a store clerk
and is sentenced to 99 years) by saying that he didn't think Reagan had heard this song.
In 2004, Senator John Kerry used "No Surrender" as his campaign theme song during his
2004 presidential campaign. Springsteen performed the song at
several Kerry rallies during the campaign.[1]
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