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Boukman Eksperyans

 
Artist: Boukman Eksperyans
Boukman Eksperyans

Group Members:

Maggie Jean-Louis, Jean Paul "Rudy" Coffy, Henry Joseph Pierre, Gary Seney, Mimerose "Manze" Beaubrun, Hubert Severe, Theodore "Lolo" Beaubrun, Jr., Hans Dominique, Raymond Lexis

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Followers:

Performed Songs By:

Theodore "Lolo" Beaubrun, Jr., Daniel Beaubrun, Mimerose "Manze" Beaubrun
  • Genres: World
  • Representative Albums: "Kalfou Danjare", "Vodou Adjae", "Live at Red Rocks
  • Representative Songs: "Sevelen/Sukiyaki", "Baron", "Mariaj a Zaka (Zaka's Wedding)

Biography

Boukman Eksperyans announce their radicalism in their name, an allusion to Boukman the slave who initiated the island's 1804 independence uprising. Always aware that freedom and culture go hand in hand, this ten-member band sing in the sporadically outlawed creole tongue and blend African religious motifs and street slang into a wild, syncretic celebration of Haitian voodoo culture. To sing out so boldly in Haiti, however, is to invite repression; although the band's "Wet Chenn" (Remove the Chains) won first place in a 1989 musical contest, their 1992 entry was banned. In an environment torn apart with military unrest and governmental crackdowns, Boukman Eksperyans are regarded as a radical threat. Thus, their 1990 song, "Kem Pa Sote" was banned from Haitian airwaves. 1991's Vodou Adjae was the first Boukman Eksperyans album released in the U.S.; subsequent offerings include 1992's Kalfou Dangare, 1995's Libete/Freedom (Let's Take It!) and 1999's Live at Red Rocks. Kanaval Rasin-Vodou Adja followed in mid-2000. ~ Leon Jackson, All Music Guide
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Wikipedia: Boukman Eksperyans
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Boukman Eksperyans
Origin Port-au-Prince, Haiti
Genre(s) Mizik rasin
Years active 1987–present
Label(s) Mango Records
Island Records
Tuff Gong International
Converge Records
Members
Theodore "Lolo" Beabrun, Lead Singer
Mimerose "Manze" Beabrun, Lead Singer
Gary Seney, Percusionist
Henry Pierre Joseph, Percussionist
Hans "Bwa Gris" Dominique, Percussionist
Maquel Jean Baptiste, Guitar
Jean Paul "Roudy" Coffy, Keyboards
Hubert Severe, Bass Guitar
Raymond "Samba Drol" Lexis, Percussionist
Ted Gabriel Beaubrun, Tamboo
Gerald Alfred, Guitar
Daniel "Daddy" Beabrun, Guitar
Michel Melthon Lynch, Bass guitar
Marjorie Beaubrun, Backup vocals
Evans Seney, Backup vocals
Patrick Saint Val-Demorcy, Backup Vocals
Frantc Seney, Backup Vocals

Boukman Eksperyans is a mizik rasin band from the city of Port-au-Prince, Haiti. The band derives its name from Dutty Boukman, a vodou priest who led a religious ceremony in 1791 that is widely considered the start of the Haitian Revolution. The other half of the band's name, "Eksperyans", is the Kreyòl word for "experience", and was inspired by the band's appreciation of the music of Jimi Hendrix. The band was at the height of its popularity in 1991 when the presidency of Jean Bertrand Aristide was overthrown in a military coup d'etat. Like many other artists and performers, Boukman Eksperyans fled the country to live in exile. During their time abroad, the band performed and spoke out against the military dictatorship of Raoul Cédras. In 1994, after Aristide was restored to power, the band returned to Haiti, where they continued to play concerts, record albums, and perform at the Carnival celebrations.

History

Boukman Eksperyans was founded by Lolo Beaubrun and his wife Mimerose. Beaubrun's father was a comedian and was often referred to as the Bill Cosby of Haiti. While on tour in the United States, he brought back a James Brown LP which left a lasting impression on young Lolo. After his parents divorced, he followed his mother to Brooklyn, New York. In the United States, he studied two years of Business Administration.

Lolo returned to Haiti in 1978, and there were bands playing music known as minidjaz. To Lolo, they seemed to pay no attention to song lyrics that dealt with reality. They were even accused of standing too close to the Duvaliers. When Lolo and Mimrose began to seek their musical goals, they felt a strong desire to incorporate the African element in Haiti's culture into their music. They decided to combine roots music with vodou religious and musical traditions. The greater vision was to use their music to combine the structures found in common throughout world religions with Haitian vodou.

Lolo's grandfather was deeply involved in vodou, but his parents never made this available to him. Lolo and Mimrose entered their first vodou lakou-s, a Haitian spiritual community, where they met musicians and singers. They also got their first real glance at the African culture of Haiti in the form it was handed down from members of various tribes. They founded a group to study vodou music, gave it the name of Moun Ife ("People of the Abode of the Deities"). Lolo stated that Bob Marley, another important musical inspiration, made him think. When he heard the Jamaican legend in 1976, he thought he could create something similar in Haiti with vodou. Lolo and Mimerose began to perform as a live act in the 1980s.

The traditional roots instruments were replaced by electric instruments, like the bass guitar and two guitars played by members Eddy François and Daniel 'Daby' Beaubrun, Lolo's brother and the band's chief arranger. To honor both the 18th century vodou priest and the "high priest of rock music", Jimi Hendrix, the band chose the name Boukman Eksperyans. Since the beginning, starting with the first encounters made by the Beaubruns with deep African roots, Boukman Eksperyans has remained steadfastly linked to the Ginen ("Guinea") vodou line. The band calls it vodou adjae after a vodou ceremonial dance. This was also the title of their first album, released in 1991.

Boukman Eksperyan first became famous in 1990 when they presented their song "Ke'm Pa Sote" at the Carnival celebration in Port-au-Prince. The song included the refrain "My heart doesn't leap, I'm not afraid". This song was a protest against the living conditions under the post-Duvalier interim military government of General Prosper Avril. After a young girl was shot dead by a soldier, this song became an out-and-out battle hymn admonishing the government. The band continued to write and perform rebellious songs. The band members were never directly threatened, but were advised 'never go out at night'. When the military junta overthrew president Jean-Bertrand Aristide in 1991, the band decided to leave the country for their own safety.

Just before the second coup d'état against Aristide in 2004, Lolo joined with many others in protesting the abuses at the very least condoned by the President.

Nowadays, Boukman is not associated with any political party. Their songs depict the reality of today's Haiti as they see it.

Year Album Label Notes
1991 Vodou Adjae Mango Records Premier album
1992 Kalfou Danjere Island Records
1995 Libete (Pran Pou'l!) Mango Records
1998 Revolutíon Tuff Gong International
1998 Revolisyon Tuff Gong International Second release of Revolutíon
1999 Live at Red Rocks Tuff Gong International Live concert recording, August, 1998
2000 Kanaval Rasin - Vodou Adjae Converge Records Greatest hits album of songs performed at Carnival

2008 "Ti Bourik Pote Chay" Kanaval 2008


External links


 
 
Learn More
Live at Red Rocks (1999 Album by Boukman Eksperyans)
Chris Cunningham (Rock Artist, '90s)
Reggae on the Rocks: Voodoo, Sacraments, Oddities, & Other Holy Anthems (1999 Album by Various Artists)

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