Contents: IntroductionPlot Summary Themes Style Critical Overview Criticism Sources Further Reading |
Characters
Agnes
Agnes is, first, wife to Einar, then to Brand, whom she obeys until the end of her life, even when it means losing her life and the life of her son. At the beginning of the play, Agnes is a carefree, young woman, recently engaged to Einar. Brand gives them a sermon, which falls on Einar’s deaf ears but impacts Agnes, so much so that when Brand asks for a volunteer to risk his or her life to help someone, Agnes leaves Einar to help Brand. Agnes decides to leave Einar for good, marries Brand, and has a child with him. Although Agnes has agreed to Brand’s harsh requirement of “Naught or All!” she struggles with Brand’s decision to stay in the harsh weather of the village when it means the death of their son. She follows Brand in the end, however, as she eventually does when Brand commands her to stop grieving for their dead son. When Brand tells Agnes to get rid of her last memories of their son, as well as his clothes — donating them to a needy gypsy woman — she once again falters at first but eventually adheres to Brand’s strict religious requirements and gives up her earthly attachments. Agnes also dies from the harsh weather in the mountains, and her death greatly affects Brand, so much so that when he is tempted in the mountains by a vision, it takes the form of Agnes.
Brand
Brand is the unyielding title character, a priest who forces himself and his family to adhere to a strict religious life, even though it means the death of them all. Brand is driven by his strong will, which he thinks is the way to God. He believes that by having the personal strength to relinquish all of one’s earthly attachments, a person can achieve eternal salvation. Brand’s faith is fiery, as are the gloomy sermons that he gives to villagers. Brand repeatedly puts his life on the line for his principles, thinking that an attachment to one’s life is unholy. He counts on his enormous strength of will to get him through situations, and most of the time he is successful, overcoming great odds to live through storms and in harsh climates that ultimately kill his wife, Agnes, and their son, Alf.
Brand’s famous requirement for his wife or for anybody who chooses to follow him is “Naught or All!” meaning that one must be willing to give everything in order to be saved. Brand is tested in his faith on several occasions. When his mother is on her deathbed, he refuses to give her last rites because she will not give up her hard-earned fortune to charity. When his son is given the prognosis of death if Brand does not move him to a warmer climate, Brand nevertheless stays in the mountains, sacrificing his son, because he has a job to do with his parish. Although Brand’s own faith wavers on occasion, he is reminded of his mission by others, such as the mad girl, Gerd, and the doctor, and is ultimately able to stick to his rigid faith. At the end, Brand’s rigid faith is put in question, first by Einar, a reformed man who tells Brand that he himself was only saved when he gave up his pride and his belief in his own strength. Einar senses similar qualities in Brand and declares him damned. In the end, Brand retreats to the mountains, where he is tempted by a vision of his dead wife — who tries unsuccessfully to get Brand to compromise his ideals. He also runs into the mad girl, Gerd, who reveres him like Christ and kills them both when she shoots her own vision, the hawk of compromise, causing a massive avalanche. As Brand dies, he appeals to heaven, asking how a man can achieve salvation. A voice answers, “God is Love!” ending the play on an ambiguous note.
Brand’s Mother
Brand’s mother dies without receiving last rites from her son because she refuses to donate her hard-earned money to charity. Brand warns her that he will not perform last rites for her unless she gives away all of her money, but his mother has had to suffer greatly for the money, and she wants Brand to hoard it after she is gone. Although his mother ultimately offers to give nine-tenths of her money away, it is not enough for Brand, who requires her to give it all away.
A Clerk
The clerk is a normally rational person who decides to go with Brand at the end of the play, although, like others, he turns on the priest. When the clerk and the schoolmaster are talking before the dedication of the new church, they both betray a sense of emotion, which is quickly suppressed. However, when Brand gives his fiery sermon to the crowd, the clerk follows him up into the mountains. Even after he has turned on Brand, the clerk is afraid to go back to town, since he is afraid he has lost his job. He is relieved to find out that he has not.
The Dean
The dean tells Brand that since the priest has built the new church, he must now serve two masters — the people and the state. He also tells Brand that his gloomy sermons do not serve the needs of the state and that Brand needs to tone down his fiery proclamations. Brand refuses, but the dean says it is no use. Brand tries to run away to the mountains, taking many of the townspeople with him. When they turn on Brand, the dean is there with the sheriff to reclaim them, saying that they will have a much easier life in the village than with Brand. The people gladly go with the dean and the sheriff.
The Doctor
The doctor attends Brand’s mother on her deathbed and, like many others, accuses Brand of being too strict in his requirements for faith. The doctor also lets Brand know that his son will die if Brand and Agnes do not move to a warmer climate. When Brand has a moment of weakness and says he will leave at once, the doctor calls him a hypocrite, although he says that most men are. This, along with the appearance of Gerd, helps to convince Brand to stand by his strict faith and stay, even though it means the death of his son.
Einar
Einar is the hedonistic artist, initially engaged to Agnes, who eventually trades his wanton ways for faith in God. When Einar is first introduced, he is a happy bridegroom, and he and Agnes look forward to their happy and carefree lives together. After Agnes leaves him to marry Brand and commit herself to Brand’s harsh lifestyle, Einar commits himself to a life of sin but is saved by a few nuns and eventually becomes a missionary. He tells Brand that his salvation came from transferring his faith in his human will to prayer and says that Brand is damned — presumably because Brand still believes in the strength of human will.
Gerd
Gerd is the mad little girl who appears several times in the play when Brand is doubting himself. Gerd is the daughter of a gypsy man who was spurned by Brand’s mother. The townspeople have been feeding and clothing Gerd. She has religious visions, and she inspires Brand to stick to his strict morals, such as when her presence encourages him to stay living in the fiord — even though it means the death of his son. At the end of the play, when Brand walks alone through the mountains, Gerd appears with a rifle, saying that she is hunting the hawk of compromise. For once, Brand has seen the hawk, in the vision of his dead wife, Agnes, who has tried to convince him to give up his strict beliefs. Gerd believes that Brand is Christ, since the priest’s wounds from the villagers match Christ’s wounds. At the end, Gerd shoots the hawk in the Ice-Church, which causes the avalanche that kills both Gerd and Brand.
The Schoolmaster
The schoolmaster of the village is a rational person who eventually succumbs to Brand’s powerful preaching at the end and follows him into the mountains. He is one of many who turn on Brand when the priest cannot offer guarantees of an easy life. Even after he has turned on Brand, the schoolmaster is afraid to go back to town, since he is afraid he has lost his job. He is relieved to find out that he has not.
The Sheriff
The sheriff, Brand’s nemesis, tries several times to get Brand to leave the village, since the priest’s gloomy teaching disrupts orderly village life. The sheriff first meets Brand when the sheriff is giving out food to the poor. When Brand offers sermons instead of donations, the sheriff is angry. When Brand is about to receive his inheritance, the sheriff encourages Brand to take the money and leave. When Brand refuses, the sheriff threatens him, and Brand declares war. Later, the sheriff declares Brand the winner of their war, as Brand has won the support of the majority of people. The sheriff offers a truce and tries to get Brand to use his inheritance to build a new poor house, which will also serve many other functions. Brand, however, wants to build a new church, which the sheriff supports. On the day the church is to be dedicated in a big party, Brand realizes his mistake and tries to get back to the simple life once again, going into the mountains, away from the showy church, to seek the simple life. When Brand incites a number of villagers to follow him into the mountains, the sheriff is worried but bides his time. He follows the crowd, which turns on Brand after he promises them a hard life but a good afterlife. The sheriff then dupes the villagers into coming home by lying to them, saying that millions of fish have entered the fiord.
The Woman
The woman saves Brand from being beaten by the townspeople in the beginning by her frantic request for a priest to administer last rites for her husband. Although the woman is glad Brand is willing to cross the stormy bay to her house, she will not, for fear of losing her life.




