AMG AllMovie Guide:

Bread and Tulips

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Plot

Silvio Soldino directs this gentle comedy about a housewife who temporarily flees from the grinding tedium of her household duties and drifts into a world of amicable weirdos. When Rosalba (Licia Maglietta) is accidentally forgotten by her tour bus at a roadside restaurant, she does not wait there as instructed. She decides to hitchhike home, but on a whim, she ends up in Venice instead. Quietly exhilarated at the prospect of being alone for a spell, she checks into an inn run by a kindly yet eccentric Icelander (Bruno Ganz). Her plans to return the next day are thwarted when she misses her train and does not have enough money to buy another ticket. Soon she is gainfully employed at a flower shop run by an irascible old anarchist. Though her teenaged sons do not seem all that bothered by their mom's absence, Rosalba's husband grows increasing agitated at the interruption in his routine, so he hires a bumbling detective to track her down. ~ Jonathan Crow, Rovi

Review

A kissing cousin of Lewis Gilbert's Shirley Valentine, Bread and Tulips is housewife revolt at its most passive, and romantic comedy at its most slight. As Rosalba (Licia Maglietta) becomes gradually unhinged from her existence as a disrespected mother and wife, the viewer senses her liberation without feeling the urge to celebrate it. This agreeable indifference points to an ingrained detachment that the film can't shake, even as it quickens the plodding pace and grows more enjoyably eccentric in the telling. Its strong suit is the flawed humanity of its central characters: the lonely restaurant owner with the extensive vocabulary, the new agey neighbor/ditzy masseuse, and the hapless plumber turned private eye (who is constantly hectored by the manic serenade of his mobile phone). The film's weakness, however, is what it does with them, or rather doesn't do, over the course of a lengthy yet surprisingly surface-level character study. Atmosphere and tone make up for some of this deficit, but Venice is not the vibrant character it could have been, either -- especially since it serves as a repository for all of Rosalba's deferred yearnings. Silvio Soldino's quiet film has the refreshing quality -- but also the lingering impact -- of a mild breeze. ~ Derek Armstrong, Rovi

Cast

  • Licia Maglietta - Rosalba
  • Bruno Ganz - Fernando
  • Marina Massironi - Grazia
  • Antonio Catania - Mimmo
Felice Andreasi - Fermo; Giuseppe Battiston

Credit

Paola Bizzarri - Art Director, Jorgelina Depetris - Casting, Silvia Nebiolo - Costume Designer, Silvio Soldini - Director, Carlotta Cristiani - Editor, Giovanni Venosta - Composer (Music Score), Luca Bigazzi - Cinematographer, Daniele Maggioni - Producer, Maurizio Argentieri - Sound/Sound Designer, Doriana Leondeff - Screenwriter, Silvio Soldini - Screenwriter

Previous:Bread and Roses (2000 Film), Bread and Roses (1993 Film)
Next:Break (2009 Film), Break (2011 Film)

Bread and Tulips

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Bread and Tulips

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Bread and Tulips

Bread and Tulips poster
Directed by Silvio Soldini
Produced by Daniele Maggioni
Written by Doriana Leondeff
Silvio Soldini
Starring Licia Maglietta
Bruno Ganz
Giuseppe Battiston
Antonio Catania
Marina Massironi
Music by Giovanni Venosta
Cinematography Luca Bigazzi
Editing by Carlotta Cristiani
Release date(s) Italy 3 March 2000
United States 27 July 2001 NYC
Running time 114 Min
Country  Italy
Language Italian
Box office $8,478,434 (INT) [1]

Bread and Tulips or Pane e tulipani is an award-winning 2000 romance comedy film directed by Italian Director Silvio Soldini, and starring Licia Maglietta and Bruno Ganz. The film was an official selection at numerous film festivals, including the Cannes Film Festival and the Toronto International Film Festival.[2]

Contents

Plot

An Italian housewife, Rosalba Barletta (Maglietta), finds herself stranded during a family vacation. Instead of waiting for her controlling businessman husband, she hitchhikes her way home, only to impulsively detour to Venice. She finds accommodations with a restaurant maitre d', Fernando Girasole (Ganz), and soon finds herself enjoying her new life. Meanwhile, her husband has sent a bumbling plumber, Costantino (Battiston), as a private detective to find her. After meeting and falling in love with Grazia, Rosalba's neighbor across the hall, Costantino calls Rosalba's husband and quits, claiming that he is unable to find her. However, her husband's mistress appears and convinces Rosalba to return to her home in Pescara. Fernando follows her and persuades her to return to Venice with him.

Cast

  • Licia Maglietta - Rosalba Barletta
  • Bruno Ganz - Fernando Girasole
  • Giuseppe Battiston - Costantino Caponangeli
  • Antonio Catania - Mimmo Barletta
  • Marina Massironi - Grazia
  • Felice Andreasi - Fermo
  • Vitalba Andrea - Ketty
  • Tatiana Lepore - Adele
  • Daniela Piperno - Woman in car
  • Tiziano Cucchiarelli - Nic

Music

  • "Moro" by Lars Hollmer
  • "Franska Valsen" by Lars Hollmer
  • Theme from "La Gazza Ladra" by Gioachino Rossini
  • "Il Valzer di Vera Zasulich" by Giovanni Venosta
  • "Disco Man" by Ranee Lee, Alain Leroux, Jacques Lafleche, sung by Ranee Lee
  • "Eclisse Twist" by Michelangelo Antonioni, performed by Tuscolano Brothers
  • "Frasi d'amori" by Aldo Caponi and Detto Mariano, sung by Don Backy
  • "Tu Solamente Tu" (1939) by Pasquale Frustaci and Michele Galdieri, sung by Tiola Silenzi
  • "Rosa y Clavel" by B. Valli and Giovanni Venosta, sung by Lorenzo Castelluccio accompanied by Rhapsodija Trio

Box office

The film was released on July 27, 2001 and grossed $32,933 in the opening weekend. It went on to gross $5,318,679 in the American market and $3,159,755 from the overseas market for a worldwide total of $8,478,434.[1]

Awards

  • 5 Nastro d'Argento: Best Actor, Best Director, Best Screenplay, Best Supporting Actor and Best Supporting Actress.
  • 9 David di Donatello: Best Film, Best Director , Best Actress, Best Actor, Best Cinematography, Best Screenplay, Best sound, Best supporting actor (Giuseppe Battiston) and Best supporting actress (Marina Massironi ).

References

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