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Bruce Gilbert

 
Artist: Bruce Gilbert
Bruce Gilbert

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Worked With:

Formal Connection With:

Wire, Dome
  • Born: May 18, 1946, Watford, Hertfordshire, England
  • Active: '70s, '80s, '90s
  • Genres: Rock
  • Instrument: Producer, Vocals, Guitar

Biography

Were his pioneering art punk work as the most experimentally inclined member of Wire Bruce Gilbert's only claim to fame, he would still be an important figure in the avant-pop world. Gilbert's work outside of that group, however, is at least as intriguing.

Born in 1946, Gilbert was already 30 when Wire formed, a former art school student with a background in the British avant-garde music underground of the late '60s. This atypical interest is an enormous part of what made Wire so unlike the other bands of the first wave of U.K. punk, as the esoteric leanings of guitarist Gilbert and bassist Graham Lewis meshed with the somewhat more straightforward style of singer Colin Newman and drummer Robert Gotobed. Over their brilliant first three albums, Wire expanded the sonic boundaries of not just punk, but rock music in general.

Wire's final release in their initial incarnation was "Crazy About Love," a 15-minute drone that pointed the way toward Gilbert's next projects. Partnering with Lewis in the duo Dome, Gilbert released several increasingly experimental albums between 1981 and Wire's reformation in 1986. The partnership's pinnacle was 1982's MZUI/Waterloo Gallery, a combination of ambient music and found sound that's among the most unusual and absorbing records of Gilbert's career.

During Wire's second incarnation (1986-1991), Gilbert actively pursued a solo career; as this edition of Wire moved more and more into a skewed but subversively commercial pop direction, scoring college and alternative radio hits like "Kidney Bingos" along the way, Gilbert's solo records completely dropped all pretense of pop music. 1984's This Way contains Gilbert's first score for the avant-garde Michael Clark Dance Company and a pair of lengthy minimalist electronic pieces akin to Steve Reich's early-'70s work. 1986's The Shivering Man has more of an odds and ends feel, collecting several of Gilbert's commissioned works from the era. (A CD compilation of tracks from the two U.K.-only albums, This Way to the Shivering Man, was released by Wire's U.S. label Restless-Enigma shortly before that company's demise in 1990.) 1991's Insiding is the best release of this period in Gilbert's career; its two lengthy pieces, ballet scores commissioned by dancer Ashley Page, unfold and develop intriguingly over their allotted 20 minutes each. Released later the same year, the EP-length Music for Fruit sounds distressingly like leftovers from the sessions that produced the far superior Insiding. Gilbert also helped Lewis on his own post-Dome solo project, He Said, during this period.

Following Wire's protracted decline and eventual collapse, including a distressingly dull final release as a Newman-Lewis-Gilbert trio named Wir, Gilbert followed his almost entirely electronic muse (Wire's fearsome guitarist has barely touched the instrument since 1980) onto the dance floor. By the mid-'90s, the fiftyish Gilbert was a fixture in London's techno clubs, DJing, and remixing under the name DJ Beekeeper, most often performing inside a garden shed above the dancefloor for a touch of Wire-like visual humor. At the same time, Gilbert also released 1996's Ab Ovo, another Insiding-like collection of ballet scores. Wire occasionally reunites for live performances, but not recording sessions. ~ Stewart Mason, All Music Guide
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Wikipedia: Bruce Gilbert
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Bruce Gilbert
Birth name Bruce Clifford Gilbert
Born 18 May 1946 (1946-05-18) (age 63)
Watford, Hertfordshire, England
Occupations Musician, guitarist
Labels Mute Records
Editions Mego
Associated acts Wire
Dome

Bruce Gilbert (born Bruce Clifford Gilbert, 18 May 1946, Watford, Hertfordshire) is an English musician, one of the founding members of the influential and experimental art-punk band Wire, and a pioneer in the experimental noise scene.

Contents

Education and early career

He studied art in a British school and found a niche in the budding avant-garde music scene in late 1960s England. Gilbert's experimental inclinations in his musical tastes later influenced his guitar playing in Wire. While in Wire he was known as the most experimental member of the group.[citation needed]

Although not formally trained as a guitarist, he provided much of the experimental guitar heard in most Wire songs with distortion pedals and other effects.

Gilbert explains how he became a member of Wire; "It all came about by accident. I was working as an AV technician in charge of a small studio at Watford college. I was fiddling about as usual, making strange tapes with one of the students. We were planning to do a Tangerine Dream-ish sort of thing, but more harrowing, not as soporific. At that time, I was unaware of the other things that were happening in Germany, the experimental, harder stuff, but I suppose that was what I was working towards, without knowing it. Then a chap who played guitar started dropping by to make use of the facilities. Somehow, the studio just became a focus for people, so some of us just started playing things together. I was very wary of where it might lead. I'm not impressed by 'technique' and to begin with, my role in the proceedings was to make sure that it didn't get in the way of what we were trying to do."[citation needed]

Gilbert and his band members had no idea that Wire was to become one of the most influential and innovative bands of the punk era, with their brief, three album tenure between 1976-79 with Pink Flag, Chairs Missing and 154 before temporarily disbanding after a show at London's Electric Ballroom at the start of 1980. At this time, Gilbert formed Dome with Wire's bassist, Graham Lewis. Dome's performances were done at art galleries with visual displays that allowed audience interactivity. Gilbert and Lewis performed with tubes made of paper over their heads, thus restricting their vision. Artist Russell Mills frequently collaborated with Dome.

Late career

By the mid 1990s, Gilbert was a fixture in London's techno clubs, DJing and remixing under the name DJ Beekeeper, most often performing inside a garden shed above the dancefloor for a touch of Wire-like visual humor. Gilbert has often been quoted saying that being a DJ was just an excuse to "manipulate other people's music" - such projects include remixing "National Grid" by the group Disinformation, for publication on their double CD Antiphony.

In March 1996, he released the results of new experiments, the Ab Ovo album and "Ovo Mix" 12-inch single. His first solo album not to result from an external dance or film commissions, was described by The Wire as, "a forceful piece of work which sounds like nothing else around."[citation needed]

Gilbert was also commissioned to create music for modern dance performances, with excerpts appearing on his albums This Way, Shivering Man (both combined on CD as This Way to the Shivering Man) and Music for Fruit.

Discography

Albums

  • This Way (Mute Records 1984)
  • This Way to the Shivering Man (Mute Records 1987)
  • Insiding (Mute Records 1991)
  • Music for Fruit (Mute Records 1991)
  • Ab Ovo (Mute Records 1996)
  • Orr (Parallel Series 1996)
  • In Esse (Mute Records 1997)
  • Ordier (Table Of The Elements 2004)
  • Oblivio Agitatum (Editions Mego 2009)
  • This Way (25th Anniversary Reissue) (Editions Mego 2009)

Singles

  • "Ab Ovo" (Mute Records 1996)

References


 
 
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Mesmer Variations (1996 Album by Various Artists)
In Esse (1997 Album by Bruce Gilbert)
Cupol (Rock Band, '80s)

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