For more information on Bruce Sterling, visit Britannica.com.
Britannica Concise Encyclopedia:
Bruce Sterling |
For more information on Bruce Sterling, visit Britannica.com.
Wikipedia:
Bruce Sterling |
| Bruce Sterling | |
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| Born | April 14, 1954 Austin, Texas, U.S. |
| Pen name | Vincent Omniaveritas (in fanzine Cheap Truth) |
| Occupation | Writer, speaker, futurist, design instructor |
| Nationality | American |
| Writing period | 1970s-present |
| Genres | Science fiction |
| Subjects | Cyberpunk |
| Literary movement | Cyberpunk/postcyberpunk |
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Michael Bruce Sterling (born April 14, 1954) is an American science fiction author, best known for his novels and his work on the Mirrorshades anthology, which helped define the cyberpunk genre.
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Sterling is, along with William Gibson, Rudy Rucker, John Shirley, Lewis Shiner, and Pat Cadigan, one of the founders of the cyberpunk movement in science fiction, as well as its chief ideological promulgator, and one whose polemics on the topic earned him the nickname "Chairman Bruce".[2] He was also one of the first organizers of the Turkey City Writer's Workshop, and is a frequent attendee at the Sycamore Hill Writer's Workshop. He won Hugo Awards for his novelettes Bicycle Repairman and Taklamakan.
His first novel, Involution Ocean, published in 1977, features the world Nullaqua where all the atmosphere is contained in a single, miles-deep crater; the story concerns a ship sailing on the ocean of dust at the bottom, which hunts creatures called dustwhales that live beneath the surface. It is partially a science-fictional pastiche of Moby-Dick by Herman Melville.
From the late 1970s onwards, Sterling wrote a series of stories set in the Shaper/Mechanist universe: the solar system is colonised, with two major warring factions. The Mechanists use a great deal of computer-based mechanical technologies; the Shapers do genetic engineering on a massive scale. The situation is complicated by the eventual contact with alien civilizations; humanity eventually splits into many subspecies, with the implication that many of these effectively vanish from the galaxy, reminiscent of The Singularity in the works of Vernor Vinge. The Shaper/Mechanist stories can be found in the collection Crystal Express and the collection Schismatrix Plus, which contains the original novel Schismatrix and all of the stories set in the Shaper/Mechanist universe. Alastair Reynolds identified Schismatrix and the other Shaper/Mechanist stories as one of the greatest influences on his own work.[1]
In the 1980s, Sterling edited the science fiction critical fanzine Cheap Truth, under the alias of Vincent Omniaveritas. He wrote a column called Catscan, for the now-defunct science fiction critical magazine, SF Eye.
He recently contributed a chapter to Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky.
From April 2009 through May 2009, he was an editor at Cool Tools.[3]
Since October 2003[4] Sterling has blogged at "Beyond the Beyond", which is hosted by Wired.
He has been the instigator of three projects which can be found on the Web -
Sterling has a habit of coining neologisms to describe things which he believes will be common in the future, especially items which already exist in limited numbers.
In childhood, Sterling spent several years in India, and today has a notable fondness for Bollywood films. In 2003 he was appointed Professor at the European Graduate School where he is teaching Summer Intensive Courses on media and design. In 2005, he became "visionary in residence" at Art Center College of Design in Pasadena, California. He lived in Belgrade with his second wife, Serbian author and film-maker Jasmina Tesanovic[10] for several years. In September 2007 he moved to Turin, Italy.[11] He also travels the world extensively giving speeches and attending conferences.
In his hometown of Austin, Texas, the author was known for throwing large South By Southwest parties up through 2005, and for participating in his block's annual Christmas lights display, to which Sterling added digital art.[citation needed]
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