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Cailleach

 
Celtic Mythology: cailleach

caillech, cailliach, callech

Although the Modern Irish and Scottish Gaelic word cailleach means literally ‘old woman’, often in the pejorative sense, or ‘hag’, the word has many more connotations than this simple gloss would imply. The Old Irish caillech, from which cailleach derives, meant literally ‘veiled one’, and could denote a nun, widow, or old woman. Thus the Irish sovereignty figure, Cailleach Bhéirre, is best described by the resonant Irish term rather than the unsatisfactory English translations ‘Nun’, ‘Hag’, or ‘Old Woman of Beare’.

In both Ireland and Gaelic Scotland, cailleach also denotes the last sheaf of a harvest and is the subject of many beliefs and practices. In Ireland farmers hold races at harvest time so that industrious farmers may call their last sheaf the ‘corn maiden’ while only slower workers are given the cailleach as their last sheaf, presumably a reproach for their procrastination and dilatory ways. The cailleach is kept during the year; some is given to the cattle and some shaken on the land to assure fertility in the coming year. Farm girls avoid tying the cailleach for fear that they shall never have a husband. In Scotland the cailleach is tied with a ribbon and hung up on a nail until spring. On the first day of ploughing it is given to the horse as a token of good luck. On the Isle of Lewis the cailleach was dressed as a woman and her apron filled with bread, cheese, and a sickle. Comparable customs of the old woman of the fields are found in Wales as well as in non-Celtic European countries.

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In the Highlands of Scotland, there was a superstition that whoever was last with his harvesting would be saddled with the Harvest Old Wife to keep until the next year. The first farmer to be finished made a doll of some blades of corn, which was called "the old wife," and sent it to his nearest neighbor. He, in turn, when finished, sent it on to another, and so on until the person last finished had the old wife to keep. Needless to say this fear acted as a spur to the superstitious Highlanders.

Sources:

Thompson, Francis. The Supernatural Highland. London: Robert Hale, 1976.

Wikipedia: Cailleach
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Ceann na Cailleach ('Hag's Head'), the southernmost tip of the Cliffs of Moher in County Clare. One of many locations named for the Cailleach.[1]

In Irish and Scottish mythology, the Cailleach (Irish pronunciation: [ˈkalʲəx], Irish plural cailleacha [ˈkalʲəxə], Scottish Gaelic plural cailleachan /kaʎəxən/), also known as the Cailleach Bheur, is a divine hag, a creatrix, and possibly an ancestral deity or deified ancestor. The word simply means 'old woman' in modern Scottish Gaelic,[2] and has been applied to numerous mythological figures in Ireland, Scotland, and the Isle of Man.[3]

Contents

Legends

Ben Cruachan, highest point in Argyll and Bute, home of the Cailleach nan Cruachan

In Scotland, where she is also known as Beira, Queen of Winter, she is credited with making numerous mountains and large hills, which are said to have been formed when she was striding across the land and accidentally dropped rocks from her apron. In other cases she is said to have built the mountains intentionally, to serve as her stepping stones. She carries a hammer for shaping the hills and valleys, and is said to be the mother of all the goddesses and gods.[4]

The Cailleach evinces many traits fitting for the personified Winter: she herds deer, she fights Spring, and her staff freezes the ground.[5]

In partnership with the goddess Brìghde, the Cailleach is seen as a seasonal deity or spirit, ruling the winter months between Samhainn (November 1) and Bealltainn (May 1), while Brìghde rules the summer months between Bealltainn and Samhainn.[6] Some interpretations have the Cailleach and Brìghde as two faces of the same goddess,[6] while others describe the Cailleach as turning to stone on Bealltainn and reverting back to humanoid form on Samhainn in time to rule over the winter months. Depending on local climate, the transfer of power between the winter goddess and the summer goddess is celebrated any time between Là Fhèill Brìghde (February 1) at the earliest, Latha na Cailliche (March 25), or Bealltainn (May 1) at the latest, and the local festivals marking the arrival of the first signs of spring may be named after either the Cailleach or Brìghde.[6]

Là Fhèill Brìghde is also the day the Cailleach gathers her firewood for the rest of the winter. Legend has it that if she intends to make the winter last a good while longer, she will make sure the weather on February 1 is bright and sunny, so she can gather plenty of firewood to keep herself warm in the coming months.[3] As a result, people are generally relieved if February 1 is a day of foul weather, as it means the Cailleach is asleep, will soon run out of firewood, and therefore winter is almost over.[3] On the Isle of Man, where She is known as Caillagh ny Groamagh, the Cailleach is said to have been seen on St. Bride's day in the form of a gigantic bird, carrying sticks in her beak.[3]

In Scotland, The Cailleachan (lit. 'old women') are also known as The Storm Hags, and seen as personifications of the elemental powers of nature, especially in a destructive aspect. They are said to be particularly active in raising the windstorms of spring, during the period known as A' Chailleach.[6][7]

The Corryvreckan whirpool (Scottish Gaelic: Coirebhreacain - 'cauldron of the plaid') washtub of the Cailleach

On the west coast of Scotland, the Cailleach ushers in winter by washing her great plaid in the Whirlpool of Coire Bhreacain. This process is said to take three days, during which the roar of the coming tempest is heard as far away as twenty miles (32 km) inland. When she is finished, her plaid is pure white and snow covers the land.[6]

In Scotland and Ireland, the first farmer to finish the grain harvest made a corn dolly, representing The Cailleach (also called "the Carlin or Carline"[8]), from the last sheaf of the crop. The figure would then be tossed into the field of a neighbor who had not yet finished bringing in their grain. The last farmer to finish had the responsibility to take in and care for the corn dolly for the next year, with the implication they'd have to feed and house the hag all winter. Competition was fierce to avoid having to take in the Old Woman.[9]

Some scholars believe the Old Irish poem, 'The Lament of the Old Woman of Beare' is about the Cailleach; Kuno Meyer states, '...she had fifty foster-children in Beare. She had seven periods of youth one after another, so that every man who had lived with her came to die of old age, and her grandsons and great-grandsons were tribes and races.'[10][11]

Etymology

The word cailleach (in modern Irish and Scottish Gaelic, 'old woman')[2][12] comes from the Old Irish caillech ('veiled one'), which probably has the same origin as the Latin pallium ('cloak').[13] The word is found as a component in terms like the Gaelic cailleach-dhubh ('nun') and cailleach-oidhche ('owl'),[2] as well as the Irish cailleach feasa ('wise woman', 'fortune-teller') and cailleach phiseogach ('sorceress', 'charm-worker').

Related words include the Gaelic caileag ('young woman', 'girl')[2] and the Lowland Scots carline/carlin ('old woman', 'witch').[14] A more obscure word that is sometimes interpreted as 'hag' is the Irish síle, which has led some to speculate on a connection between the Cailleach and the stonecarvings of Sheela na Gigs.[14][15]

Locations associated with the Cailleach

Scotland

Loch Awe (Scottish Gaelic, Loch Obha), created by Cailleach nan Cruachan

The Cailleach is prominent in the landscape of Argyll and Bute, Scotland. In later tales she is known as the Cailleach nan Cruachan ("the witch of Ben Cruachan"). Ben Cruachan is the tallest mountain in the region. Tea-towels and postcards of her are sold in the visitor shop for the Hollow Mountain, which also features a mural depicting her accidental creation of Loch Awe.[16]

Legend has it that the Cailleach was tired from a long day herding deer. Atop Ben Cruachan she fell asleep on her watch and a well she was tending overflowed, running down from the highlands and flooding the valleys below, forming first a river and then the loch.[16][17] The overflowing well is a common motif in local Gaelic creation tales - as seen in the goddess Boann's similar creation of the River Boyne in Ireland.[18] Other connections to the region include her above-mentioned strong ties with the fierce whirlpool in the Gulf of Corryvreckan.[6]

Beinn na Caillich on the Isle of Skye is one of her haunts, as are other mountains which are prominent in the landscape, and from which fierce storms of sleet and rain descend, wreaking havoc and destruction upon the lands below.[6]

Ireland

In Ireland she is also associated with craggy, prominent mountains and outcroppings, such as Hag's Head (Irish: Ceann na Cailleach) the southernmost tip of the Cliffs of Moher in County Clare.[1] The megalithic tombs at Loughcrew in County Meath are situated atop Slieve na Calliagh (Irish: Sliabh na Caillí, meaning "the hag's mountain") and include a kerbstone known as "the hag's chair".[19] Cairn T on Slieve na Calliagh is a classic passage tomb, in which the rays of the equinox sunrise shine down the passageway and illuminate an inner chamber filled with megalithic stonecarvings.[20]

Galicia

Galicia, in the north-west of the Iberian Peninsula, may be named for the Cailleach.[21][22][23] According to Ptolemy, the first tribe in the area to battle the invading Romans were called Callaeci.[24][25] Some authors entertain the idea that the name may have been taken from the Greek term used for "worshippers of Cailleach", Kallaikoi (καλλαικoι), as Greek traders allegedly arrived on the southern Galician coasts before the Romans.[26]

See also

References and footnotes

General references
Specific references and notes
  1. ^ a b Monaghan, Patricia (2004) The Red-Haired Girl from the Bog: The Landscape of Celtic Myth and Spirit. New World Library. ISBN 1577314581 p.23: "We see her silhouette on Ceann na Cailleach, "Hag's Head", the most southerly of the Cliffs of Moher"
  2. ^ a b c d Robertson, Boyd; Ian McDonald (2004). Gaelic Dictionary. Hodder Education, Teach Yourself Series. p. 24-25. ISBN 0-07-142667-1. 
  3. ^ a b c d Briggs, Katharine (1976) An Encyclopedia of Fairies. New York, Pantheon Books. pp. 57-60
  4. ^ Mackenzie, Donald Alexander (1917). "Beira, Queen of Winter" in Wonder Tales from Scottish Myth and Legend"
  5. ^ Briggs, K. M. (1967). The Fairies in English Tradition and Literature. London: University of Chicago Press. pp. 40. 
  6. ^ a b c d e f g McNeill, F. Marian (1959). The Silver Bough, Vol.2: A Calendar of Scottish National Festivals, Candlemas to Harvest Home. Glasgow: William MacLellan. pp. 20–1. ISBN 0-85335-162-7. 
  7. ^ McNeill, F. Marian (1959). The Silver Bough, Vol.1: Scottish Folklore and Folk-Belief. Glasgow: William MacLellan. pp. 119. ISBN 0-85335-161-9. 
  8. ^ Frazer, The Golden Bough 1922, ch. 45.
  9. ^ McNeill, Vol.2 (1959) pp.119-124
  10. ^ Meyer, Kuno (1994 (orig. 1913)). Ancient Irish Poetry. London: Constable and Co.. pp. 90–3. ISBN 0094733805. 
  11. ^ Ó Crualaoich, Gearóid (2003). The Book of the Cailleach: Stories of the Wise-Woman Healer. Cork: Cork University Press. pp. 48–52. ISBN 1-85918-372-7. 
  12. ^ Ó Dónaill, Niall (1992). Foclóir Gaeilge-Béarla. Éireann: Mount Salus Press. p. 172. ISBN 1-85791-037-0. 
  13. ^ Macbain, Alexander (1998) Etymological Dictionary Of Scottish-Gaelic. New York, Hippocrene Books. ISBN 0-7818-0632-1 p.63
  14. ^ a b Ross, Davie (1999). Scots-English English-Scots Dictionary. New York: Hippocrene Pres. p. 21. ISBN 0-7818-0779-4. 
  15. ^ Freitag, Dr Barbara (2004) Sheela-na-gigs: Unravelling an Enigma. Routledge ISBN 0415345537
  16. ^ a b 'The Legend of Cruachan', from the Ben Cruachan visitor's website. Access date 21-11-2007
  17. ^ 'Cailleach Bheur' from the Mysterious Britain website. Access date 21-11-2007
  18. ^ MacKillop, James (1998) Dictionary of Celtic Mythology. Oxford University Press. ISBN 0-19-280120-1 p.45
  19. ^ Cochrane, Andrew (2005) "A taste of the unexpected: subverting mentalités through the motifs and settings of Irish passage tombs". p.4: "To the north of Cairn T and on the exterior is located K29 or the ‘Hag’s Chair’. This kerbstone has visual imagery on its front and back face. The top of the central part of this kerbstone is believed to be artificially cut to create the chair appearance (Shee Twohig 1981, 217; contra. Conwell 1866, 371)"
  20. ^ Documented in photos and videos taken on site for six years running
  21. ^ Murguía, Manuel (1968): "Etimología del nombre de Galicia", in Irmandade, no. 32, p. 8
  22. ^ Alberro, Manuel (2004): Os Celtas da antiga Gallaecia. Toxosoutos, Noia, A Coruña
  23. ^ Magarinhos, Luis (2005) "Sobre a origem e significado das palavras Portugal e Galiza", from the journal Portugaliza. Access date 17-11-2008
  24. ^ Luján, Eugenio R. (2000): "Ptolemy's 'Callaecia' and the language(s) of the 'Callaeci', in Ptolemy: towards a linguistic atlas of the earliest Celtic place-names of Europe : papers from a workshop sponsored by the British Academy, Dept. of Welsh, University of Wales, Aberystwyth, 11-12 April 1999, pp. 55-72. Parsons and Patrick Sims-Williams editors.
  25. ^ Paredes, Xoán (2000): "Curiosities across the Atlantic: a brief summary of some of the Irish-Galician classical folkloric similarities nowadays. Galician singularities for the Irish", in Chimera, Dept. of Geography, University College Cork, Ireland
  26. ^ Ireland in Galicia, by the Amergin University Institute of Research in Irish Studies, University of A Coruña. Access date 17-11-2008

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Celtic Mythology. A Dictionary of Celtic Mythology. Copyright © James MacKillop 1998, 2004. All rights reserved.  Read more
Occultism & Parapsychology Encyclopedia. Encyclopedia of Occultism and Parapsychology. Copyright © 2001 by The Gale Group, Inc. All rights reserved.  Read more
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