Results for Saint-Saëns, Charles Camille
On this page:
 
Artist:

Camille Saint-Saëns

Camille Saint-Saëns
Born October 09, 1835 in Paris, France
Died December 16, 1921 in Algiers, Algeria
  • Country: France
  • Genres: Concerto, Chamber, Choral, Orchestral, Keyboard, Opera, Symphonic

Biography

Camille Saint-Saëns was something of an anomaly among French composers of the nineteenth century in that he wrote in virtually all genres, including opera, symphonies, concertos, songs, sacred and secular choral music, solo piano, and chamber music. He was generally not a pioneer, though he did help to revive some earlier and largely forgotten dance forms, like the bourée and gavotte. He was a conservative who wrote many popular scores scattered throughout the various genres: the Piano Concerto No. 2, Symphony No. 3 ("Organ"), the symphonic poem Danse macabre, the opera Samson et Dalila, and probably his most widely performed work, The Carnival of The Animals. While he remained a composer closely tied to tradition and traditional forms in his later years, he did develop a more arid style, less colorful and, in the end, less appealing. He was also a poet and playwright of some distinction.

Saint-Saëns was born in Paris on October 9, 1835. He was one of the most precocious musicians ever, beginning piano lessons with his aunt at two-and-a-half and composing his first work at three. At age seven he studied composition with Pierre Maledin. When he was ten, he gave a concert that included Beethoven's Third Piano Concerto, Mozart's B flat Concerto, K. 460, along with works by Bach, Handel, and Hummel. In his academic studies, he displayed the same genius, learning languages and advanced mathematics with ease and celerity. He would also develop keen, lifelong interests in geology and astronomy.

In 1848, he entered the Paris Conservatory and studied organ and composition, the latter with Halévy. By his early twenties, following the composition of two symphonies, he had won the admiration and support of Berlioz, Liszt, Gounod, Rossini, and other notable figures. From 1853 to 1876, he held church organist posts; he also taught at the École Niedermeyer (1861-1865). He composed much throughout his early years, turning out the 1853 Symphony in F ("Urbs Roma"), a Mass (1855) and several concertos, including the popular second, for piano (1868).

In 1875, Saint-Saëns married the 19-year-old Marie Truffot, bringing on perhaps the saddest chapter in his life. The union produced two children who died within six weeks of each other, one from a four-story fall. The marriage ended in 1881. Oddly, this dark period in his life produced some of his most popular works, including Danse macabre (1875) and Samson et Dalila (1878). After the tragic events of his marriage, Saint-Saëns developed a fondness for Fauré and his family, acting as a second father to Fauré's children.

But he also remained very close to his mother, who had opposed his marriage. When she died in 1888, the composer fell into a deep depression, even contemplating suicide for a time. He did much travel in the years that followed and developed an interest in Algeria and Egypt, which eventually inspired him to write Africa (1891) and his Piano Concerto No. 5, the "Egyptian". He also turned out works unrelated to exotic places, such as his popular and most enduring serious composition, the Symphony No. 3.

Curiously, after 1890, Saint-Saëns' music was regarded with some condescension in his homeland, while in England and the United States he was hailed as France's greatest living composer well into the twentieth century. Saint-Saëns experienced an especially triumphant concert tour when he visited the U.S. in 1915. In the last two decades of his life, he remained attached to his dogs and was largely a loner. He died in Algeria on December 16, 1921. ~ Robert Cummings, All Music Guide

Discography

Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns

Buy this CD
       
 
 
Actor:

Camille Saint-Saëns

  • Born: Oct 09, 1835
  • Died: Dec 16, 1921
  • Active: '70s-2000s
  • Major Genres: Music, Drama
  • Career Highlights: The Rules of the Game, Au Revoir Les Enfants, Effi Briest
  • First Major Screen Credit: L'Assassinat du Duc de Guise (1908)

Biography

This prolific French composer synthesized Viennese classical and romantic styles with his taste for French salon pieces, opera, and exotic impressionistic pieces to create many colorful, character-filled compositions. Toward the end of his life, Camille Saint-Saëns began writing in a more original, austere style similar to that of Gabriel Fauré.

In the Disney Studios-animated feature Fantasia 2000 (1999), the joyous, energetic Finale of Saint-Saëns' delightful set of musical caricatures entitled Carnival of the Animals accompanies the antics of a flock of proper, gracefully dancing and gliding flamingos. One delightfully comic member of the group, who is fascinated with a yo-yo, constantly topples their all-too-well-choreographed ensemble efforts, making for a humorous as well as beautifully drawn segment.

Welcome to the Dollhouse (1995) depicts the miseries of junior high school and suburban family life as mostly visited upon the film's central character, Dawn "Weinerdog" Wiener (perfectly enacted by Heather Matarazzo). A brief phrase from the solo cello melody of Le Cygne (The Swan) from the Carnival of the Animals is heard as Dawn, enamored, is alone with Steve Rodgers (Eric Mabius), a high school senior and the new guitar player/singer for her brother Mark's (Matthew Faber) pathetic garage band. Le Cygne also appears in the films Heute nacht oder nie (Tonight or Never, 1972), Tonight We Sing (1953), An Englishman's Home (1946), and (uncredited) in The Wizard of Oz.

A descending passage of diminished seventh chords from the mystical, impressionistic Aquarium movement of the Carnival of the Animals is heard in the background as Dawn chants a love charm ("Steve, Steve, Steve, Steve, Steve, hear me...fall in love with me...take me away from this place") in front of a shrine she has constructed from a wooden Christmas manger containing Steve's high school ID card and his name spelled out in silver glitter. Excerpts from the Carnival of the Animals are also heard in Days of Heaven (1978) and the delightful animated cartoon Bugs and Daffy's Carnival of the Animals (1976).

The composer's creepy Danse Macabre appears in the TV series Jonathan Creek (1997) and the short Spook Sport (1939).

Saint-Saëns' opera Samson et Dalila (Op. 47, 1877), with a libretto based on chapter 16 of the biblical Book of Judges that emphasizes the love story between an inspiring leader and a scheming woman (rather than Samson's deeds), has had three television realizations to date: Samson y Dalila for Spanish TV in 1989, Samson et Dalila for French TV in 1981 (with Placido Domingo as Samson and Shirley Verrett as Dalila), and Samson et Dalila for British TV in 1981 (with Jon Vickers as Samson). Excerpts from the opera also appeared in the wonderfully titled silent film Tense Moments From Opera (1922) with live singers. Further excerpts from this opera can be heard in The Bridges of Madison County (1995), Slamdance (1987), and Willow Springs (1973), which also quotes the well-known Havanaise.

Saint-Saëns' music is also quoted in Après la réconciliation (After the Reconciliation, 2000) (Le rossignol et la rose); Underground (1995) (Organ Symphony); Au revoir les enfants (1987) and Nocturno de amor (Nocturne of Love, 1947) with music from the brilliant, elaborate Concert No.2 for piano and orchestra; They Shall Have Music (1939) (aka Ragged Angels) (Rondo Capriccioso); and L'Assassinat du duc de Guise (Assassination of the Duke of Guise, 1908).

Saint-Saëns' opera Henry VIII (1883) received a television production in 1991. The composer himself appears in Sacha Guitry's film Ceux de chez nous (1915) with other legendary personages including Sarah Bernhardt, Edgar Degas, Anatole France, Claude Monet, Jean and August Renoir, and Auguste Rodin. ~ "Blue" Gene Tyranny, All Movie Guide

 
Music Encyclopedia: (Charles) Camille Saint-Saëns

(b Paris, 9 Oct 1835; d Algiers, 16 Dec 1921). French composer, pianist and organist. Showing Mozartian precocity as both a pianist and composer, he had childhood lessons with Stamaty and Boëly before entering the Conservatoire (1848), where Halévy was his teacher; his dazzling gifts early won him the admiration of Gounod, Rossini, Berlioz and especially Liszt, who hailed him as the world's greatest organist. He was organist at the Madeleine, 1857-75, and a teacher at the Ecole Niedermeyer, 1861-5, where Fauré was among his devoted pupils. With only these professional appointments, he pursued a range of other activities, organizing concerts of Liszt's symphonic poems (then a novelty), reviving interest in older music (notably of Bach, Handel and Rameau), writing on musical, scientific and historical topics, travelling often and widely (in Europe, North Africa and South America) and composing prolifically; on behalf of new French music he co-founded the Société Nationale de Musique (1871). A virtuoso pianist, he excelled in Mozart and was praised for the purity and grace of his playing. Similarly French characteristics of his conservative musical style - neat proportions, clarity, polished expression, elegant line - reside in his best compositions, the classically orientated sonatas (especially the first each for violin and cello), chamber music (Piano Quartet op.41), symphonies (no.3, the ‘Organ’ Symphony, 1886) and concertos (no.4 for piano, no.3 for violin). He also wrote ‘exotic’, descriptive or dramatic works, including four symphonic poems, in a style influenced by Liszt, using thematic transformation, and 13 operas, of which only Samson et Dalila (1877), with its sound structures, clear declamation and strongly appealing scenes, has held the stage. Le carnaval des animaux (1886) is a witty frolic; he forbade performances in his lifetime, ‘Le cygne’ apart. From the mid-1890s he adopted a more austere style, emphasizing the classical aspect of his aesthetic which, perhaps more than the music itself, influenced Fauré and Ravel.

works:
Dramatic music

  • Samson et Dalila (1877)
  • Etienne Marcel (1879)
  • Henry VIII (1883)
  • Ascanio (1890)
  • 9 others
  • incidental music for 6 plays
  • 1 ballet
  • 1 film score (1908)
Vocal music
  • over 40 sacred works, incl. Le déluge, oratorio (1875)
  • c 40 secular choral works
  • c 140 songs
  • 7 duets
Orchestral music
  • Sym., A (c 1850)
  • Sym. no.1, E♭ (1853)
  • Sym. ‘Urbs Roma’, F (1856)
  • Sym. no.2, a (1859)
  • Sym. no.3 ‘Organ’, c (1886)
  • 4 sym. poems, incl. Danse macabre (1874)
  • 4 ovs.
  • Suite algérienne (1880)
  • Pf Conc. no.1, D (1858)
  • Pf Conc. no.2, g (1868)
  • Pf Conc. no.3, E♭ (1869)
  • Pf Conc. no.4, c (1875)
  • Pf Conc. no.5 ‘Egyptian’, F (1896)
  • 3 vn concs.
  • 2 vc concs.
  • 16 other works with solo inst(s), incl. Africa, pf / orch (1891), Caprice andalous, vn / orch (1904)
  • Odalette, fl / orch (1920)
Chamber music 2
  • vn sonatas
  • 2 vc sonatas
  • 3 solo wind sonatas
  • 2 str qts
  • 2 pf trios
  • Pf Qnt (1855)
  • Pf Qt (1875)
  • Le carnaval des animaux (1886)
Keyboard music
  • c 45 pf works, incl. mazurkas, waltzes, souvenirs
  • 3 sets of Etudes
  • Variations on a Theme of Beethoven, pf duo (1874)
  • works for harmonium, org
Other
  • transcs, arrs. of works by other composers
  • books, essays
  • Ecole buissonnière, memoirs (1913)


 
Biography: Charles Camille Saint-Saëns

The French composer Charles Camille Saint-Saëns (1835-1921) wrote music in almost every form and medium, characterized by polish and skill although lacking in ultimate depth or passion.

Born in Paris into a moderately poor family, Camille Saint-Saëns began his musical education by studying piano with his grandaunt. As a child, he exhibited considerable talent in performance and composition. He made his official concert debut as a pianist at the age of 11 and 2 years later was admitted to the Paris Conservatory. He studied composition with Jacques Fromentin Halévy and won prizes in organ in 1849 and 1851. Saint-Saëns's dexterity at this instrument, coupled with his ability to improvise, led in 1853 to his appointment as organist at the church of St-Merry and 5 years later at the Madeleine. From 1861 to 1865 he taught piano at the École Niedermeyer.

In 1871 Saint-Saëns helped found the National Society of Music, an organization devoted to the encouragement of young French composers, but he withdrew 5 years later as his essentially conservative nature had come into conflict with the changing interests of the younger composers. He resigned from his position at the Madeleine in 1877 and spent the following years touring North and South America, England, Russia, and Austria, conducting and performing his own compositions. Highly honored in his lifetime, he was admitted into the French Legion of Honor in 1868, gaining its highest order, the Grand-Croix, in 1913. He was outspoken against the music of Claude Debussy and the French impressionist school.

The compositions of Saint-Saëns include five Piano Concertos, of which the Second (1868) and the Fourth (1875) hold a secure place in the repertoire today. His Introduction and Rondo Capriccioso for violin and orchestra (1870) is better known than his other concertos. Among his symphonic poems the Danse macabre (1874) is probably his most popular composition. Its charm lies not only in its melodic appeal but in the delightful way in which Saint-Saëns imitates Death playing his out-of-tune violin and the rattling of the bones as the skeletons dance. Another composition that reveals his sense of humor is the Carnival of Animals (1866); the lovely cello solo "The Swan" comes from this work. More impressive than these occasional compositions is the Third Symphony (1886), the orchestration of which includes an organ as well as piano. His only operatic success, Samson et Dalila (1877), contains the well-known aria "My heart at thy sweet voice" and a colorful bacchanale.

In addition to his activities as composer and performer, Saint-Saëns was also the general editor of the complete works of Jean Philippe Rameau. The English conductor Sir Thomas Beecham, in an oft-quoted statement, called Saint-Saëns the greatest second-rate composer who ever lived.

Further Reading

Considerable biographical information is in Saint-Saëns's autobiographical book, Musical Memories (1913; trans. 1919). James Harding, Saint-Saëns and His Circle (1965), is the most important study of the composer in English. Saint-Saënsisone of the subjects of Donald Brook, Five Great French Composers (1946).

Additional Sources

Smith, Rollin, Saint-Saëns and the organ, Stuyvesant, NY: Pendragon Press, 1992.

 
Britannica Concise Encyclopedia: Charles Camille Saint-Saëns

(born Oct. 9, 1835, Paris, France — died Dec. 16, 1921, Algiers) French composer. Astonishingly gifted from childhood, with a phenomenal memory (at his debut piano recital at age 11, he offered to play any Beethoven sonata without music), he became a darling of the salons and a celebrated improviser. To promote new music by French composers, he founded the Société Nationale de Musique in 1871. His compositions are often brilliant in their effects but not always profound. Of his 13 operas, Samson et Dalila (1877) had the greatest success. He wrote piano, cello, and violin concertos and three symphonies (including the "Organ" Symphony, 1886); his tone poem Danse macabre (1874) and the suite Carnival of the Animals (1886) are widely known.

For more information on Charles Camille Saint-Saëns, visit Britannica.com.

 
French Literature Companion: Camille Saint-Saëns

Saint-Saëns, Camille (1835-1921). French composer, performer, and writer. Essentially a classicist with fairly conservative tastes, in his lifetime Saint-Saëns was perceived as representing the French classical spirit and was popular both in France and internationally. In 1871 he formed the Société Nationale de Musique which, with the motto ars gallica, encouraged the performance of new music by French composers, in particular orchestral and chamber music. Saint-Saëns was a prolific composer and also a writer, not only on music (e.g. his autobiography, École buissonnière: notes et souvenirs, 1913) but also on philosophy, theatre, and painting. He also wrote poetry and plays.

[Kerry Murphy]

 
Columbia Encyclopedia: Saint-Saëns, Charles Camille
(shärl kämē'' săN-säNs) , 1835–1921, French composer. A child prodigy, he made his debut as a pianist at 10 and entered the Paris Conservatory in 1848. He was a prolific composer, writing in almost every form, and he was organist at the Madeleine for 20 years. Saint-Saëns is best known for his biblical opera, Samson et Dalila (1877); other works include the Third Symphony (1886), with organ and piano; the Introduction and Rondo Capriccioso (1863), for violin and orchestra; the piano concertos in G minor (1868) and C minor (1875); and symphonic poems, notably Le Rouet d'Omphale (1872) and Danse macabre (1874). His works are marked by unfailing craftsmanship and brilliant orchestration, but they frequently lack imaginative force. He was a champion of instrumental music in France when it was extremely low in popular esteem. In his later years, Saint-Saëns became highly conservative, strenuously opposing modern music.

Bibliography

See his Musical Memories (tr. 1919); biographies by A. Hervey (1921, repr. 1970) and W. Lyle (1923, repr. 1970); J. Harding, Saint-Saëns and His Circle (1965).

 
Word Tutor: Saint-Saens
pronunciation

IN BRIEF: n. - French pianist and composer (1835-1921).

 
 

Join the WikiAnswers Q&A community. Post a question or answer questions about "Saint-Saëns, Charles Camille" at WikiAnswers.

 

Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Actor. Copyright © 2006 All Media Guide, LLC. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Word Tutor. Copyright © 2004-present by eSpindle Learning, a 501(c) nonprofit organization. All rights reserved.
eSpindle provides personalized spelling and vocabulary tutoring online; free trial Read more

Search for answers directly from your browser with the FREE Answers.com Toolbar!  
Click here to download now. 

Get Answers your way! Check out all our free tools and products.

On this page:   E-mail   print Print  Link  

 

Keep Reading

Mentioned In: