Pianist Sparrow and music/business/life partner Joanie Pallatto have dedicated a major part of their work to jazz. This album therefore represents a departure, and their lack of recognition in their hometown (Chicago), might have triggered that move. They are also broad-minded musicians and this kaleidoscopic collection is definitely a reflection of their various interests. Sparrow and Pallatto are also outspoken individuals and they take this opportunity to voice their opinions, which makes Canned Beer's topical scope just as ambitious as its musical breadth. Religion, consumerism, cultural heritage, and urban violence are just a few of the subjects that they address. Despite their frustrations, Sparrow and Pallatto pepper their lyrics with affectionate references to Chicago and prove that they know how to take themselves not too seriously. As for the music, it runs the gamut from Caribbean to jazz, free form to Indian, and usually incorporates samplers and electronic dance beats. Singer Pallatto mainly share vocal duties with Sparrow, whose spoken delivery has a rhythm of its own. A couple of instrumentals complement a program that features cameos by musical friends such as sax legend Von Freeman and his lesser-known brother, guitarist George Freeman. There is no denying that those two musicians have found a vein well worth exploring and a new vehicle for their creativity. ~ Alain Drouot, All Music Guide
