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Cantata No. 110, "Unser Mund sei voll Lachens," BWV 110 (BC A10)

 

Review

Composed in Leipzig as a choral work celebrating Christmas Day, Bach's Cantata No. 110 "Unser Mund sei voll Lachens" is scored for soprano, alto, tenor, and bass soloists and four-part (SATB) chorus. Fashioned after Psalm 126, Jeremiah 10, and the second chapter of Luke, the text is joyful and celebratory, direct and exultant. For his instrumental ensemble, therefore, Bach employs three trumpets in addition to three oboes, two transverse flutes, fagotto (bassoon), strings, tympani, and continuo. As in other instances, Bach was not loath to engage in some borrowing from some of his earlier works. The opening chorus, "May our mouth be full of laughter and our tongues full of praise," is an adaptation of the composer's Overture in D major, BWV 1069, and the soprano/tenor duet "Ehre sei Gott in der Höhe" is derived from Bach's original (E flat) edition of his Magnificat. Running time ranges from 25 to 27 minutes. The cantata begins with its most powerful section, the opening chorus, which calls for full forces minus bassoon. Calling for laughter and praise, the text concludes with acknowledgement that the Lord has achieved great things for his people. A tenor aria benefits from two intertwining flutes as the soloist describes soaring thoughts and senses, prompted by the thought that God-become-man intends that his people be "Himmels Kinder," (heaven's children). A bass recitative (You, Lord, are unlike any other) leads to an alto aria (Ach Herr, was ist ein Menschenkind) accompanied by oboe d'amore that expresses wonder about the nature of man that the Lord should seek to redeem him through such painful action. The soprano/tenor duet that comes next is a model of expressive economy. The two voices shine over a simple organ and continuo accompaniment as they offer to God glory in the highest as peace on Earth is awaited now that the child has come as a sign of favor. The penultimate section, a bass aria, exhorts listeners to "Wacht auf, ihr Adern und ihr Glieder" (Awaken, you veins and every other member), to sing hymns of joy to God, a song of praise from the heart and soul. The closing chorale is related to one from the third section of the composer's Christmas Oratorio. "Alleluia! All praise be given God from the bottom of our hearts." ~ Erik Eriksson, All Music Guide

Albums with Complete Performances of the Work

Title Date
Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set) 1999
Bach Cantatas, Vol. 14: New York 2005
Bach Edition: Cantatas BWV 198, BWV 110
Bach Edition: Cantatas II [Box Set]
Bach Edition: Cantatas, BWV 198 & 110
Bach Edition: Complete Works [Box Set]
Bach Edition: Complete Works [Box Set] 2006
Bach Edition: Vol. 4 [Box Set]
Bach: Cantatas, BWV 109-111 1981
Bach: Cantatas, BWV 65-129, Box 2 [Box Set]
Bach: Christmas Cantatas 1996
Bach: Kantaten zum Weihnachtsfestkreis 1992
Bach: Kantaten, BWV. 110, 40 & 71 1994
Bach: Sacred Cantatas 3 1999
Bach: Sacred Cantatas [Box Set] 1994
Bach: Sacred Cantatas, Vol. 6, BWV 100 - 117 [Box Set] 1994
Bach: The Sacred Cantatas [Box Set] 1994
Bach: Weihnachtskantaten 1996
Christmas Cantatas 1996
Christmas Choral Music 2007
Church Cantatas, Vol. 1-69
J. S. Bach: Cantates de fêtes [Box Set]
J.S. Bach: Cantatas BWV 205 & BWV 110 [Hybrid SACD] 2007
J.S. Bach: Cantatas, Vol. 15 2004
J.S. Bach: Geistliche Kantaten [Box Set] 2008
Lecture Concerts: Bach Cantatas
Lumières de Noël (Christmas Lights) 2002
The Bach Cantata, Vol. 62 1992

Albums with Excerpt Performances of the Work

Title Date
Bach Edition: Chorales
Bach Edition: Complete Works [Box Set] 2006
Bach Edition: Vocal Works [Box Set]
Bach Edition: Vol. 5 [Box Set]
Bach: Aria 2000
Bach: Bass Arias 2008
Celestial Christmas
Celestial Christmas: A Special Collection of Seasonal Music 1989
J.S. Bach: Orchestral Suites 1998
Konzertierende Flöte 1987
The Art of Robert Bloom: Bach Aria Group, Vol. 1 2000
The Italian Voyage
Weihnachtsarien 2005
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