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Car Wheels on a Gravel Road

 
Album Review: Car Wheels on a Gravel Road

  • Artist: Lucinda Williams
  • Rating: StarStarStarStarHalf Star
  • Release Date: June 30, 1998
  • Total Time: 51:40
  • Type: Lyrics are included with the album
  • Genre: Folk

Review

It isn't surprising that Lucinda Williams' level of craft takes time to assemble, but the six-year wait between Sweet Old World and its 1998 follow-up, Car Wheels on a Gravel Road, still raised eyebrows. The delay stemmed both from label difficulties and Williams' meticulous perfectionism, the latter reportedly over a too-produced sound and her own vocals. Listening to the record, one can understand why both might have concerned Williams. Car Wheels is far and away her most produced album to date, which is something of a mixed blessing. Its surfaces are clean and contemporary, with something in the timbres of the instruments (especially the drums) sounding extremely typical of a late-'90s major-label roots-rock album. While that might subtly alter the timeless qualities of Williams' writing, there's also no denying that her sound is punchier and livelier. The production also throws Williams' idiosyncratic voice into sharp relief, to the point where it's noticeably separate from the band. As a result, every inflection and slight tonal alteration is captured, and it would hardly be surprising if Williams did obsess over those small details. But whether or not you miss the earthiness of Car Wheels' predecessors, it's ultimately the material that matters, and Williams' songwriting is as captivating as ever. Intentionally or not, the album's common thread seems to be its strongly grounded sense of place -- specifically, the Deep South, conveyed through images and numerous references to specific towns. Many songs are set, in some way, in the middle or aftermath of not-quite-resolved love affairs, as Williams meditates on the complexities of human passion. Even her simplest songs have more going on under the surface than their poetic structures might indicate. In the end, Car Wheels on a Gravel Road is Williams' third straight winner; although she might not be the most prolific songwriter of the '90s, she's certainly one of the most brilliant. ~ Steve Huey, All Music Guide

Tracks

Track TitleComposersPerformersTime
Right in Time (Lyrics) Lucinda Williams Lucinda Williams (4:35)
Car Wheels on a Gravel Road (Lyrics) Lucinda Williams Lucinda Williams (4:44)
2 Kool 2 Be 4-Gotten (Lyrics) Lucinda Williams Lucinda Williams (4:42)
Drunken Angel (Lyrics) Lucinda Williams Lucinda Williams (3:20)
Concrete and Barbed Wire (Lyrics) Lucinda Williams Lucinda Williams (3:08)
Lake Charles (Lyrics) Lucinda Williams Lucinda Williams (5:27)
Can't Let Go (Lyrics) Randy Weeks Lucinda Williams (3:28)
I Lost It Lucinda Williams Lucinda Williams (3:31)
Metal Firecracker (Lyrics) Lucinda Williams Lucinda Williams (3:30)
Greenville (Lyrics) Lucinda Williams Lucinda Williams (3:23)
Still I Long for Your Kiss (Lyrics) Lucinda Williams, Duane Jarvis Lucinda Williams (4:09)
Joy (Lyrics) Lucinda Williams Lucinda Williams (4:01)
Jackson (Lyrics) Lucinda Williams Lucinda Williams (3:42)

Credits

Greg Leisz (Guitar (12 String)), Steve Churchyard (Engineer), Lucinda Williams (Producer), Lucinda Williams (Guitar (Acoustic)), Miller Williams (Photography), Roy Bittan (Engineer), Jim Lauderdale (Vocal Harmony), Gurf Morlix (Guitar), Steve Earle (Vocal Harmony), Roy Bittan (Producer), Rick Rubin (Mixing), Donald Lindley (Drums), Jim Lauderdale (Vocals), Johnny Lee Schell (Dobro), Steve Earle (Harmonica), Greg Leisz (Mandolin), Buddy Miller (Mando-Guitar), Ed Thacker (Engineer), Ray Kennedy (Mixing), Lucinda Williams (Vocals), Twangtrust (Producer), Buddy Miller (Vocal Harmony), Roy Bittan (Organ (Hammond)), Alan Messer (Photography), Buddy Miller (Guitar (Acoustic)), Ray Kennedy (Guitar (12 String)), Steve Earle (Guitar (Resonator)), Buddy Miller (Guitar (Electric)), Emmylou Harris (Vocal Harmony), Roy Bittan (Accordion), Buddy Miller (Guitar), John Ciambotti (Guitar (Bass)), Hank Williams (Mastering), Birney Imes (Photography), Michael Smotherman (Organ (Hammond)), Bo Ramsey (Guitar (Electric)), Roy Bittan (Organ), Gurf Morlix (Guitar (Electric)), Lucinda Williams (Dobro), Charlie Sexton (Guitar), Emmylou Harris (Vocals), Johnny Lee Schell (Guitar (Electric)), Charlie Sexton (Dobro), Lucinda Williams (Guitar), Steve Earle (Guitar), Gurf Morlix (Guitar (12 String)), Gurf Morlix (Slide Guitar), Donald Lindley (Percussion), Jim Scott (Mixing), Bo Ramsey (Slide Guitar), Steve Earle (Guitar (Acoustic)), Margery Greenspan (Artwork), Charlie Sexton (Guitar (Electric)), Johnny Lee Schell (Slide Guitar)
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Wikipedia: Car Wheels on a Gravel Road
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Car Wheels on a Gravel Road
Studio album by Lucinda Williams
Released June 30, 1998
Recorded Room and Board Studio, Nashville, TN and Rumbo Studio, Canoga Park, CA
Genre Folk-Rock
Length 51:40
Label Mercury
Polygram
Producer Ray Kennedy
Steve Earle
Lucinda Williams
Professional reviews
Lucinda Williams chronology
Sweet Old World
(1992)
Car Wheels on a Gravel Road
(1998)
Essence
(2001)

Car Wheels on a Gravel Road is the 1998 album by singer-songwriter and guitarist Lucinda Williams, her fifth professional release.

Williams hit her stride with this recording, which showcases her songwriting at least as much as her singing. As on her other recordings, she captures places and tells people's stories in her songs, as well as her own take on the perennial topic of love. This recording was issued by Mercury/Polygram Records. It was recorded in Nashville and Canoga Park, California. Lucinda Williams co-produced this album which features a stellar line up of musicians, including guest appearances by Steve Earle and Emmylou Harris.

Car Wheels on a Gravel Road won a Grammy for Best Contemporary Folk Album, and was Willams' first album to go gold. According to Billboard in February 2008, the album has sold 811,000 copies in the U.S.[1] It was voted as the best album of the year in The Village Voice Pazz & Jop critics poll. In 2003, the album was ranked number 304 on Rolling Stone magazine's list of the 500 greatest albums of all time.

The original CD release was HDCD encoded, although the logo was not printed on the packaging. A remastered deluxe version of the album was released on October 4, 2006, featuring three bonus tracks – "Down the Big Road Blues", "Out of Touch" and "Still I Long For Your Kiss", the latter from The Horse Whisperer soundtrack – and a 13-song live set recorded for WXPN-FM in mid-1998.

Contents

Track listing

All tracks by Lucinda Williams except where noted.

  1. "Right in Time" – 4:35
  2. "Car Wheels on a Gravel Road" – 4:44
  3. "2 Kool 2 Be 4-gotten" – 4:42
  4. "Drunken Angel" – 3:20
  5. "Concrete and Barbed Wire" – 3:08
  6. "Lake Charles" – 5:27
  7. "Can’t Let Go" (Randy Weeks) – 3:28
  8. "I Lost It" – 3:31
  9. "Metal Firecracker" – 3:30
  10. "Greenville" – 3:23
    • Features Emmylou Harris on Harmony Vocals.
  11. "Still I Long For Your Kiss" (Williams, Duane Jarvis) – 4:09
  12. "Joy" – 4:01
  13. "Jackson" – 3:42
Deluxe Edition Bonus Tracks
  1. "Down the Big Road Blues" (Mattie Delaney) – 4:07
  2. "Out of Touch" – 3:50
  3. "Still I Long For Your Kiss" (Alternate version) (Williams, Jarvis) – 5:00

Deluxe Edition Disc Two

Recorded live Jul 11, 1998, at Penn's Landing, Philadelphia, PA.

  1. "Pineola" – 4:18
  2. "Something About What Happens When We Talk" – 3:44
  3. "Car Wheels on a Gravel Road" – 4:42
  4. "Metal Firecracker" – 3:39
  5. "Right in Time" – 4:32
  6. "Drunken Angel" – 3:27
  7. "Greenville" – 3:46
  8. "Still I Long For Your Kiss" (Williams, Jarvis) – 4:39
  9. "2 Kool 2 Be 4-gotten" – 4:53
  10. "Can’t Let Go" (Weeks) – 3:51
  11. "Hot Blood" – 7:38
  12. "Changed The Locks" – 4:19
  13. "Joy" – 6:08

Previous Sessions

Williams actually recorded the 13 songs on 'Car Wheels' from start to finish twice before she recorded the versions that would ultimately be released. In 1995, after previewing the material from the first sessions to rapt audiences in Austin, Tex., Williams went into the studio with her longtime guitarist and producer Gurf Morlix. The results, she felt, were flat, lifeless, not up to par, so she shelved the tapes. A year later, Williams fired Morlix and went back into the studio, this time in Nashville with the legendary songwriter Steve Earle as a producer. Earle and his engineer and co-producer, Ray Kennedy, worked with vintage recording equipment from the 1950s that produces a raw, scratchy sound Williams loves. But the notoriously perfectionistic Williams and the notoriously difficult Earle (who had just been released from prison for cocaine possession) couldn't sustain their collaboration, either. In the Fall of 1996, Williams dumped Earle and took her tapes to L.A., where she hired Roy Bittan, a respected producer and the longtime keyboardist for Bruce Springsteen's E-Street Band.[citation needed]

Personnel

References

  1. ^ Caulfield, Keith. "Ask Billboard - Williams' Wild 'West'". Billboard. February 8, 2008.

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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