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Carl Friedrich Abel

 
Music Encyclopedia: Carl Friedrich Abel

(b Cöthen, 22 Dec 1723; d London, 20 June 1787). German composer. By 1743 he was a bass viol player in the Dresden court orchestra. He left in 1757-8 and went to London, where he directed his first joint concert with J.C. Bach in 1764; both men became chamber musicians to Queen Charlotte about this time. The Bach-Abel series, begun in 1765 and comprising 10-15 concerts each year, was given in their own rooms in Hanover Square from 1775. Abel directed alternate concerts, including many of his own works, often playing himself and introducing performers from Germany and Paris (where he visited regularly). He and Bach also gave concerts elsewhere, including at court. After Bach's death (1782) Abel spent two years in Germany but was active in the 1785-7 series, the Grand Professional Concerts.

Abel was one of the last professional bass violists; his expressive Adagios were especially praised. As a composer he was most prolific in symphonies and overtures (over 40 works), sonatas for two and three instruments, and bass viol pieces. His works, mostly in three movements, are generally genial and energetic but use a rich harmonic style, often unusual phrase-lengths, and melodies of instrumental character.

Abel was one of a long line of musicians. His grandfather Clamor Heinrich (1634-96) was a composer, organist and bass violist who worked at Celle, Hanover and Bremen. His father, Christian Ferdinand (1682-1737), also a bass violist, was a colleague of J.S. Bach at Cöthen, and his elder brother, Leopold August (1718-94), was a violinist at north German courts and composed several instrumental works. Johann Leopold (1795-1871), a grandson of Carl August, was a pianist and composer who taught music at German courts and later lived in London.



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Wikipedia: Carl Friedrich Abel
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Portrait of Carl Friedrich Abel by Thomas Gainsborough, 1777

Carl Friedrich Abel (22 December 1723 – 20 June 1787) was a German composer of the Classical era. (The Chambers Biographical Dictionary gives his year of birth as 1725.)[1] He was a fine player on the viola da gamba, and composed important music for that instrument.

their first English performance.

For ten years the concerts were organized by Mrs. Teresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.

One of the most widely known works of Abel became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart--evidently for study purposes--while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7.

Contents

Works list

Selected works by opus number

(adapted from the listing in the article on Abel at fr.wikipedia.org)

  • Op. 1: 6 Overtures or Sinfonias (1761)
  • Op. 2: 6 Sonatas for Keyboard and Violin and Cello (ad libitum) (1760)
  • Op. 3: 6 Trio Sonatas for 2 Violins and Basso Continuo (1762)
  • Op. 4: 6 Overtures or Sinfonias (1762)
  • Op. 5: 6 Sonatas for Keyboard and Violin and Cello (ad libitum) (1762)
  • Op. 6: 6 Sonatas for Keyboard and Flute (1763)
  • Op. 7: 6 Symphonies (1767)
  • Op. 8: 6 String Quartets (1768)
  • Op. 9: 6 Trio Sonatas for Violin, Cello and Basso Continuo (1771)
  • Op. 10: 6 Symphonies (1771)
  • Op. 11: 6 Concerti for Keyboard and Strings (1771)
  • Op. 12: 6 Flute Quartets (1774)
  • Op. 13: 6 Sonatas for Keyboard and Violin (1777)
  • Op. 14: 6 Symphonies (1778)
  • Op. 15: 6 String Quartets (1780)
  • Op. 16: 4 Trio Sonatas for 2 Flutes and Basso Continuo (1781)
  • Op. 16: 6 Trio Sonatas for Violin, Viola and Cello (1782)
  • Op. 17: 6 Symphonies (1785)
  • Op. 18: 6 Sonatas for Keyboard and Violin (1784)

Notes

References

External links


 
 

 

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
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