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Carl Michael von Hausswolff

 
Artist: Carl Michael Von Hausswolff
  • Active: '80s, '90s, 2000s
  • Genres: Electronica
  • Instrument: Engineer, Producer, Vocals
  • Representative Albums: "Ström

Biography

An installation artist and electronic music composer based in Stockholm, Sweden, Carl Michael Von Hausswolff has presented his minimalist-leaning audio-visual works in Europe and North-America. An active promoter of avant-garde art in the the 1980s and early 1990s through publications and record labels, since the mid-'90s he has been focusing on his own music, which has become growingly minimalist, a hour-long piece often consisting of the clever use of only a handful of sound sources. Hausswolff has recorded solo albums for Radium, Ash International, Table of the Elements, Sub Rosa, and Firework Edition. His list of collaborators includes Zbigniew Karkowski, David Jackman, Erik Pauser, Andrew McKenzie, Graham Lewis, and Leif Elggren, by far his most regular partner and with whom he co-founded in 1992 the Kingdoms of Elgaland-Vargaland, an ongoing conceptual project and virtual nation.

Hausswolff was born in Linköping, Sweden, a few years after Elggren but the two met only 20 years later when they were both living in Stockholm. In the beginning, his instrument of choice was the tape recorder, as he would use feedback and found sounds to create complex drones that accompanied his art installations. At the turn of the ‘80s he relocated to Gothenburg where he set up Radium, a record label, magazine and production company. In 1980 began Phauss, a performance group he formed with Erik Pauser and with which he made his first recordings. The Conductor, released in 1983, is one of his first solo albums. After closing Radium he started another label, Anckarström, in 1991. During the ‘90s he developed two main themes: electricity and communication with the afterlife. The former implied a certain reduction of his musical approach and culminated in the highly minimal Ström (2000), while the latter yielded a number of performances and albums involving "Electronic Voice Phenomenon" or E.V.P., which consists of capturing the voice of the dead with radio signals.

Paralleling his solo work since the mid-'90s is the group Ocsid, formed with Wire's Graham Lewis and Jean-Louis Huhta, a unit which presents long performances of electronic music and video. In 2001 Hausswolff co-curated the Nordic room at the Venice Biennale. ~ François Couture, All Music Guide
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Wikipedia: Carl Michael von Hausswolff
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Carl Michael von Hausswolff (born 1956 in Linköping) is a composer, visual artist and curator based in Stockholm, Sweden. His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space and paranormal electronic interference. Major exhibitions include Manifesta (1996), documenta X (1997), the Johannesburg Biennial (1997), Sound Art - Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003 and 2005) and Portikus, Frankfurt (2004). Hausswolff received a Prix Ars Electronica award for Digital Musics in 2002.

He is an expert in the work of Friedrich Jürgenson, electronic voice phenomena (EVP) a researcher who claimed to have detected voices of the dead hidden in radio static. Hausswolff's own sound works are pure, intuitive studies of electricity, frequency and tone. Collaborators include Erik Pauser, with whom he worked as Phauss (1981-1993), Leif Elggren and John Duncan (artist).

Hausswolff is co-monarch (with Elggren) of the Kingdoms of Elgaland-Vargaland (KREV), all areas of no-man's land, territories between national boundaries on both land and sea, digital and mental spaces. This nation has its own national anthem, flag, coat of arms, currency, citizens and ministers.

Recent audio works include "The Wonderful World of Male Intuition" (Oral), "There Are No Crows Flying around the Hancock Building" (Lampo), "Rats" and "Maggots" (both on Laton), "Three Overpopulated Cities ..." (Sub Rosa), "A Lecture on Disturbances in Architecture" (Firework Editions) and "Ström" and "Leech" (both on Raster-Noton).

Other works include "Red Pool" (Cities on the Move, Bangkok, 1999), "Red Night" (SITE Santa Fe, 1999), "Red Code" (CCA Kitakyushu, 2001), "Red Empty" (Lampo/WhiteWalls, Chicago, 2003) and "Red Mersey" (Liverpool Biennial, 2004).

He is also the curator and producer of freq out.

Around the year 1986, he formed the Swedish independent label Radium 226.5.

External links


 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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