Born: August 18, 1944, Moseley, W. Midlands, England
Died: August 31, 2004, England
Active: '60s, '70s, '80s, '90s
Genres: Rock
Instrument: Vocals, Bass, Producer
Representative Albums: "Carl Wayne," "Beyond the Movie 1973-2003"
Biography
Carl Wayne had the good fortune to be a member of the Move, one of the top rock acts ever to come out of Birmingham, England; he also had the bad fortune to share the spotlight in the band with the likes of Roy Wood, an obvious musical genius whose creativity partly eclipsed Wayne's contribution as lead singer. Born Colin David Tooley in Birmingham in 1943, he was involved in music from childhood and by his late teens had changed his name to the more attractive Carl Wayne and had taken over fronting a band called the Vikings, whose members also included bassist Ace Kefford and, somewhat later, drummer Bev Bevan. The group, billed as Carl Wayne & The Vikings, was good enough to get some of the best bookings that there were in Birmingham but were not good enough to get any work away from their home base, despite having made a handful of recordings. Finally, the members of the three top groups on the local band scene -- Carl Wayne & The Vikings, Mike Sheridan's Nightriders, and Danny King & The Mayfair Set -- after a series of post-gig jams at Birmingham's Cedar Club, decided to pool their best musical resources, and out of that was spawned the Move, with Wayne, Wood, Kefford, Bevan, and guitarist Trevor Burton.
Wayne ended up as lead singer, somewhat begrudgingly by some accounts, because he owned a killer P.A. system -- older and more focused on pop-rock than the others, he was a seemingly awkward fit with a group of what were mostly (except for Kefford) rock 'n' roll over-achievers, two of whom soon began transcending rock 'n' roll; Wood was soon writing songs that were among the most eclectic coming out of England at the time, and Burton's guitar playing was generating a range of sounds closer to rock's future than to rock 'n' roll's past. In the midst of all of that was Wayne, a few years older and blessed with a strong voice but basically a belter who, at his best moments, anticipated David Clayton-Thomas; what's more, all of the members sang, to one degree or another, and Wood's songs and his falsetto singing voice were soon competing with him for the audience's attention. With that mix of personalities and influences, they managed to come up with a sound that was not only cohesive, but popular -- the Move scored hits with "Night Of Fear", "Fire Brigade", "Curly", "I Can Hear The Grass Grow", "Flowers In The Rain", and "Blackberry Way" were all hits for the group during Wayne's tenure. He lasted through the group's ill-fated American tour and the recording of their renowned second album, Shazam.
By that time, Wayne had developed different aspirations from the rest of the group -- the others were committed to being a serious rock group, where Wayne was determined to become a pop entertainer; in a move celebrated for its irony, he exited the line-up promising to form an act that would sound like Engelbert Humperdinck crossed with Blood, Sweat & Tears (though, oddly enough, his career was to follow more closely the path of Jim Dale). It was to be Wayne's exit from the rock world for the next three decades -- he cut pop songs as well as recording with Roy Wood, Louis Clark, Jeff Lynne and the Electric Light Orchestra, Heads, Hands & Feet, and Big JIm Sullivan, but a lot of his music and professional activity were concentrated in theater for the next two decades (most notably the stage production of Blood Brothers). There was a self-titled solo album released on British RCA in 1972 that was as much pop as rock in nature, and another one, entitled Love Story -- on the ELO-spawned Jet label -- in 1985, credited to "Romance." But where his active former bandmates kept their hand in rock music, and ELO even became the kind of arena rock act that the Move never could have been, Wayne's musical activities were top-heavy with a lot of Andrew Lloyd Webber, and his credits involved theater and television performances more than performing dates, and he also sang commercial jingles. He made an unexpected return to rock music in early 2000 when he succeeded Allan Clarke as the lead singer of the Hollies, and he spent the next three-and-a-half years fronting them in their live engagements. He had been battling cancer for several years, and was active in support of charities devoted to leukemia research. Wayne died very suddenly in August of 2004. ~ Bruce Eder, All Music Guide
Carl Wayne (born Colin David Tooley 18 August 1943 - 31 August 2004) was a British singer and actor. He is best remembered as the lead vocalist of Birmingham rock groupThe Move during the 1960s.
In February 1966 he joined The Move, a Brum beat supergroup drawn from top local bands. They included three members of the Vikings, bass guitaristChris 'Ace' Kefford, drummerBev Bevan and Wayne himself, alongside Trevor Burton, lead guitarist with Danny King and the Mayfair Set, and Roy Wood, lead guitarist with Mike Sheridan And The Nightriders. They enjoyed three years of hits with singles such as "Night of Fear", "I Can Hear The Grass Grow", "Flowers In The Rain", "Fire Brigade", and their only number one success "Blackberry Way". In their early years The Move had a stage act which occasionally saw Wayne taking an axe to television sets, or chainsawing a Cadillac to pieces at The Roundhouse, London during "Fire Brigade", an escapade which resulted in the Soho area being jammed with fire engines, and the group being banned for a while from every theatre venue in the UK.
But by 1968 the group began fragmenting as a result of personal and musical differences. Wayne's increasingly MOR style, and aspirations towards cabaret, were at odds with Wood's desire to experiment in a more progressive and classical direction, which would lead to the foundation of the Electric Light Orchestra. As Wood not only wrote all the original material, but was also handling more of the lead vocals, Wayne felt sidelined, and left shortly after the Top 20 hit "Curly" in 1969.
It was believed for some years that he walked out after a gig during which Wood threw a glass at a persistent heckler who was making fun of his long hair, though this was probably coincidence; Wayne had already decided that his days with the group were coming to an end.[citation needed]
Solo performing and acting
He went solo and made several singles and albums, some including songs written and produced by Roy Wood. Among his singles were "Way Back In The Fifties", "Hi Summer" backed with "My Girl And Me", both written and produced by Lynsey De Paul, (the theme song to an ITV variety series he co-hosted), "Maybe God's Got Something Up His Sleeve", the John Lennon song "Imagine", plus a cover version of the Cliff Richard hit "Miss You Nights", and Wood's "Aerial Pictures". He was originally offered the chance to record "Sugar Baby Love" but rejected it as "rubbish"; it was promptly given to a new band, The Rubettes, and it launched their career with a number one hit. As well as "Hi Summer", his work on TV included singing the theme songs to the talent show "New Faces". In 1977, Wayne took part in the A Song For Europe contest, hoping to represent the UK in the Eurovision Song Contest. His song, "A Little Give, A Little Take" finished in 11th place out of 12 songs.
Wayne also made a few recordings with the Electric Light Orchestra as guest vocalist, though these remained unreleased, until they appeared as bonus tracks on a remastered re-issue of the group's second album, ELO 2 in 2003. He never made the charts after leaving The Move, but still enjoyed a steady career in cabaret and on TV, recording versions of songs from the shows of Andrew Lloyd Webber and Tim Rice, as well as voiceovers and jingles. He sang backing vocals on Mike Oldfield's Earth Moving, released in 1989.
It is rumoured that shortly after leaving The Move, he was invited to join Status Quo.
In his acting career he had a small role in the Birmingham based soap opera, Crossroads, and in 1974 married Susan Hanson, another member of the cast. His most acclaimed stage role was as the narrator in Willy Russell's Blood Brothers between 1990 and 1996. Later he became a presenter on BBC Radio WM, in the course of which he interviewed several of his former colleagues from The Move, among other guests. He was also a tireless fund raiser for leukaemia research, and ran several London marathons for charity. He also made an appearance on The Benny Hill Show in 1985, in which he played the "Face" character in a parody of The A-Team.
With The Hollies
In 2000, on the retirement of lead vocalist Allan Clarke, he joined The Hollies, touring Europe and Australasia, with them as well as playing venues all over the United Kingdom. They recorded a new song, "How Do I Survive", in February 2003, which appeared as the only previously unreleased item on a 46-track compilation CD of the Hollies' greatest hits later that year. In addition to most of the Hollies' songs, they also included "Flowers In The Rain" and "Blackberry Way" in their live repertoire. Their drummer Bobby Elliott described him as "a fearless performer and powerhouse singer".
Wayne played what turned out to be his last concert with the group on 10 July 2004 at Egersund, Norway. Shortly afterwards he was admitted to hospital for tests, where he was diagnosed with oesophageal cancer and he died a few weeks later, aged 61.
Because of poor sales, none of Wayne's solo releases remained on catalogue for long during his lifetime. In 2006 an album of his performances, remastered with the involvement of Wood and some previously unreleased, was issued under the title Songs From The Wood And Beyond 1973-2003.