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Carlos Kleiber

 
Music Encyclopedia: Carlos Kleiber

(b Berlin, 3 July 1930). Argentinian conductor, son of Erich Kleiber.He studied in Buenos Aires and held posts at several European opera houses, notably Zürich and Stuttgart, appearing too at Munich, Vienna and London. In his favoured repertory - Strauss, Wagner, late Verdi, Berg - he is an interpreter of great passion and dramatic tension, with a powerful intellectual grasp, and is noted for the intense discipline and high precision he demands.



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Artist: Carlos Kleiber
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  • Period: Romantic (1820-1869)
  • Country: Germany
  • Born: July 03, 1930 in Berlin, Germany
  • Died: July 13, 2004 in Munich, Germany

Biography

Carlos Kleiber was one of the legendary conductors of his time, famous for his infrequent, but supreme interpretations of a limited repertory. The New York Times called him "the most venerated conductor since Arturo Toscanini." Carlos Kleiber was born in Berlin, but was raised in Argentina. He was interested in music from an early age, despite opposition from his famous father, the conductor Erich Kleiber. Carlos settled in Europe in 1952 to become a repétiteur at the Theater am Gärtnerplatz in Munich. He made his debut conducting Millöcker's Gasparone in Potsdam in 1954. He attained another répétiteur position in 1956 at the Deutsche Oper am Rhein in Düsseldorf and was promoted to conductor in 1958. From 1964 to 1966 he was a conductor at the Zürich Opera, then first conductor at the Württemberg State Theater in Stuttgart (1966-1968). From 1968 to 1978 he was a conductor at the Bavarian State Opera in Munich.

During this period he made notable guest appearances. His British debut was conducting Berg's Wozzeck at the Edinburgh Festival in 1966. His Vienna debut was leading Tristan und Isolde in 1973, and he debuted at Bayreuth conducting the same work. In 1974 he appeared for the first time at Covent Garden and La Scala, in both cases conducting Richard Strauss's Der Rosenkavalier. His American debut vehicle was with Verdi's Otello in San Francisco. He made his debut at the Met in 1988. Subsequently, he also appeared as a conductor of orchestral concerts, including performances with the Chicago Symphony, the Vienna Philharmonic, and the Berlin Philharmonic.

After Kleiber gave up his position in Munich, he did not enter into another permanent relationship with an orchestra or opera house, preferring instead to make rare guest appearances. Kleiber was a tireless perfectionist who possesses a remarkable intensity in rehearsal and performance. He produced performances of refined, polished execution that strip away everything but the composer's purest intentions. Kleiber released only a few recordings, but each one is considered a masterpiece of interpretation. His repertory came primarily from the Classical and Romantic repertoire, including Beethoven, Brahms, and Mozart symphonies and overtures. Among the highlights of his career were his interpretations of opera, including Der Rosenkavalier, and Johann Strauss' Die Fledermaus. His repertoire also included waltzes and other lighter works, which he performed on the Vienna Philharmonic's New Year's concerts. Some of his opera productions, and a documentary of his rehearsal and conducting technique, are available on video. A very private man, he avoided public appearances and press interviews. He became a naturalized Austrian citizen in 1980. ~ Joseph Stevenson, All Music Guide

Discography

Wagner: Tristan und Isolde

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Strauss: Die Fledermaus

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Strauss: Die Fledermaus

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1992 New Year's Concert

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Wagner: Tristan und Isolde

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Kleiber Conducts Wagner & Borodin

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Beethoven: Symphonien Nos. 5 & 7

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Weber: Der Freischütz

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Wagner: Tristan und Isolde

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Verdi: La Traviata

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Carlos Kleiber Conducts Strauss

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Carlos Kleiber Conducts Strauss & Beethoven

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Carlos Kleiber Conducts Strauss & Beethoven

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Carlos Kleiber conducts Brahms Symphony No. 2

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Puccini: La Boheme

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Brahms: Symphonie No. 4

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Brahms: Symphony No. 4

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Weber: Der Freischütz

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Strauss: Die Fledermaus

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Verdi: La Traviata

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Wagner: Tristan und Isolde

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Verdi: Otello

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Beethoven: Symphony No. 4

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Beethoven: Symphony No. 4

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Carlos Kleiber Conducts Weber & Brahms

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Wagner: Tristan & Isolde

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Verdi: Otello

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Carlos Kleiber Conducts Schubert, Butterworth, Beethoven

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Verdi: La Traviata

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Puccini: La Bohème

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Puccini: La bohème

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R. Strauss: Der Rosenkavalier

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Carlos Kleiber conducts Ludwig van Beethoven

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Strauss: Die Fledermaus

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Carlos Kleiber in Light Music

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Verdi: La Traviata

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Verdi: Otello

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R. Strauss: Elektra

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Verdi: Otello

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Beethoven: Symphonies Nos. 5 & 7 [Hybrid SACD]

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R. Strauss: Der Rosenkavalier

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Wagner: Tristan und Isolde

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Verdi: Otello

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Beethoven: Symphonie No. 6

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Mahler: Das Lied von der Erde

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Tribute to a Unique Artist

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Beethoven: Symphonies Nos. 5 & 7 [DVD Audio]

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Verdi: La Traviata [Hybrid SACD]

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Wagner: Tristan und Isolde

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Beethoven: Symphonie 7 [Hybrid SACD]

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Wagner: Tristan und Isolde

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Carlos Kleiber Plays Mozart, Haydn, Berg

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Carlos Kleiber in Rehearsal

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Richard Strauss: Der Rosenkavalier

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New Year Concert 1992

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Beethoven: Symphonie No. 5

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Beethoven: Symphonie No. 7

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Verdi: Otello

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Wagner: Tristan und Isolde

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Richard Strauss: Der Rosenkavalier

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Wagner: Tristan und Isolde

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Best of Neujahrskonzert [DVD Video]

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Verdi: La Traviata

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New Year's Concert, 1989

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Richard Strauss: Der Rosenkavalier

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Richard Strauss: Der Rosenkavalier

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Wikipedia: Carlos Kleiber
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Carlos Kleiber (3 July 1930 – 13 July 2004) was an Austrian conductor.

Contents

Early career

Kleiber was born as Karl Ludwig Kleiber in Berlin, the son of the Austrian conductor Erich Kleiber and Ruth Goodrich, an American.[1]. In 1935, the Kleiber family emigrated to Buenos Aires. Karl's name became Carlos. As a youth, he had an English governess, grew up in English boarding schools in Argentina and later studied in New York and Zurich. He also composed, sang, and played piano and timpani. While his father noticed his son's musical talents, Erich Kleiber nevertheless dissuaded Carlos from pursuing a musical career: "What a pity the boy is musically talented", wrote his father to a friend.

Carlos Kleiber initially studied chemistry in Zürich, but soon decided to dedicate himself to music. He was repetiteur at the Gartnerplatz Theatre in Munich in 1952, and became Kapellmeister at Potsdam in 1954. From 1958 to 1964 he was Kapellmeister at the Deutsche Oper am Rhein in Düsseldorf and Duisburg, and then at the Opera in Zürich from 1964 to 1966. Between 1966 and 1973 he was first Kapellmeister in Stuttgart, his last permanent post. During the following years, he often conducted at the Bavarian State Opera in Munich.

Mature career

During his freelance career, Kleiber restricted his conducting appearances to a select number of occasions. He made his British debut in 1966 with a performance at the Edinburgh Festival of Alban Berg's opera Wozzeck, a work his father had conducted at its premiere in 1925. He made his Bayreuth debut in 1974 with a performance of Richard Wagner's Tristan und Isolde.

His American debut came in 1978 with the Chicago Symphony Orchestra[2], where he again conducted in 1983, his only US orchestra appearances.[3][4]. His New York Metropolitan Opera debut was in 1988, conducting Giacomo Puccini's La bohème with Luciano Pavarotti and Mirella Freni.[5] In 1989, following Herbert von Karajan's resignation from the Berlin Philharmonic Orchestra, Kleiber was offered, and declined, the post of the orchestra's next music director.[6] Kleiber returned to the Met in 1990 to conduct Otello[7] and Der Rosenkavalier[8].

Kleiber kept out of the public eye and reportedly never gave an official interview.[4][9] After he resigned from the Bavarian State Opera, his appearances became less frequent, and he made only a few recordings. Most of these are regarded as very fine; his versions of Ludwig van Beethoven's fifth and seventh symphonies with the Vienna Philharmonic Orchestra and of the Symphony No. 4 and No. 7 (Beethoven) with the Bavarian State Orchestra are particularly notable. Other notable recordings include Johannes Brahms' Symphony No. 4 and Franz Schubert's third and eighth ("Unfinished") symphonies, also with the Vienna Philharmonic, recordings of Dvořák's Concerto for piano and orchestra with Sviatoslav Richter, Carl Maria von Weber's Der Freischütz, Johann Strauss' Die Fledermaus, Giuseppe Verdi's La Traviata and Richard Wagner's Tristan und Isolde.

Preserved performances

Kleiber's unique conducting style is preserved on video in a number of performances: Beethoven's Symphony No. 4 and Symphony No. 7 from the Concertgebouw in Amsterdam,[10] Johann Strauss' Die Fledermaus from Munich, Richard Strauss' Der Rosenkavalier from both Munich and Vienna, Wolfgang Amadeus Mozart's 36th symphony and Brahms' second symphony from the Musikverein in Vienna ; Beethoven's Coriolan Overture, Mozart's 33rd and Brahms' fourth symphonies from Munich and Bizet's Carmen again from Vienna. He led the New Year's Concert of the Vienna Philharmonic in 1989 and 1992, and these are both preserved on video.

Impact

He effectively retired from concert life in the early 1990s, occasionally appearing to give private concerts or benefit concerts. For one such event in Ingolstadt , instead of the usual fee, Kleiber received a new Audi made to his specifications. In the opinion of many of his colleagues and audiences who have experienced his meticulously rehearsed but ever spontaneous and inspired performances, this eccentric genius is the greatest conductor of all time, first among equals, despite the paucity of his appearances.[11][12][13][14][15]

He is buried in the Slovenian village of Konjšica near Litija in 2004, together with his wife Stanislava Brezovar, a ballet dancer, who died 7 months earlier.[16] He and his wife had two children, a son, Marko, and a daughter, Lillian.

In 2007 Rai Radio 3 (Italian National Radio channel 3), inside its evening program "Radio3Suite", broadcast a 10-episodes program dedicated to Kleiber's legacy: "IL SORRISO DELLA MUSICA: UN RITRATTO DI CARLOS KLEIBER" ("THE SMILE OF MUSIC: A PORTRAIT OF CARLOS KLEIBER"), by Andrea Ottonello, based on great contribuitions and attestations like the one by Claudio Abbado, Mirella Freni, Maurizio Pollini, and above all Carlos Kleiber's sister, Veronica. In the interview, Abbado says Kleiber has been "the most important conductor of the 20th century". See http://www.radio.rai.it/radio3/radio3_suite/view.cfm?Q_EV_ID=240713&Q_PROG_ID=68

On 26 September 2009, BBC Radio 3 transmitted a unique documentary, Who Was Carlos Kleiber? Produced by Paul Frankl, and presented by Ivan Hewett with research by Ruth Thomson, this feature was based on interviews with four who knew Kleiber well: Placido Domingo, Sir Peter Jonas, Christine Lemke-Matvey, and Charles Barber. It may be downloaded at: http://www.mediafire.com/?wn4lnykyqkk

On 21 June 2010, Ljubljana will celebrate Carlos Kleiber's 80th Birthday with VPO and Riccardo Muti.

Official discography (complete)

Official DVD releases

References

  1. ^ Harvey Sachs (2004-07-25). "The Conductor Who Could Not Tolerate Error". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9B05EFDE113AF936A15754C0A9629C8B63&sec=&spon=&pagewanted=all. Retrieved 2007-10-14. 
  2. ^ John Rockwell (2004-07-20). "Carlos Kleiber Is Dead at 74; Music's Perfectionist Recluse". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9C01E0DF103AF933A15754C0A9629C8B63&sec=&spon=&pagewanted=all. Retrieved 2007-10-14. 
  3. ^ Michael Walsh (1983-07-13). "Unvarnished Symphonies". Time. http://www.time.com/time/magazine/article/0,9171,952033,00.html. Retrieved 2007-10-14. 
  4. ^ a b Nicholas Kenyon (1989-10-15). "Carlos Kleiber: Genius Wrapped In an Enigma". New York Times. http://query.nytimes.com/gst/fullpage.html?res=950DE5D61E3DF936A25753C1A96F948260&sec=&spon=&pagewanted=all. Retrieved 2007-10-14. 
  5. ^ Donal Henehan (1988-01-24). "Pavarotti and Freni in La Boheme". New York Times. http://query.nytimes.com/gst/fullpage.html?res=940DE0DA113AF937A15752C0A96E948260. Retrieved 2007-10-14. 
  6. ^ Jacobs, Arthur (1990) "Kleiber, Carlos" The Penguin Dictionary of Musical Performers Viking, London
  7. ^ Donal Henehan (1990-03-07). "Carlos Kleiber Leads Plácido Domingo In Verdi's Otello". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9C0CE3D9123DF934A35750C0A966958260. Retrieved 2007-10-14. 
  8. ^ Donal Henehan (1990-09-27). "Sweeping Rosenkavalier at the Met". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9C0CE3DA123BF934A1575AC0A966958260&sec=&spon=&pagewanted=all. Retrieved 2007-10-14. 
  9. ^ Martin Kettle, "A rare touch of musical magic". The Guardian, 1 January 1990.
  10. ^ Bernard Holland (1987-06-19). "Conducting for Cultists: Beethoven From Kleiber". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9B0DE7D91F3FF93AA25755C0A961948260. Retrieved 2007-10-14. 
  11. ^ Schudel, Matt (20 July 2004) "Obituraries: Gifted, Eccentric Conductor Carlos Kleiber Dies at 74" Washington Post, Washington D.C. p. B06;
  12. ^ "Kleiber, Carlos" Current Biography Yearbook 1991 edition, H.W. Wilson Co., New York, p.338
  13. ^ Bernheimer, Martin (October 2004) "Obituaries: Carlos Kleiber" Opera News 69(4): p.85;
  14. ^ Kakaviatos, Panos (20 July, 2004) "Carlos Kleiber, 74, widely admired conductor" Chicago Sun-Times
  15. ^ Alan Blyth, obituary for Carlos Kleiber, The Guardian, 21 July 2004.
  16. ^ "Obituary section: Kleiber, Carlos" Current Biography Yearbook 2004 edition, H.W. Wilson Co., New York, p. 650;
  17. ^ Andrew Clements, "Brahms: Symphony No. 4". The Guardian, 17 March 2000.

Sources

  • Balestrazzi, Mauro: Carlos Kleiber - Angelo o demone?, 2006, ISBN 88-8302-325-0 (in Italian)
  • Fischer, Jens Malte: Carlos Kleiber - Der skrupulöse Exzentriker, 2006, ISBN 3-8353-0138-1 (in German)
  • Werner, Alexander: Carlos Kleiber - Eine Biografie, 2007, 2nd, revised Edition, 2009, ISBN 978-3-7957-0598-5 (in German)
  • Vichev, Tomislav: Kleiber's Era, 2003 (in Bulgarian)
  • Barber, Charles: Corresponding With Carlos, 2010 (in English)

External links


 
 
Learn More
New Year's Concert 1992 (1992 Music Film)
Carlos Kleiber: Beethoven Symphonies 4 & 7 (Music Film)
Die Fledermaus (Bavarian State Orchestra) (1990 Theater Film)

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