Bibliography
See his letters (1913); biography by L. Dowling (2008); study by K. Vanderbilt (1959).
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Columbia Encyclopedia:
Charles Eliot Norton |
Bibliography
See his letters (1913); biography by L. Dowling (2008); study by K. Vanderbilt (1959).
Related Videos:
Charles Eliot Norton |
American Heritage Dictionary:
Nor·ton |
, Charles Eliot 1827-1908.
Houghton Mifflin Chronology of US Literature:
Works by Charles Eliot Norton |
| 1891 | The first volume of the Harvard professor of fine arts's prose translation of Dante's Divine Comedy (completed in 1892) appears and is acclaimed as a masterpiece. Revised in 1902, it is still considered among the finest English-language prose versions of Dante's poem. |
Quotes By:
Charles Eliot Norton |
Quotes:
"The voice of protest, of warning, of appeal is never more needed than when the clamor of fife and drum, echoed by the press and too often by the pulpit, is bidding all men fall in step and obey in silence the tyrannous word of command. Then, more than ever, it is the duty of the good citizen not to be silent."
Wikipedia on Answers.com:
Charles Eliot Norton |
| Charles Eliot Norton | |
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Charles Eliot Norton, circa 1903 |
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| Born | November 16, 1827 Cambridge, Massachusetts |
| Died | October 21, 1908 Cambridge, Massachusetts |
| Occupation | Art history professor, literary scholar |
Charles Eliot Norton, (November 16, 1827 - October 21, 1908) was a leading American author, social critic, and professor of art. He was a militant idealist, a progressive social reformer, and a liberal activist whom many of his contemporaries considered the most cultivated man in the United States.[1]
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Norton was born at Cambridge, Massachusetts. His father, Andrews Norton (1786–1853) was a Unitarian theologian, and Dexter professor of sacred literature at Harvard; his mother was Catherine Eliot, and Charles William Eliot, president of Harvard, was his cousin. Norton graduated from Harvard in 1846, and started in business with an East Indian trading firm in Boston, travelling to India in 1849. After a tour in Europe, where he was influenced by John Ruskin and pre-Raphaelite painters, he returned to Boston in 1851, and devoted himself to literature and art. He translated Dante's Vita Nuova (1860 and 1867) and the Divina Commedia (1891-91-92), 3 vols.). He worked tirelessly as secretary to the Loyal Publication Society during the Civil War, communicating with newspaper editors across the country, including the journalist Jonathan Baxter Harrison who became a lifelong close friend.[2] From 1864 to 1868, he edited the highly influential magazine North American Review, in association with James Russell Lowell. In 1861 he and Lowell helped Henry Wadsworth Longfellow in his translation of Dante and in the starting of the informal Dante Club. In 1862 Norton married Susan Sedgwick, creating what for a time became the wealthiest family in Boston.[3]
In 1875 he was appointed professor of the history of art at Harvard, a chair which was created for him and which he held until retirement in 1898. The Archaeological Institute of America chose him as its first president (1879–1890). From 1856 to 1874 Norton spent much time in travel and residence on the continent of Europe and in England, and it was during this period that his friendships began with Thomas Carlyle, John Ruskin, Edward FitzGerald and Leslie Stephen, an intimacy which did much to bring American and English men of letters into close personal relation. Norton had a peculiar genius for friendship, and it is on his personal influence rather than on his literary productions that his claim to fame rests. In 1881 he inaugurated the Dante Society, whose first presidents were Longfellow, Lowell and Norton himself. From 1882 onward he confined himself to the study of Dante, his professorial duties, and the editing and publication of the literary memorials of many of his friends. In 1883 came the Letters of Carlyle and Emerson; in 1886, 1887 and 1888, Carlyle's Letters and Reminiscences; in 1894, the Orations and Addresses of George William Curtis and the Letters of Lowell. Norton was also made Ruskin's literary executor, and he wrote various introductions for the American "Brantwood" edition of Ruskin's works. His other publications include Notes of Travel and Study in Italy (1859), and an Historical Study of Church-building in the Middle Ages: Venice, Siena, Florence (1880). He organized exhibitions of the drawings of Turner (1874) and of Ruskin (1879), for which he compiled the catalogues.
During the first years of the twentieth century, Norton spoke out in favor of legalized euthanasia. He lent his name to a movement led by Ohio socialite Anna S. Hall to pass physician-assisted suicide legislation in Ohio and Iowa.[4] Norton died at "Shady Hill," the house where he had been born, on October 21, 1908, and was buried at Mount Auburn Cemetery.
Norton was widely admired for the breadth of his intellectual interests, remarkable scholarship and interest in the common good. He was awarded the honorary degrees of Litt.D. (Cambridge) and D.C.L. (Oxford), as well as the L.H.D. from Columbia and the LL.D. from both Harvard and Yale. One of his many students at Harvard was James Loeb, who in 1907 created the "Charles Eliot Norton Memorial Lectureship" in archaeology. [5] The Charles Eliot Norton Lectures are given annually by distinguished professors at Harvard. Norton bequeathed the more valuable portion of his library to Harvard.
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![]() | American Heritage Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved. Read more |
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![]() | Houghton Mifflin Chronology of US Literature. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved. Read more |
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