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Chartier, Alain (1380/90-c.1430). Chartier entered the service of Charles VII—then dauphin—shortly before 1417, and remained there as royal notary and secretary until after 1428. A trusted emissary, he acted on several occasions as ambassador to various European courts. Nearly 200 manuscripts of his work are extant, a measure of his prestige.

His literary production was considerable, in Latin and in French; the former mainly consists of official discourses interesting for the light they throw on Chartier's own Latinity. His French writings, prose and verse, accounted for his reputation in his own time. His earliest poems are courtly and conventional, but his first notable work, Le Livre des quatre dames (c.1416), holds a typically delicate balance between poet as lover and poet as commentator. The poet as character meets four ladies lamenting their distress in the wake of what is clearly the battle of Agincourt; all four castigate those who fled. The poem is a debate: which of them has suffered the most, the first who is widowed, the second whose husband is imprisoned, and so on.

Certain formal features—the poet as observer, the debate form—recur in his best-known and most popular poem, La Belle Dame sans mercy (1424), whose tone is an interesting mixture of the courtly and the mildly satirical. The poet overhears a conversation between a mournful, languishing Amant and a briskly sceptical, rational Belle Dame proof against all the Lover's emotional appeals. Elsewhere in his writings debate goes hand in hand with despair at the plight of France. The Debat du herault, du vassault et du villain (after 1415) externalizes this despair with a debate between a despondent knight, a herald looking for a return to the old values, and a brusque peasant. The poem anticipates his best-known prose work, the Quadrilogue invectif (1422). This stages another debate, this time between France herself and representatives of the different estates: a nobility cowardly and idle, a clergy intent on worldly pleasure, a people demanding and discontented. The debate, conducted with a sophisticated dialectic, is couched in an eloquent, rhetorical, Latinate prose, its austere and measured periods balancing the sense of distance created by allegory and a genuine indignation inspired by contemporary disasters. His last major work, the unfinished Lai d'esperance (1428-9), betrays a growing sense of disillusionment: in this allegory, Defiance, Indignation, and Desesperance invite him to suicide; he is rescued from his despair only by the three theological virtues.

[Jane Taylor]

Bibliography

  • F. Rouy, L'Esthétique du traité moral d'après les œuvres d'Alain Chartier (1980)
 
 
Columbia Encyclopedia: Chartier, Alain
(älăN' shärtyā') , b. c.1385, d. c.1433, French writer, secretary to Charles VII. His most popular work was the love poem La Belle Dame sans mercy (1424), which provided Keats with a title. Le Quadrilogue invectif (1422), a political pamphlet in vigorous prose, called for French solidarity to combat the turmoil of the Hundred Years War.
 
Quotes By: Alain Chartier

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Alain Chartier (c. 1392 - c. 1430) was a French poet and political writer.

He was born at Bayeux, into a family marked by considerable ability. His eldest brother Guillaume became bishop of Paris; and Thomas became notary to the king. Jean Chartier, a monk of St Denis, whose history of Charles VII is printed in vol. iii. of Les Grands Chroniques de Saint-Denis (1477), was not, as is sometimes stated, also a brother of the poet.

Alain studied, as his elder brother had done, at the University of Paris. His earliest poem is the Livre des quatre dames, written after the battle of Agincourt. This was followed by the Débat du reveille-matin, La Belle Dame sans merci, and others. None of these poems show any very patriotic feeling, though Chartier's prose is evidence that he was not indifferent to the misfortunes of his country.

He followed the fortunes of the dauphin, afterwards Charles VII, acting in the triple capacity of clerk, notary, and financial secretary.

In 1422 he wrote the famous Quadrilogue-invectif. The interlocutors in this dialogue are France herself and the three orders of the state. Chartier lays bare the abuses of the feudal army and the sufferings of the peasants. He rendered an immense service to his country by maintaining that the cause of France, though desperate to all appearance, was not yet lost if the contending factions could lay aside their differences in the face of the common enemy.

In 1424 Chartier was sent on an embassy to Germany, and three years later he accompanied to Scotland the mission sent to negotiate the marriage of James I's daughter, Margaret, then not four years old, with the dauphin, afterwards Louis XI. In 1429 he wrote the Livre desperance, which contains a fierce attack on the nobility and clergy. He was the author of a diatribe on the courtiers of Charles VII. entitled Le Curial, translated into English by William Caxton about 1484.

The date of his death is to be placed about 1430. A Latin epitaph, discovered in the 18th century, says, however, that he was archdeacon of Paris, and declares that he died in the city of Avignon in 1449. This is obviously not authentic, for Alain described himself as a simple clerc and certainly died long before 1449.

"Alain Chartier" by Edmund Blair Leighton, depicting the kiss
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"Alain Chartier" by Edmund Blair Leighton, depicting the kiss

The story of the famous kiss bestowed by Margaret of Scotland on la précieuse bouche de laquelle sont issus et sortis tant de bons mots et vertueuses paroles ('The invaluable mouth from which issued and which left so many witty remarks and virtuous words') is mythical, for Margaret did not come to France till 1436, after the poet's death; but the story, first told by Guillaume Bouchet in his Annales d'Aquitaine (1524), is interesting, if only as a proof of the high degree of estimation in which the ugliest man of his day was held. Jean de Masies, who annotated a portion of his verse, has recorded how the pages and young gentlemen of that epoch were required daily to learn by heart passages of his Breviaire des nobles. John Lydgate studied him affectionately. His Belle Dame sans merci was translated into English by Sir Richard Ros about 1640, with an introduction of his own; and Clement Marot and Octavien de Saint-Gelais, writing fifty years after his death, find many fair words for the old poet, their master and predecessor.

The English Romantic poet John Keats famously wrote the ballad 'La Belle Dame Sans Merci', using the title from Alain Chartier.

See Mancel, Alain Chartier, étude bibliographique et littéraire, 8vo (Paris, 1849); D. Delaunays Etude sur Alain Chartier (1876), with considerable extracts from his writings. His works were edited by A. Duchesne (Paris, 1617). On Jean Chartier see Vallet de Viriville, Essais critiques sur les historiens originaux du règne de Charles VIII, in the Bibl. de l'Ecole des Chartes 1857).

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
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Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Alain Chartier" Read more

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