Career Highlights: The Great White Hope, Meet Boston Blackie, Confessions of Boston Blackie
First Major Screen Credit: Alibi (1929)
Biography
Chester Morris was the son of actors William Morris and comedienne Etta Hawkins; Morris' siblings, Adrian and Wilhelmina, later became performers as well. Reportedly in silent films at the age of nine, Morris' certified Broadway debut, at 15, was in Lionel Barrymore's The Copperhead; that same year (1917), Morris graduated from the New York School of Fine Arts. He billed himself as "the youngest leading man in the country" -- which, at 17, he may very well have been. He was Oscar-nominated for his first talking-picture role in Alibi (1929). Morris spent the 1930s alternating between tough-guy stuff like The Big House (1930) and tux-and-tails assignments in films like The Divorcee (1930). From 1940 through 1949, Morris starred as Boston Blackie in a lively series of Columbia B-pictures, a role which gave him opportunities to indulge his fondness for elaborate makeups and sleight-of-hand. During the 1950s, Morris headlined the touring companies of several Broadway plays, including Detective Story and Advise and Consent; he also hosted the syndicated TV anthology Captured. Chester Morris died of a barbiturate overdose while he was starring in a Bucks County Playhouse production of Caine Mutiny Court Martial; his last film, The Great White Hope, was released shortly after his death. ~ Hal Erickson, All Movie Guide
John Chester Brooks Morris (February 16, 1901 – September 11, 1970) was an American actor, perhaps most famous for his role in the Boston Blackie detective series of the 1940s. He was a dark, handsome, firm-jawed actor who appealed to both men and women with his confidence and good-natured humor.
He was born in New York City, the son of actor William Morris. He made his Broadway debut at 15 in Lionel Barrymore'sThe Copperhead. At 17, he billed himself as "the youngest leading man in the country." His film career began in 1917 in An Amateur Orphan.
Throughout the 1930s, he effortlessly switched between tough guy and slick debonair love interest roles. Morris was nominated for the Academy Award for Best Actor for Alibi (1929) directed by Roland West. He also starred in The Bat Whispers (1930) and Corsair (1931), both directed by West. The Bat Whispers was notable as one of the first films to use the "Magna Screen" 70mm process. Sound films were just taking hold at the time; however theatres were not willing to pay for the added expense of 70 mm projectors and larger, wider screens on top of the cost of sound equipment. The process was abandoned until the 1950s, when film studios used it to lure customers away from their TV sets.
Perhaps his finest role was in the early prison film The Big House (1930), which was a huge success and propelled his career. His career gradually declined in the late 1930s, with roles in B-movies such as Smashing the Rackets (1938) and Five Came Back (1939). His career revived when from 1941 to 1949 he played the character Boston Blackie in 14 low-budget movies produced by Columbia Pictures, starting with Meet Boston Blackie, and one season of radio shows.
Through the 1950s and 1960s, he worked mainly in TV with occasional forays into regional theatre, an exception being the poorly-illuminated The She Creature, where he played Dr. Carlo Lombardi, an even more oily character than he normally played. It was reported in Variety that Morris's Brylcreem expenses exceeded any other item in the film's budget. After his last Boston Blackie movie, he only performed in three more films, including his final role in The Great White Hope (1970).
Personal life
Morris was married to Suzanne Kilborn from September 30, 1927 to their divorce in November 1939. They had two children, Brooks and Cynthia. He married Lillian Kenton Barker on November 30, 1940. They had one child, Kenton.