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Christian Marclay

 
Artist: Christian Marclay
  • Period: Contemporary (1950- )
  • Born: 1955 in San Rafael, CA
  • Genres: Miscellaneous Music

Biography

Christian Marclay was the first non-rap DJ to make an art form out of the turntable, treating the instrument as a means to rip songs apart, not bridge them together. A long-time associate of Downtown improv figures John Zorn, Elliott Sharp, and Butch Morris as well as the Kronos Quartet, Marclay was inspired artistically by Joseph Beuys and musically by John Cage and the Fluxus group after a period studying at the Massachusetts College of Art. He noted the experimental applications made possible by using the turntable in ways hardly recommended by owners manuals and began performing as early as 1979. Marclay's methods included standard scratching, playback on damaged turntables, the actual destruction (and reassembly) of vinyl to record the results, and creating musical juxtapositions by mixing together a variety of radically different artists. His 1985 installation Footsteps included a gallery floor lined with thousands of records for people to walk over (the results were packaged and sold). His 1988 LP More Encores featured tributes to a variety of musical figures, including "John Cage" (recorded by gluing together pieces of several records to create one) and "Louis Armstrong" (using a hand-cranked gramophone to alter the pitch). Though he recorded much more sparingly in the 1990s, Marclay continued to appear on Zorn projects, including several editions of his Filmworks series. The Atavistic label has released the retrospective Records 1981-1989. Moving Parts was released in mid-2000. ~ John Bush, All Music Guide
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Wikipedia: Christian Marclay
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Christian Marclay

Christian Marclay at Hallwalls in Bufalo, N.Y. Nov. 16, 1985.
Born 1955 (1955)
Nationality American
Field Visual artist, Composer

Christian Marclay (born 1955) is an American visual artist and composer based in New York.

Marclay's work explores connections between sound, photography, video, and film. A pioneer of using gramaphone records and turntables as musical instruments to create sound collage, Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism."[1] His own use of turntables and records, beginning in the mid-1970s, was developed independently of but roughly parallel to hip hop's use of the instrument.

Contents

Biography

Marclay studied at the Massachusetts College of Art, and was notably interested in Joseph Beuys and the Fluxus movement of the 1960s and '70s.[2]

Drawn to the energy of punk rock, Marclay began creating songs, singing to music on pre-recorded backing tapes. Unable to recruit a drummer for his 1979 performances with guitarist Kurt Henry, Marclay used the regular rhythms of a skipping LP record as a percussion instrument.[3] These duos with Henry might be the first time a musician used records and turntables as interactive, improvising musical instruments.[4]

Marclay sometimes manipulates or damages records to produce continuous loops and skips, and has said he generally prefers inexpensive used records purchased at thrift shops, as of 1998, never having paid more than US$1 for a record[3], as opposed to other turntablists who often seek out specific recordings. Marclay has occasionally cut and re-joined different LP records; when played on a turntable, these re-assembled records will combine snippets of different music in quick succession along with clicks or pops from the seams, and when the original LPs were made of differently-colored vinyl, the reassembled LPs can themselves be objects d'art.

Some of Marclay's musical pieces are carefully recorded and edited plunderphonics-style; he is also active in free improvisation. He was filmed performing a duo with Erikm for the documentary Scratch. His scene didn't make the final cut, but is included on the DVD extras.

Thom Jurek writes "many intellectuals have made wild pronouncements about Marclay and his art — and it is art, make no mistake — writing all sorts of blather about how he strips the adult century bare by his cutting up of vinyl records and pasting them together with parts from other vinyl records, they never seem to mention that these sound collages of his are charming, very human, and quite often intentionally hilarious."[5]

Marclay has performed and recorded both solo and in collaboration with many musicians, including John Zorn, William Hooker, Elliott Sharp, Otomo Yoshihide, Butch Morris, Shelley Hirsch, Flo Kaufmann; he has also performed with the group Sonic Youth, and in other projects with Sonic Youth's members.

Exhibitions

  • Vinyl -2009 - Christian Marclay, Flo Kaufmann, Janek Schaefer and Otomo Yoshihide. Lydgalleriet - Bergen -Norway
  • Broken English / Justin Bennett, Shana Lutker, Euan Macdonald, Christian Marclay, Navid Nuur, Mungo Thomson - Seiler + Mosseri-Marlio Galerie - Zurich - Switzerland
  • Replay - 2009 - DHC/Art - Montréal - Canada
  • You said he said she said - 2008 - Seiler + Mosseri-Marlio Galerie - Zurich - Switzerland
  • Honk if you love silence - Mamco - Geneva - Switzerland
  • Snap! - 2008- Galerie Art&Essai - Rennes - France
  • Replay - 2007-8 - Australian Centre for the Moving Image - Melbourne - Australia
  • Replay - 2007- cité de la musique - Paris - France
  • Christian Marclay. 1999. Paula Cooper Gallery, New York.
  • Pictures at an Exhibition. 1997. Whitney Museum of American Art at Philip Morris, New York (brochure).
  • Arranged and Conducted. Kunsthaus, Zurich (catalogue).
  • Accompagnement Musical. 1995 Musée d'Art et d'Histoire, Geneva.
  • Amplification, Venice Biennial 1995, Chiesa San Staë
  • Christian Marclay. 1994. daadgalerie, Berlin, Germany; Fri-Art Centre d'art contemporain Kunsthalle, Fribourg (catalogue).
  • Christian Marclay. 1993. Margo Leavin Gallery, Los Angeles.
  • The Wind Section. 1992. Galerie Jennifer Flay, Paris.
  • Christian Marclay. 1991. Interim Art, London.
  • Directions: Christian Marclay. 1990. Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, Washington, D.C. (brochure).
  • Christian Marclay. 1987. The Clocktower, P.S. 1 Museum, New York.

References

External links

Interviews


 
 
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Philip Jeck (Electronica Artist, '80s-2000s)
djTrio (2004 Album by Christian Marclay)
Günter Müller (Avant-Garde Artist, '90s, 2000s)

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