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Christina

Christina (4th century?), virgin and martyr. There are two claimants to this title who have come to share the same Acts: Christina of Tyre (Phoenicia) and Christina of Bolsena in Tuscany. It would seem that the former never existed, while the latter was probably a genuine martyr with a surviving shrine and catacomb. Both Eastern and Western churches had a cult of Christina on 24 July; the Legend which does duty for both made her the heroine of a series of unlikely tortures endured for refusing to sacrifice to the pagan gods: eventually she was shot to death with arrows. The Legend seems to be a conflation of those of Barbara, Catherine of Alexandria, and Ursula. Her iconography begins with a mosaic at Ravenna (6th century) in which she has no special attributes. In the 15th and 16th centuries there are notable paintings by Cranach and Paul Veronese, her attributes being a millstone, a wheel, pincers, and arrows.

Bibliography
Click here for a list of abbreviations used in this bibliography.

  • AA.SS. Iul. V, 495–534
  • C.M.H., p. 394; Propylaeum, p. 304; C. Ricci, Santa Christina e il lago de Bolsena (1928)
  • art. Bolsena in D.A.C.L.; B.T.A., iii. 173–4
 
 
Biography: Christina of Sweden

Christina (1626-1689), Queen of Lutheran Sweden, who abdicated at the height of Sweden's power during the Thirty Years' War, converted to Catholicism, and spent the second half of her life in Rome.

Queen Christina is one of the most unusual monarchs in European history. Inheriting her throne at the age of six, she was raised by brilliant tutors to face a complex and dangerous political world. Intellectually gifted, with a highly complex personality, she confounded her advisors first by refusing to marry, then by voluntarily surrendering her throne, and finally by converting to Catholicism in an age of bitter religious warfare, although her Swedish kingdom was then leader of the Protestant powers. The 1933 movie Queen Christina, starring Greta Garbo, which made the queen's name familiar to 20th-century audiences is entirely misleading about the historical Queen Christina, but it is not alone; she has been the subject of extravagant praise from some observers and detestation from others - so much so, that reliable information in English has remained the exception rather than the rule.

Christina was the daughter of King Gustavus II Adolphus, one of the great military heroes of Swedish history. Entering the Thirty Years' War in 1630 when the "Protestant Cause" was at its lowest ebb, Gustavus Adolphus won a succession of sweeping victories over the armies of the Catholic Holy Roman Empire, culminating in the triumphs of Breitenfeld (1631) and Lützen (1632). At this second battle, however, Gustavus was killed, and although his generals fought on through the following two decades, none could quite match him for strategic daring or tactical elan. At his death Christina, his only child, inherited his throne. For the immediate future, power went to her regent, Axel Oxenstierna, a brilliant politician who continued Gustavus's active policy in northern Europe. He negotiated favorable terms for Sweden in its war against Denmark, settled at Bromsebro in 1644. By winning title to extensive south Baltic lands and ports for Sweden in the general pacification of Westphalia (1648), Oxenstierna showed unmistakably that Christina's Sweden had become the major power of northern Europe.

Not until December 1644, her 18th birthday, did Christina become queen in her own right, though by then she had been attending meetings of the Regency Council for two years. In the meantime, Oxenstierna had taken her away from her mentally unbalanced mother and put her education in the hands of Johannes Matthiae, a broad-minded and widely learned man, who gave her a thorough grounding in history, philosophy, theology, and the sciences, in accordance with her father's early orders that she should be raised like a boy. Matthiae nourished in her a passion for philosophy and whetted her intellectual appetite, preparing for the days when she would be one of the chief patrons of European intellectual life. She became a confident speaker of French, German, Latin, Spanish, and Italian, but her written works - letters, aphorisms, and an autobiography - suggest that, although she was surely bright, she was not the genius whom flattering courtiers described in their dedications.

As she matured, Sweden faced domestic and international crises. In the late 1640s, Swedish statesmen watched anxiously as a revolution overthrew the English monarchy and beheaded King Charles I. In Paris, the Fronde rebellion came close to unseating the French monarchy, and the boy-king Louis XIV had to flee for his life. Revolutions in these and other parts of Europe alarmed Oxenstierna, and he feared that the high taxes he had levied for war and for Christina's court expenses might spark a peasant revolt at home. In 1650, Sweden's representative assembly, the Diet, met at a time of widespread hunger following a poor harvest and protested against the power and privileges of the aristocracy, the price of food, and the costs of a foreign policy from which ordinary Swedes gained nothing. The Diet also argued that Oxenstierna's policy of giving away crown lands, in the hope that they would yield more revenue when taxed than when farmed, benefited none but the aristocracy.

Noting the Diet's formal Protestation, Oxenstierna tried to curb Christina's lavish tastes in art, architecture, and music when she began to rule in her own right - one of several sources of tension between the old servant and his new mistress. She, however, scorned Oxenstierna's efforts at frugality and defied him by giving large gifts of lands to returning veterans when the long series of wars came to an end. As the leading historian of Sweden, Michael Roberts, notes: "She had neither interest in, nor grasp of, finance; and after 1652 seems to have been cynically indifferent to the distresses of a crown she had already decided to renounce." She also rewarded her favorites, such as Magnus de la Gardie, lavishly and tactlessly, and angered Oxenstierna further by introducing men into the royal council whom he thought unsuitable but could no longer oppose.

Every 17th-century European monarchy had to think about and plan for the succession. The presence of a queen made matrimonial diplomacy even more hazardous and more necessary than usual because the wrong husband could be politically disastrous. As an adolescent Christina was in love with, and planned to marry, her cousin Charles (the future Charles X), with whom she was educated at Stegeborg Castle. The attraction was mutual and led him to hope for a throne. But as she matured Christina's ardor cooled. Though she kept alive the possibility of a marriage to Charles, it was more as a tactic to secure the succession than from affection. Her Council of Regents and her Parliament were also eager to assure a politically suitable royal marriage of this kind, which could eventuate in the birth of heirs.

But once she was queen in fact as well as in name, Christina was in no hurry to tie the knot. Like Queen Elizabeth I of England a generation earlier, she realized that the promise of her hand in marriage was a more potent instrument than marriage itself. Once wed, her power would probably decline, whereas the hope of it beforehand would keep Charles, and other possible suitors, guessing as to her intentions and assure her dominance. Meanwhile, she endured rumors which alleged that she was involved in a lesbian affair with her friend Countess Ebba Sparre.

After lengthy disputes with her councillors, she agreed in 1649 to the principle that if she married it would be to Charles, but added that she could not be compelled to marry at all. She was more eager to have Charles formally recognized as her heir. Since the two of them were nearly contemporaries, it was unlikely that Charles would enjoy a long reign after her. In the meantime, he had to skulk on his estates where, according to the court gossip of the day, he spent much of his time in a drunken stupor.

Christina was therefore still unmarried when, in 1651, she told Parliament of her intention to abdicate. A collective cry of dismay from the Swedish statesmen delayed her, but in 1654 she renewed the project and this time carried it out, leaving Sweden permanently in June of that year, and traveling to the Spanish Netherlands. From there, traveling in fine style and assured (as it then seemed) of a lifelong income from her Swedish estates, she went to Innsbruck in Austria, and during her stay openly declared her conversion to Roman Catholicism. To nearly all Swedes her conversion, even more than her abdication, appeared as a horrific form of betrayal. In that age of bitter, protracted religious wars, in which Lutheran Sweden had been pitted for 30 years against the Catholic Empire, a conversion of this sort seemed not so much an act of personal conscience as a symbolic declaration of allegiance to the enemy. Why she took these steps has always been a mystery, and has continued to be the subject of a keen dispute among Swedish historians. Her often-voiced conviction that women were unsuited to rule may have played a part in the decision, but religious conviction was probably more decisive.

Generations of historians have also debated the exact sequence of events and causes surrounding this amazing set of actions. While still in Sweden, Christina had been secretive about her interest in Catholicism, because of its politically volatile implications. She had certainly been strongly impressed by the Catholic French ambassador to her court, Chanut, and by the French philosopher Rene Descartes, also a dedicated Catholic, who spent the last year of his life at her court in Stockholm (he died there of pneumonia in 1650). Next she had encountered Antonio Macedo, who was a Jesuit priest posing as the Portuguese ambassador's interpreter. Christina had several conversations with Macedo and told him that she would welcome the chance to discuss Catholicism with more members of his order. When he hurried to Rome with this news, the Father General of the order responded by sending two learned Jesuit professors, Fathers Malines and Casati, also incognito, to her court. After winning her notice by their pose as Italian noblemen, they quickly recognized that she was a thoughtful and gifted person, "a twenty-five year old sovereign so entirely removed from human conceit and with such a deep appreciation of true values that she might have been brought up in the very spirit of moral philosophy." They recalled later that "our main efforts were to prove that our sacred beliefs were beyond reason, yet that they did not conflict with reason. The queen, meanwhile, shrewdly absorbed the substance of our arguments; otherwise we should have needed a great deal of time to make our point."

Christina may have converted as early as 1652, more than a year before her abdication, but if so she did it secretly. When she went to the Netherlands in 1654, she was still accompanied by a retinue which included a Lutheran chaplain. But while there, he died and was not replaced. Christina, meanwhile, gained a reputation in those years, 1654 and 1655, for having a caustic and dismissive attitude towards all forms of Christianity, which may have been a smokescreen to allay suspicions of her conversion. At any rate, after her open confession of her new faith, scandalous tales of her atheism died away. On the other hand scurrilous rumors of her real motives, printed in an avalanche of hostile and lurid pamphlets, were to follow her to the grave and to mislead historians in the ensuing three centuries.

Arriving at Rome in high style after her stately progress through Europe, she took up residence in the Farnese Palace, alarmed Pope Alexander VII by meeting him in a red dress (the color usually reserved for Roman prostitutes) and entertained lavishly, but with little outward sign of religious fervor. Her home quickly became a salon, where intellectuals, cardinals, and noblemen met, and it inevitably became the focus of political intrigues. Despite Christina's lack of outward piety, she was the most prominent convert of the century, and Rome countered Protestant taunts with an avalanche of its own propaganda, singing her praises. She declared that other European princes should follow her lead and end the Reformation rift which had divided Europe for the last 150 years, but none did so.

Charles X, her successor in Sweden, gained a crown sooner than he had dared hope. He proved an effective - and sternly Protestant - monarch, carrying on the policy which Gustavus Adolphus had initiated, of gaining conquests in what is now Poland and North Germany, on the south shore of the Baltic. One pamphleteer noted that while the Pope had gained one lamb in Queen Christina he had lost an entire flock in Poland at the hands of Charles. Lands and tax revenues from this area strengthened the monarchy in its continuing conflict with the aristocracy, and facilitated the paradox of Sweden, a nation of very small population and indigenous resources, remaining a major European power for the best part of a century.

As for Christina, the second half of her life saw her embroiled in the complex politics of baroque Rome, in which she gained the greatest possible leverage from her royal position and felt constrained only by lack of money. When she arrived, the city was one of the focal points of a conflict between pro-French and pro-Spanish factions: France and Spain themselves were at war. At first the common view was that she was pro-Spanish, but her old friend Chanut reassured his master, Cardinal Mazarin, Louis XIV's chief minister, that this was not true. Sure enough, the early months of 1656 bore witness to a gradual deterioration of Christina's courtesy towards the Spanish ambassadors and her cultivation of French envoys and diplomats. She recognized that France was becoming the dominant power in Europe and that it could better serve her interests than any other nation. Among other things her income had fallen precipitously despite her precautions at the time of abdication. Since less than a quarter of the anticipated revenue was coming to her from her Swedish estates, she hoped Mazarin might offer her a substitute. In late 1656, therefore, she traveled to Paris and was again accorded a sumptuous royal welcome; she then settled down to debating with Mazarin the possibility that she might be made queen of Naples. The Kingdom of Naples, constituting what is now southern Italy, was then in Spanish hands, and making it an independent, pro-French monarchy was one of the central aims of Mazarin's diplomacy. Christina seemed a likely candidate for monarch, and the two of them signed an accord at Compiegne which drew up a timetable for the achievement of this plan.

The expedition of conquest, prepared in secrecy, was due to sail from Marseilles to Naples in February 1657, but French military commitments elsewhere led to a delay. Christina returned from Italy to France and urged Mazarin to hurry, lest he lose the element of surprise. Sure enough, an Italian member of her own entourage whom she had treated lavishly in the past but who now felt slighted, the Marquis of Monaldesco, warned the Spanish Viceroy in Naples of the impending attack. The Viceroy prepared his fortifications to repel it, and Mazarin canceled the expedition. In a fury of disappointment and rage, Christina retaliated against Monaldesco, whose mail she had intercepted, by having his throat cut in her presence at Fontainbleau Palace, despite his agonized pleas for mercy. News of this bloody act, undertaken while she was a foreign king's guest and in his house, undermined her reputation and nullified the Neapolitan scheme altogether. She had fatally underestimated its consequences for her future. Some pamphlets appeared on the streets of Paris which said Monaldesco had been her lover and that she had killed him to keep the fact a secret; others added that he was just one in a long line of murdered lovers. These allegations were groundless, but the killing was politically inept, especially for a woman who prided herself on her Machiavellian skills and diplomatic tact. In 1659, France and Spain signed the Treaty of the Pyrénées and any lingering hopes of a Neapolitan kingdom for Christina fizzled.

From then on Mazarin would make no more schemes with her and Pope Alexander VII now referred to her as "a woman born a barbarian, barbarously brought up, and living with barbarous thoughts." She returned to Rome without further hope of political power but was still resourceful enough to create one of the most refined and brilliant salons in Europe at the Palazzo Riario. For 30 more years, she remained the great anomaly in Europe, a skilled and talented queen without a realm. A circle of friends and retainers still surrounded her, led by Cardinal Azzolino, who did everything he could to repair her tarnished reputation but was careful always to answer her passionately loving letters in a tone of cold severity, lest further scandal attach itself to her name.

Unable to break the habits of a lifetime, she remained an inveterate intriguer (including an effort to become queen of Poland, and a plan to have Azzolino elected pope) but died in 1689 without making any further impact on the course of events. Without the backing of another monarchy, she lacked the resources for further expeditions, and her Swedish successor, Charles X, himself an ally of France, was careful to do nothing to encourage her. Vatican dismay at the Monaldesco affair had cooled sufficiently after 30 years that Christina the eminent convert could be given the final honor, by Pope Innocent XI, of burial in St. Peter's.

Further Reading

Elstob, Eric. Sweden: A Political and Cultural History. Rowman &Littlefield, 1979.

Masson, Georgina. Queen Christina. London: Secker & Warburg, 1968.

Roberts, Michael. Essays in Swedish History. University of Minnesota Press, 1967.

Scott, Franklin D. Sweden: The Nation's History. University of Minnesota Press, 1977.

Stolpe, Sven. Christina of Sweden. Macmillan, 1966.

Weibull, Curt. Christina of Sweden. Bonniers:Svenska Bokforlaget, 1966.

 

Christina, engraving by Cornelis Visscher, 1650.
(click to enlarge)
Christina, engraving by Cornelis Visscher, 1650. (credit: Courtesy of the Svenska Portrattarkivet, Stockholm)
(born Dec. 8, 1626, Stockholm, Swed. — died April 19, 1689, Rome) Queen of Sweden (1644 – 54). The successor to her father, Gustav II Adolf, she was a prime mover in concluding the Peace of Westphalia and ending the Thirty Years' War. After 10 years of rule, she stunned Europe by abdicating the throne, claiming that she was ill and that the burden of ruling was too heavy for a woman. Her real reasons were her aversion to marriage and her secret conversion to Roman Catholicism, which was proscribed in Sweden. She moved to Rome and subsequently attempted, without success, to gain the crowns of Naples and Poland. One of the wittiest and most learned women of her age, she was a lavish patroness of the arts and an influence on European culture.

For more information on Christina, visit Britannica.com.

 
(krĭstē') , 1626–89, queen of Sweden (1632–54), daughter and successor of Gustavus II. From her father's death (1632) until 1644 she was under a regency headed by Chancellor Axel Oxenstierna. Her early devotion to state affairs soon gave place to other interests, especially a zeal for learning. She attracted many foreign artists and scholars—including Descartes—to her court. Music and literature, especially the poetry of Jorge Stiernhielm (1598–1672), were encouraged. On her favorites she lavished titles, lands, and money, and by the end of her reign half of the crown lands had been given away. Her distaste for marriage caused her to designate her cousin Charles (later Charles X) as her successor. Weary of her duties and the growing antagonism of the nobles, and attracted to Catholicism, Christina abdicated in 1654. She left Sweden attired as a man, was received into the Catholic Church at Innsbruck in 1655, and settled at Rome. Her eccentricity and financial incompetence kept her affairs in continual disorder. On the death (1660) of Charles X, Christina returned to Sweden; she hoped to regain her throne but failed. She again went to Sweden in 1667 but was refused entrance into Stockholm because of her religion. She died in Rome and was buried at St. Peter's.

Bibliography

See biographies by M. L. Goldsmith (1933), A. Neumann (tr. 1935), S. Stolpc (1960, tr. 1966), C. H. J. Weibull (1960, tr. 1966), G. Masson (1968), and V. Buckley (2004).

 
History 1450-1789: Christina

Christina (Sweden) (1626–1689; ruled 1632–1654), queen of Sweden. The daughter of Gustavus II Adolphus of Sweden and Maria Eleonora of Brandenburg, Christina was one of the most remarkable people in Sweden's early modern history. She was intellectually gifted, well educated, intensely interested in the ideas and culture of her period, clever, passionate, self-centered, and deeply troubled. Her life falls into three periods: childhood, when she was heir to the throne of Sweden and for twelve years under the control of a regency (1632–1644); her time as a governing queen (1644–1654); and the thirty-five years she lived as a former queen and cultural dilettante in Rome (1654–1689).

It is usually said that Christina's birth was a disappointment. Gustavus II Adolphus and Maria Eleonora had lost one infant daughter, and a second child was stillborn. Everyone hoped for a male heir, and when Christina was born, she was at first thought to be a boy. The truth was quickly apparent. As the only surviving child of the royal couple, however, she was raised as heir to the throne. Following her father's death at the Battle of Lützen in 1632, her upbringing became the responsibility of a regency. She was soon separated from her mother, whose melancholy reached dangerous extremes, and raised in the family of her aunt, Katarina. She was educated as a male, learning to ride, fence, and shoot; early on she was exposed to the business of state. Her formal education was in modern and classical languages, the classics, theology, and history. Her passions were philosophy, art, and literature. Her tutor was Johannes Matthiae Gothus, and her mentor in politics was the chancellor, Axel Oxenstierna.

Her life as queen began in 1644 when she reached eighteen, the age of majority. Her ideas and desires put her in conflict with the chancellor and his colleagues in the Council of State. The conflict was both personal and political. The constitutional balance of power in Sweden, which involved the crown, council, nobility, and commons, had shifted with Gustavus II Adolphus's accession in 1611. Sweden seemed to be moving toward becoming an aristocracy, in which real power was in the hands of a few powerful nobles. Axel Oxenstierna was the main architect of these developments, and Christina rejected them.

Christina engaged in several Machiavellian political struggles, which included offsetting the power of the old council nobles, securing peace in Germany, and guaranteeing the survival of hereditary monarchy. She won them all. At court she used favorites, whom she rewarded with important offices, titles, and crown properties. The council swelled from twenty-five to nearly fifty members, and the nobility more than doubled in size. Her excessive donations of the crown properties (the assets of a domain state) shifted the property-owning balance, sapped the state's financial resources, and triggered serious social unrest among the commons.

In the matter of the Thirty Years' War, her wishes for peace were opposed by the chancellor and his supporters, who wanted the war to continue. Sweden was becoming a "warfare state," the costs of security were being paid by allies and enemies, and the nobility benefited. The Peace of Westphalia in 1648 was a victory for Christina.

The succession issue was more complex, involving personal identity, religion, and politics. By 1650 Christina had made it clear she could not marry. This decision arose from her own identity struggles, which may have been complicated by psychological and physiological factors. She also became more discontented with what she thought of as the stifling Lutheran orthodoxy in Sweden, and she was increasingly attracted to Catholicism. Her sense of duty drove her to arrange the succession of her cousin Charles X Gustav of Pfalz-Zweibrücken and his heirs. To do so, she exploited the social and economic concerns of the commons, the tension between the lower nobility and the council aristocracy, and her personal favorites at court. Her abdication, departure from Sweden in 1654, and subsequent conversion to Catholicism followed naturally from these successes.

The longest period of her life, 1654–1689, was spent mostly in Rome. Sensationalizers gossiped about her as a meddler in international affairs, a murderer, and the lover of a cardinal during this period. In fact, she was a minor player in European politics, most notably when she tried to secure the crown of Naples via an arrangement with France in 1656. The murder accusation arises from her prosecution and execution in 1657 of the Marquis Gian Rinaldo Monaldesco, who betrayed those negotiations to Spain. Her relationship with Cardinal Decio Azzolino was platonic.

Christina was intensely intellectual and wanted to bring mainstream European culture to Sweden. She collected works of art and books, and staged plays and ballets at court. She invited European scholars to Sweden. René Descartes died there while her guest. She also founded the first Swedish "academy." When she left Sweden, this spirit and her collections went with her. Sweden became a poorer place as a result, while Rome benefited from her lifelong commitment to the arts and culture.

Bibliography

Lewis, Paul. Queen of Caprice: A Biography of Kristina of Sweden. London and New York, 1962.

Mackenzie, Faith Compton. The Sibyl of the North: The Tale of Christina, Queen of Sweden. Boston, 1931.

Masson, Georgina. Queen Christina. New York, 1968.

Stolpe, Sven. Drottning Kristina. Stockholm, 1966.

Weibull, Curt. Christina of Sweden. Stockholm, 1966.

—BYRON J. NORDSTROM

 
Wikipedia: Christina of Sweden
Portrait by Sébastien Bourdon.
Enlarge
Portrait by Sébastien Bourdon.
Christina
Queen of Sweden, the Goths and the Wends;
Grand Princess of Finland; Duchess of Estonia, Karelia, Bremen, Verden, Stettin, Pomerania, Kashubia and Wendia; Princess of Rügen;
Lady of Ingria and Wismar
Reign 6 November 16326 June 1654
(caretaker government until
8 November 1644)
Coronation 20 October 1650
Born 8 December 1626
Stockholm
Died 19 April 1689 (aged 62)
Rome
Buried St. Peter's Basilica, Vatican City
Predecessor Gustav II Adolf
Successor Charles X Gustav
Consort Unmarried
Issue None
Royal House Vasa
Royal motto Columna regni sapientia ("Wisdom is the prop of the realm")
Father Gustav II Adolf
Mother Maria Eleonora of Brandenburg

Christina (Swedish: Kristina) (8 December[1] 162619 April 1689), later known as Maria Christina Alexandra and sometimes Countess Dohna, was Queen regnant of Sweden from 1632 to 1654. She was the only surviving legitimate child of King Gustav II Adolf of Sweden and his wife Maria Eleonora of Brandenburg. As the heiress presumptive, at the age of six, she succeeded her father to the throne of Sweden upon his death at the Battle of Lützen in the Thirty Years' War.

After having converted to Catholicism and abdicated her throne, she spent her latter years in France and Rome, where she was buried in St. Peter's Basilica.

Early life

Christina was born in Stockholm and her birth occurred during a rare astrological conjunction that fueled great speculation on what influence the child, fervently hoped to be a boy, would later have on the world stage.[2] She was educated in the manner typical of men, and frequently wore men's clothes (such as dresses with short skirts, stockings and shoes with high heels - all these features being useful when not riding pillion).

Christina's mother, Maria Eleonora of Brandenburg, came from the Hohenzollern family. She was a woman of quite distraught temperament, and her attempts to bestow guilt on Christina for her difficult birth, or just the horror story itself, may have prejudiced Christina against the prospect of having to produce an heir to the throne.

Her father gave orders that Christina should be brought up as a prince. Even as a child she displayed great precociousness. In 1649, when she was twenty-three, she invited the philosopher Descartes to Sweden to tutor her (so early in the morning, according to one popular account, that the lessons hastened Descartes' death from pneumonia in 1650). Christina also took the oath as king, not queen, because her father had wanted it so. Growing up, she was nicknamed the "Girl King."

Queen regnant

Queen Christina in discussion with French philosopher René Descartes.
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Queen Christina in discussion with French philosopher René Descartes.

The Crown of Sweden was hereditary in the family of Vasa, and from Karl IX's time excluding those Vasa princes who had been traitors or descended from deposed monarchs. Gustav Adolf's younger brother had died years earlier, and therefore there were only females left. Despite the fact that there were living female lines descended from elder sons of Gustav I Vasa, Christina was the heiress presumptive. Although she is often called "queen", her father brought her up as a prince and her official title was King.

National policy was directed during the first half of Christina's reign by her guardian, regent and adviser Axel Oxenstierna, chancellor to her father and until her majority in 1644 the principal member of the governing regency council.

As ruler, Christina resisted demands from the other estates (clergy, burgesses and peasants) in the Riksdag of the Estates of 1650 for the reduction of tax-exempt noble landholdings. Several princes of Europe aspired to her hand; but she rejected them all.

To prevent a renewal of applications on this subject, in 1649 she appointed her cousin Charles X Gustav of Sweden (also called Karl) her successor, but without the smallest participation in the rights of the crown during her own life.

It was under Christina that Sweden undertook its short-lived effort at North American colonization, known as "New Sweden". Fort Christina, the first European settlement in the environs of what is now Wilmington, Delaware (and the first permanent settlement in the Delaware Valley as a whole) was named for the Queen.

Christina was interested in theatre and ballet; a French ballet-troup under Antoine de Beaulieu was employed by the court from 1638, and the were also an Italian and a French Orchestra at court, which all inspired her much. She invited foreign companies to play at Bollhuset; she was also herself an amateur-actor, and amateur-theatre was very popular at court in her days.

Abdication

Christina abdicated her throne on June 5, 1654 in favour of her cousin Charles Gustavus in order to either practice openly her previously secret Catholicism, or to accept the same publicly so as to be at the centre of a scientific and artistic renaissance. The sincerity of her conversion has been questioned. In 1651, the Jesuit Paolo Casati had been sent on a mission to Stockholm in order to gauge the sincerity of her intention to become Catholic.

Her conversion was however not the only reason for her abdication, as there was increasing discontent with, in the words of her critics, her arbitrary and wasteful ways. Within ten years she had created 17 counts, 46 barons and 428 lesser nobles; to provide these new peers with adequate appanages, she had sold or mortgaged crown property representing an annual income of 1,200,000 riksdaler. There were clear signs that Christina was growing weary of the cares of what remained a provincial government in spite of a large conquered territory.

Political contributions

The importunity of the senate and Riksdag on the question of her marriage was a constant source of irritation. In retirement she could devote herself wholly to art and science, and the opportunity of astonishing the world by the unique spectacle of a great king, in the prime of life, voluntarily resigning her crown, strongly appealed to her vivid imagination. It is certain that towards the end of her reign she behaved as if she were determined to do everything in her power to make herself as little missed as possible. From 1651 there was a notable change in her behaviour. She cast away every regard for the feelings and prejudices of her people. She ostentatiously exhibited her contempt for the Protestant religion. Her foreign policy was flighty to the verge of foolishness. She contemplated an alliance with Spain, a state quite outside the orbit of Sweden's influence, the first fruits of which were to have been an invasion of Portugal. She utterly neglected affairs in order to plunge into a whirl of dissipation with her foreign favorites. The situation became impossible, and it was with an intense feeling of relief that the Swedes saw her depart, in masculine attire, under the name of Count Dohna.

Setting off to Rome

Upon conversion she took a new name Maria Christina Alexandra and moved to Rome, where her wealth and former position made her a centre of society. Her status as the most notable convert to Catholicism of the age, and as the most famous woman at the time, made it possible for her to ignore or flout the most common requirements of obeisance to the Catholic faith. She herself remarked that her Catholic faith was not of the common order; indeed, before converting she had queried from church officials how strictly she would be expected to obey the church's common observances, and received reassurances. Christina's visit to Rome was the triumph of Pope Alexander VII and the occasion for splendid Baroque festivities. For several months she was the only preoccupation of the Pope and his court. The nobles vied for her attention and treated her to a never-ending round of fireworks, jousts, fake duels, acrobatics, and operas. At the Palazzo Aldobrandini, where she was welcomed by a crowd of 6,000 spectators, she watched in amazement at the procession of camels and elephants in Oriental garb, bearing towers on their backs.

Celebrations for Christina of Sweden at Palazzo Aldobrandini-Chigi on 28 February 1656.
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Celebrations for Christina of Sweden at Palazzo Aldobrandini-Chigi on 28 February 1656.

Having run out of money and surfeited with excess of pageantry, Christina resolved, in the space of two years, to visit France. Here she was treated with respect by Louis XIV, but the ladies were shocked with her masculine appearance and demeanour, and the unguarded freedom of her conversation. When visiting the ballet with la Grande Mademoiselle, she, as the latter recalls, "surprised me very much - applauding the parts which pleased her, taking God to witness, throwing herself back in her chair, crossing her legs, resting them on the arms of her chair, and assuming other postures, such as I had never seen taken but by Travelin and Jodelet, two famous buffoons... She was in all respects a most extraordinary creature".[3]

In 1656 Christina planned to become Queen of Naples. Her plans involved the help of French military. She had made an agreement with Cardinal Mazarin. Apartments were assigned to her at Fontainebleau, where she committed an action which has indelibly stained her memory and for which in other countries (says her biographer) she would have paid the forfeit of her own life. This was the execution of an Italian, Monaldeschi, her master of the horse who had betrayed Christina's plans in the autumn of 1657. He was summoned into a gallery in the palace; letters were then shown to him, at the sight of which he turned pale and entreated for mercy; but he was instantly stabbed by two of her own domestics in an apartment adjoining that in which she herself was. The killing of Monaldeschi was legal since Christina had judicial rights over the members of her court. It was however seen as murder. The French court was justly offended at this atrocious deed; yet it met with vindicators, among whom was Gottfried Leibniz. Christina sensed that she was now regarded with horror in France, and would gladly have visited England, but she received no encouragement for that purpose from Cromwell. She returned to Rome and resumed her amusements in the arts and sciences.

After the death of Charles Gustav in 1660, she took a journey to Sweden to recover her crown; but her estranged subjects rejected her claims and submitted to a second renunciation of the throne; after which she returned to Rome. Some differences with the pope made her resolve in 1662 once more to return to Sweden; but the conditions annexed by the senate to her residence there were now so mortifying that she proceeded no farther than Hamburg. She went back to Rome and cultivated a correspondence with the learned men there, and in other parts of Europe, and died on April 19, 1689, leaving her large and important library; originally amassed as war booty by her father Gustavus from throughout his European campaign, to the Papacy on her death 1689. Among other paintings, Titian's Venus Anadyomene originally was in the possession of Queen Christina.

She is one of only three women to be given the honour of being buried in the grottoes of St. Peter's Basilica, alongside the remains of the popes. A monument to her was carved later on and adorns a column close to the permanent display of Michelangelo's Pietà. At the opposite pillar across the nave is the Monument to the Royal Stuarts, commemorating the other 17th century monarchs who lost their thrones due to their Catholicism.

Legacy

Queen Christina's monument in St. Peter's Basilica
Enlarge
Queen Christina's monument in St. Peter's Basilica

The complex character of Christina has inspired numerous plays, books, and operatic works. August Strindberg's 1901 Kristina depicts her as a protean, impulsive creature. "Each one gets the Christina he deserves" she remarks.

The most famous fictional treatment is the classic feature film Queen Christina from 1933 starring Greta Garbo. This film, while entertaining, had almost nothing to do with the real Christina. Another feature film, The Abdication starred the Norwegian actress Liv Ullmann, and was based on a play by Ruth Wolff.

The Finnish author Zacharias Topelius' historical allegory Tähtien Turvatit also portrays her alike her father as having a mercurial temperament, quick to anger, quicker to forgive. Kaari Utrio has also portrayed her tormented passions and thirst for love.

Christina's reign was controversial, and literature circulated during her lifetime that described her as participating in multiple affairs with both men and women. This, along with the emotional letters that she wrote to female friends, has caused her to become an icon for the lesbian community (and inspired comedian Jade Esteban Estrada to portray her in the solo musical ICONS: The Lesbian and Gay History of the World, Vol. 2), though there is no clear-cut evidence that she actually was involved in love affairs with either sex.

The strongest evidence of a lasting platonic love-affair from afar surfaced as encrypted letters she had sent to a Cardinal Decio Azzolino (with whom she was already at the time rumoured to be a lover), which were decrypted in the 19th century. They speak of intense but sublimated erotic desire. She later named him as her sole heir. Azzolino was the leader of the free thinking "Flying Squad" (Squadrone Volante) movement within the Catholic Church.

Her unusual attire caused her to later become an icon of the transgendered community, even though Christina herself was not transgendered. During the 20th century, her grave was opened so that her death mask could be examined, and her bones were examined to see if sex abnormalities could be identified, but none identified.


Ancestors

Christina's ancestors in three generations

 
 
 
 
Gustav I of Sweden (Vasa)
 
 
Charles IX of Sweden (Vasa)
 
 
 
 
 
 
Margaret Leijonhufvud
 
 
Gustavus Adolphus of Sweden (Vasa)
 
 
 
 
 
 
Adolf, Duke of Holstein-Gottorp
 
 
Christina of Holstein-Gottorp
 
 
 
 
 
 
Christine of Hesse
 
Christina of Sweden (Vasa)
 
 
 
 
 
Joachim Frederick, Elector of Brandenburg
 
 
John Sigismund, Elector of Brandenburg
 
 
 
 
 
 
Catherine, Princess of Brandenburg-Küstrin
 
 
Maria Eleonora of Brandenburg
 
 
 
 
 
 
Albert Frederick, Duke of Prussia
 
 
Anna, Duchess of Prussia
 
 
 
 
 
 
Marie Eleonore of Cleves
 

See also

Wikimedia Commons has media related to:


Christina of Sweden
Born: 8 December 1626 Died: 19 April 1689
Regnal titles
Preceded by
Gustavus Adolphus
Queen regnant of Sweden
1632–1654
Succeeded by
Charles X Gustav

References

  1. ^ Note that the birth date is December 8 in the Julian calendar, which was in effect in Sweden at the time, corresponding to December 18 in the Gregorian calendar.
  2. ^ http://www.sweden.se/templates/cs/BasicFactsheet____4403.aspx
  3. ^ Memoirs of Mademoiselle de Montpensier. H. Colburn, 1848. Page 48.

Bibliography

  • Christine of Sweden. Sweden.se. Retrieved on 1998-01-01.
  • Queen Christina of Sweden. About: Women's History. Retrieved on 2007-01-20.
  • Åkerman, S. (1991). Queen Christina of Sweden and her circle : the transformation of a seventeenth century philosophical libertine. New York: E.J. Brill. ISBN 90-04-09310-9. 
  • Buckley, Veronica (2005). Christina; Queen of Sweden. London: Harper Perennial. ISBN 1-84115-736-8. 
  • Meyer, Carolyn. Kristina, the Girl King: Sweden, 1638. 
  • Essen-Möller, E. (1937). Drottning Christina. En människostudieur läkaresynpunkt. Lund: C.W.K. Gleerup. 
  • Goldsmith, Margaret L. (1935). Christina of Sweden; a psychological biography. London: A. Barker Ltd. 
  • Hjortsjö, Carl-Herman (1966). The Opening of Queen Christina's Sarcophagus in Rome. Stockholm: Norstedts. 
  • Hjortsjö, Carl-Herman (1966). Queen Christina of Sweden: A medical/anthropological investigation of her remains in Rome (Acta Universitatis Lundensis). Lund: C.W.K. Gleerup. 
  • Mender, Mona (1997). Extraordinary women in support of music. Lanham, Maryland: Scarecrow Press, pp. 29-35. 
  • von Platen, Magnus (1966). Christina of Sweden: Documents and Studies. Stockholm: National Museum. 
  • Stolpe, Sven (1996). Drottning Kristina. Stockholm: Aldus/Bonnier. 

This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.


 
 

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Saints. The Oxford Dictionary of Saints. Copyright © David Hugh Farmer 1978, 1987, 1992, 1997, 2003, 2004. All rights reserved.  Read more
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History 1450-1789. Encyclopedia of the Early Modern World. Copyright © 2004 by The Gale Group, Inc. All rights reserved.  Read more
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