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Claude Jade

 
Actor: Claude Jade
  • Born: Oct 08, 1948 in Dijon, France
  • Died: Dec 01, 2006 in Boulogne-Billancourt, France
  • Occupation: Actor
  • Active: '70s-'80s
  • Major Genres: Drama, Comedy
  • Career Highlights: Stolen Kisses, Love on the Run, Mon Oncle Benjamin
  • First Major Screen Credit: Stolen Kisses (1968)

Biography

As the daughter of two English professors employed at a Protestant University in Dijon, Claude Jade -- christened Claude Jorré -- attended her native city's Conservatory of Dramatic Art, where she trained extensively as a stage actor. The teenage Jade displayed prodigious dramatic promise and, at the tender age of 18, netted the Conservatory's highly coveted Best Actress prize for her interpretation of the role of Agnès in Molière's L' École des Femmes. From there, the young woman traveled to Paris, where she studied under the tutelage of Jean-Laurent Cochet at the Edouard II theater and signed on for a production of Pirandello's Henri IV, mounted by Sacha Pitoeff at the Théâtre Moderne.

Serendipitously, François Truffaut happened to catch one of the performances of Henri IV, and, delighted with Jade, instantly cast her as Christine, the love interest and eventual wife of his onscreen alter-ego, Antoine, in Baisers Volés (1968), the third installment of the Antoine Doinel series. He coyly referred to her as "French cinema's little sweetheart." (And "the director's little sweetheart" -- during this period, the two began an off-camera romantic entanglement as well and became engaged, but Truffaut ended the engagement on the night before the wedding.) Although Variety termed Jade's contributions to Baisers Volés "first-rate," journalists from most other sources, at the time, oddly failed to single out her extraordinary work despite lavishing much-deserved torrents of praise onto the film as a whole. (In an unrelated article, Vincent Canby later termed her performance "lovely.")

Through Truffaut, Jade became acquainted with one of the director's closest friends, Alfred Hitchcock, who cast her in her English-language film debut, the massive, lavishly scaled espionage thriller Topaz, with Frederick Stafford, John Forsythe, John Vernon, and fellow French actors Michel Piccoli and Philippe Noiret. In the film, Jade plays Michèle Picard, wife of François Picard (Michel Subor of Godard's Le Petit Soldat). Unfortunately, despite scattered solid reviews, the film tanked with the public, and went down in the minds of most as one of Hitchcock's dullest efforts; Canby observed that Jade "frowns a lot" in the role and failed to list her among the film's most memorable performers.

Over the course of the '70s, Jade adorned the casts of many additional cinematic efforts from multiple countries, including Belgium (Home Sweet Home, 1973), Italy (La Ragazza di Via Condotti, 1973), Japan (Kita no Misaki, 1975), and her native France (La Grotte aux Loups, 1979). She re-teamed with Truffaut for two additional episodes in the Doinel cycle, 1970's Bed and Board and 1979's Love on the Run.

Jade essayed countless additional film roles during the '80s and '90s, but never again reached the heights she scaled under Truffaut's wing. Projects during these two decades include Patrick Villechaize's Treize (1981), Henri Helman's Lise et Laura (1984), André Thiéry's Qui Sont Mes Juges (1987), Jean-Pierre Mocky's Bonsoir (1993), and Iradj Azimi's Le Radeau de la Meduse (1998). Jade's many contributions to French culture were recognized in 1998, when she was named a female Chevalier de la Legion d'Honneur; two years later, she received the Palm Beach Film Festival's New Wave Award for the "trend-setting role she [had] played in the world cinema." She also participated in Claude de Givray's 1985 documentary Vivement Truffaut, an elegy edited together and released a year after the director's passing, and published a 2004 autobiography, Baisers Envolés, about her personal involvement with Truffaut. It wraps with an open letter to the filmmaker.

Tragically, Claude Jade contracted eye cancer in her late fifties, which rapidly spread to the rest of her body. She died at a hospital in the Parisian suburb of Boulogne-Billancourt on December 1, 2006, at 58 years old. At the time of her death, she was married to the diplomat Bernard Coste, whom she wed in 1972 and with whom she had one child, a son. While Coste was stationed in Russia during the early '80s, Jade acted in two Russian films, Teheran '43 (1981) and Lenin in Paris (1981). ~ Nathan Southern, All Movie Guide
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Claude Jade

Claude Jade in Domicile conjugal (1970)
Born Claude Marcelle Jorré
October 8, 1948(1948-10-08)
Dijon, France
Died December 1, 2006 (aged 58)
Boulogne-Billancourt, France
Occupation Actress
Years active 1967–2006
Spouse(s) Bernard Coste (1972–2006) her death

Claude Jade, byname of Claude Marcelle Jorré (8 October 1948 – 1 December 2006) was a French actress, best known by starring fictional character Christine Darbon-Doinel in François Truffaut's films Baisers volés (1968), Domicile conjugal (1970) and L'amour en fuite (1979).

Contents

From stage to François Truffaut

The daughter of a professor, she spent three years at Dijon's Conservatory of Dramatic Art, where in 1964, she won a best actress prize for her portrayal of Agnès in Molière's L'école des femmes and in 1966 the "Prix de comédie" for Jean Giraudoux' Ondine, which was performed at the "Comédie Boulogne". She subsequently moved to Paris and became a student of Jean-Laurent Cochet at the Edouard VII theater, and also began acting in a number of television productions, including a role as Sylvie Massonneau in TV series Les oiseaux rares (The Rare Birds). It was while she was performing as Frida in Pirandello's Henri IV as part of Sacha Pitoëff's production at the Théâtre Moderne that Claude Jade was discovered by François Truffaut, who was "completely taken by her beauty, her manners, her kindness, and her joie de vivre" and cast her in the role of Christine Darbon in Stolen Kisses (1968). During the working for Stolen Kisses Jade and Truffaut were engaged at one point. Stolen Kisses earned great acclaim, and placed Jade in the international spotlight, thanks to her strong performance, at most her teaching Antoine the best way to butter toast in the morning, their writing each other little notes. The American critic Pauline Kael remarked that Claude Jade "seems a less ethereal, more practical Catherine Deneuve." It was the first of three movies by Truffaut in which she appeared.

French cinema

Claude Jade reprised her role as Christine, Antoine Doinel's girlfriend and then wife, in Truffaut's movies Bed & Board and Love on the Run. In Bed & Board she gave a critically acclaimed performance, both comic sad. Mindful that Antoine is having an affair with a Japanese beauty, Christine decks herself out as a faux Madame Butterfly to greet him one evening in their apartment. In French cinema, she starred successfully in Edouard Molinaro's Mon oncle Benjamin as Jacques Brel's fiancée Manette, in the 70th as Eleonore in Gérard Brach's The Boat on the Grass (Vincent Canby wrote: "Adorable Acting, especially by Claude Jade, who brings the right mixture of conventionalism and self-interest into her role."), as Annie Girardot's and Jean Rochefort's daughter Laura, who falls in Love with Bernard Fresson in Hearth Fires (1972), as Françoise, the Love of the Catholic priest Robert Hossein in Forbidden Priests (1973), as charming widow and single mother Dominique, who falls in love with her son's teacher, in The Pawn (1978) and many others. Claude Jade has often appeared in TV productions. She starred - as Véronique d'Hergemont - in the television series The Island of Thirty Coffins (1979), one of her biggest successes. In cinema she also has starred in dual roles in Le Choix (1975) and in Lise et Laura (1982).

International career

Claude Jade often worked outside of France, including the USSR, the USA, and Japan.

She starred as Michèle Picard in Alfred Hitchcock's Topaz, as the anxious secret agent's daughter married to a reporter (Michel Subor). Hitchcock engaged the 19-year-old French actress, and her first day for shooting Topaz was her 20th birthday. She and Dany Robin, cast as her mother, would provide the glamor in the story. "Claude Jade is a rather quiet young lady," Hitchcock said later, "but I wouldn't guarantee [that] about her behavior in a taxi". Hitchcock said also she has a resemblance to Grace Kelly, in France she was a younger Danielle Darrieux. Her big scene in "Topaz" evokes a forgotten feminine delicacy; at the first sight of a dead body, she staggers, hand on heart. Some of her scenes - a duel at Stade Charléty, a scene in a car, a short scene in a hotel and a cocktail-dinner at the spy Granville - were deleted and restored for the 17 minutes longer "Director's Cut" of Topaz in 1999. When Universal offered her an exclusive seven year contract, she refused because she has preferred to work in her own language. The non-exclusive contract was canceled (like at the same time Katharine Ross and Joanna Shimkus).

She never returned to Hollywood: Tony Richardson started to shoot the movie Nijinsky's Live, based on a screenplay by Edward Albee and starring Claude Jade as Vaslav Nijinsky's wife Romola de Pulszky beside Rudolf Nureyev as Nijinsky and Paul Scofield as his lover Diaghilev, but Albert Broccoli canceled the project during its early stages. In Truffaut's Bed and Board there is a reference to Nureyev, when Christine admires him in three scenes. When Claude Jade was planned to play Anne Boleyn beside Richard Burton in Anne of the Thousand Days, she starred for Édouard Molinaro's My uncle Benjamin and Geneviève Bujold got the part.

Her last appearance in USA was as a guest star in the TV series The Hitchhiker in 1990.

Her international career continued in Belgium, where she played in 1969 a young English teacher who is his witness to a murder and is as fatally intrigued by the murderer in The Witness, followed by Home Sweet Home, in which she played a hard nurse under the influence of the home director and who is changed by a love affair with a social worker played by Jacques Perrin - and Le Choix in the dual role of two different women. Claude Jade starred in Italian in Number one, La ragazza di via Condotti and Una spirale di nebbia.

The Japanese director Kei Kumai engaged her as Nun Maria Teresa in Kita No Misaki - Cape of North, the German director Gabi Kubach engaged her for Rendez-vous in Paris and during the early 80s she also starred in two Soviet movies.

The 1980s

Lenin in Paris

In the 1980s Jade settled for three years in Moscow with her diplomat-husband and her son Pierre Coste (born in 1976) and subsequently spent three years in Cyprus.

In this period, she starred in two Russian films, as the mysterious terrorist Françoise in Teheran 43 and as Bolshevik Inessa Armand in Lenin in Paris).

She also appeared in TV movies (L'amie d'enfance, Treize, La grotte aux loups, Nous ne l'avons pas assez aimée, Au bout du chemin, Voglia di volare) and in films as a philosophy teacher in Le bahut va craquer, as lawyer Valouin in A Captain's Honor, as Evelyne Droste in German movie Rendez-vous in Paris, as Marelle in Une petite fille dans les tournesols and as Alice in L'homme qui n'était pas là. During the time at Nicosia, she also played on stage in Lyon.

The 1990s

During the 1990s Jade worked more in television, as Sylvie in the TV series La tête en l'air, in a guest-starring role in The Hitchhiker episode "Windows", in which she shoots down her co-star David Marshall Grant and in some TV movies (L'Éternité devant soi, Au bonheur des autres, Porté disparu and others). During that time, she made some notable screen appearances: She starred as Gabrielle, a mother betrayed by her husband, in Honor Roll. This was followed by her performance as shy lesbian Caroline in Jean-Pierre Mocky's Bonsoir. In order to save her inheritance, Caroline tells her aunt that her lover Gloria (Corinne Le Poulain) is her secretary and Alex (Michel Serrault) her lover. In 1998, she played a governor's wife, Reine Schmaltz, who saves herself on a lifeboat in the historical movie The Raft of the Medusa)

On stage

On stage she was a member of Jean Meyer's theatre company in Lyon, appearing in plays by Jean Giraudoux (Helena in La guerre de Troie n'aura pas lieu-The Trojan war will not take place and Isabelle in Intermezzo), Henry de Montherlant (Port Royal), James Joyce (The Exiles), Jean Racine (Britannicus) and Honoré de Balzac (Le Faiseur). She took other notable roles in plays by Vladimir Volkoff (The Interrogation), Catherine Decours (Regulus 93), Michel Vinaver (Dissident il va sans dire), Alfred de Musset (Lorenzaccio) and others. She was engaged on stages in Lyon, Nantes, Dijon and Paris. Many plays were adapted for TV, such as her performances as Helena in Shakespeares Midsummer Night's Dream, her Sylvie in Marcel Aymés Les oiseaux de lune, her Colomba in Jules Romains' adaptation of Ben Johnson's Volpone, her Clarisse in Jacques Deval's I've Loved You So Long (Il y a longtemps que je t'aime) (2008), her title role in Supervielles Sheherazade and her Louise de La Vallière in Le château perdu.

Her last stage role was in Jacques Rampal's Celimene and the Cardinal, a new Play in Alexandrins based on Molières characters from Le Misanthrope, Célimène and Alceste, performed in Paris and at festivals in 2006.

Last years

From 1998 to 2000 she was the leading actress of the television series Tide of Life (Cap des Pins) as "Anna Chantreuil".

From the late 1990s onward she starred in several made-for-TV movies ("Le bonheur des autres", "Porté disparue", "Sans famille"...) and TV-series like Cap des Pins (leading role from 1998 to 2000), La tête en l'air, Fleur bleue, Une femme d'honneur, Inspecteur Moretti, Julie Lescaut, Navarro, La Crim (episode "Le secret" in 2004), and Groupe Flag (episode Vrai ou faux in 2005). In the 2000s she also starred in short films (Drugs!, A San Remo) and acted on stage (as Maria Soderini in Lorenzaccio and as Célimène in Célimène et le cardinal).

Her autobiography, Baisers envolés, was released in March 2004.[1] Her last stage role as Célimène she has performed until August 2006. She died of eye cancer in December 2006, which had spread to her liver, leaving behind her husband, French diplomat Bernard Coste, whom she married in 1972, and her son Pierre (born in 1976).

Awards

In 1970 she won an award for Révelation de la Nuit du cinéma, and in 1975 she received the Prix Orange at the Cannes Festival. Her many contributions to French culture were recognised in 1998, when she was named a Knight in the Légion d'honneur. In 2000 she received the New Wave Award at West Palm Beach International Film Festival for her "trend-setting role in the world cinema", followed in 2002 by Prix Réconnaissance des Cinéphiles in Puget-Théniers.

Selected filmography

  • Groupe Flag: Le secret (2005) (TV)
  • La Crim': Le secret (2004) (TV)
  • À San Remo (2004)
  • Drugs! (2000)
  • Tide of Life (TV-Series 1998-2000)
  • Memoire perudue (1998) (TV)
  • The Raft of the Medusa (1998)
  • Un enfant au soleil (1997) (TV)
  • Porté disparu (1995) (TV)
  • Bonsoir (1994)
  • Eugénie Grandet (1994)
  • La tête en l'air (1993) (TV-series)
  • Honor Roll (1992)
  • Le bonheur des autres (1990)
  • The Hitchhiker: Windows (1990) (TV)
  • Fleur bleue (1990) (TV-series)
  • Le grand secret (1989) (TV-series)
  • L'homme qui n'était pas là (1987)
  • Voglia di volare (1984) (TV-series)
  • A Little Girl in the Sunflowers (1984)
  • Rendezvous in Paris (1983)
  • Lise and Laura (1982)
  • A Captain's Honor (1982)
  • Le Bahut va craquer (1981)

References

Bibliography

External links


 
 
Learn More
Love on the Run (1979 Drama Film)
Le Bateau Sur L'herbe (1970 Drama Film)
Stolen Kisses (1968 Comedy Drama Film)

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