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Claude Joseph Vernet

 
Britannica Concise Encyclopedia: Claude- Joseph Vernet

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"The Mask of Joseph Vernet," chalk and pastel portrait by Maurice-Quentin de La Tour; … (credit: Lauros — Giraudon/Art Resource, New York)
(born Aug. 14, 1714, Avignon, France — died Dec. 3, 1789, Paris) French painter. Son of a decorative painter, he catered to a new taste for idealized, somewhat sentimentalized landscapes. His shipwrecks, sunsets, and conflagrations reveal a subtle observation of light and atmosphere. His series of 15 Ports of France (1754 – 65), his finest works, constitute a remarkable record of 18th-century life. His son Carle (1758 – 1836) produced vast battle scenes for Napoleon, but his real talent was for intimate genre scenes and drawing. His long series of fashionable studies, often satirizing contemporary manners and costume, were widely reproduced as engravings. After the restoration of the monarchy he became court painter to Louis XVIII. Carle's son Horace (1789 – 1863) developed a remarkable facility for working on a grand scale and became one of France's most important military painters.

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Art Encyclopedia: (Claude-)Joseph Vernet
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(b Avignon, 14 Aug 1714; d Paris, 4 Dec 1789). Painter.

Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy. This was partly for Vernet to complete his artistic education but also to provide his sponsor with drawings of antiquities.

Part of the Vernet family

See the Abbreviations for further details.



French Literature Companion: Claude-Joseph Vernet
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Vernet, Claude-Joseph (1714-89), came from a family of French artists. He first established his reputation in England, then exhibited at the Paris Salon from 1749 for 40 years. His lively, theatrical seascapes, in particular his late shipwreck scene from Paul et Virginie, were immensely popular; Diderot greatly admired his painting. His son Carle (1758-1836) painted battle-scenes and portraits of Napoleon.

[Patsy Campbell]

Wikipedia: Claude Joseph Vernet
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Claude Joseph Vernet
Joseph Vernet, by Élisabeth Vigée-Lebrun
Born 14 August 1714(1714-08-14)
Died 3 December 1789 (aged 75)
Nationality  France
Field Painting

Claude Joseph Vernet (14 August 1714 – 3 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter.

Contents

Biography

Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689-1753),[1] a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the sea at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studio of a marine painter, Bernardino Fergioni.

Slowly Vernet attracted notice in the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art. Perhaps no painter of landscapes or sea-pieces has ever made the human figure so completely a part of the scene depicted or so important a factor in his design. "Others may know better", he said, with just pride, "how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture".

For twenty years Vernet lived on in Rome, producing views of seaports, storms, calms, moonlights. In 1753 he was recalled to Paris: here, by royal command, he executed the remarkable series of the seaports of France (now in the Louvre and the Musée national de la Marine) by which he is best known. On his return he became a member of the academy, but he had previously contributed to the exhibitions of 1746 and following years, and he continued to exhibit, with rare exceptions, down to the date of his death, which took place in his lodgings in the Louvre on the 3rd of December 1789.

Amongst the very numerous engravers of his works may be specially cited Le Bas, Cochin, Basan, Duret, Flipart and Le Veau in France, and in England Vivares.

Gallery

Literary references

In Arthur Conan Doyle's short story "The Adventure of the Greek Interpreter", fictional detective Sherlock Holmes claims that his grandmother is Vernet's sister, without stating whether this is Claude Joseph or Antoine Charles Horace's sister.

Notes

  1. ^ [1]

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.


 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
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