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Clock DVA

 
Artist: Clock DVA

Group Members:

Adi Newton, Dean Dennis, Paul Browse, Robert E. Baker, Steven James Taylor, Charlie Collins, Paul Widger, Nick Sanderson, Roger Quail, John Carruthers

Similar Artists:

Influenced By:

Formal Connection With:

Box, The Box, The Human League, Anti Group
  • Formed: 1980, Sheffield, Yorkshire, England
  • Genres: Electronica
  • Representative Albums: "Advantage," "Collective: The Best of Clock DVA," "Digital Soundtracks"
  • Representative Songs: "The Hacker," "4 Hours," "Breakdown"

Biography

A product of the same mid-'70s Sheffield industrial music community which also gave rise to Throbbing Gristle and Cabaret Voltaire, Clock DVA emerged in 1980 from the ashes of area bands including the Studs, Block Opposite, Veer and They Must Be Russians as well as the Future, an early incarnation of the Human League. After a series of shifting lineups, a roster comprised of vocalist Adi Newton, bassist Steven Taylor, guitarist Paul Widger, saxophonist Charlie Collins and drummer Roger Quail recorded Clock DVA's debut White Souls in Black Suits, a cassette-only, improvisational release fusing metallic noise with funk and soul designs which was issued on Throbbing Gristle's Industrial label.

In 1981, the group issued Thirst, which abandoned R&B accoutrements in favor of edgy, abrasive electronic noise. Following its release, all of Clock DVA except Newton defected to form Box; after assembling a new lineup of saxophonist Paul Browse, future Siouxsie and the Banshees guitarist John Carruthers, bassist Dean Dennis and drummer Nick Sanderson, Newton wrangled a major-label deal with Polydor, and Clock DVA soon resurfaced with 1983's Advantage, an intense montage of dance beats, piercing feedback and jarring tape manipulations. However, Carruthers and Sanderson both exited following the LP's release; after a brief attempt to forge on as a trio, Clock DVA disbanded in late 1983.

Newton subsequently turned his focus to the Anti Group, an industrial jazz and visual arts project created in tandem with engineer Robert Baker; after a series of singles, he reformed Clock DVA in 1988 with Browse and Dennis, releasing the sample-fueled 1988 EPs The Hacker and The Act, as well as 1990's full-length Buried Dreams, on the Wax/Trax label. By 1991's Transitional Voices, Newton's Anti Group partner Baker had replaced Browse; Dennis departed soon after, leaving the remaining duo to record a staggeringly prolific amount of material including 1992's Man-Amplified, 1993's Sign, Black Words on White Paper and Virtual Reality Handbook, 1994's 150 Erotic Calibrations and 1995's Anterior. ~ Jason Ankeny, All Music Guide
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Wikipedia: Clock DVA
Top
Clock DVA
Origin Sheffield, England
Genres Industrial music/Post-Punk/EBM
Labels Industrial Records
Website clockdva.com[dead link]
Members
Adi Newton
Steven "Judd" Turner

Clock DVA is an Industrial music, Post-Punk and EBM group from Sheffield, England. The group was formed in 1978, with two members, Adi Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat of Anthony Burgess' A Clockwork Orange;[1] "dva" is the Russian word for "two". Adi had previously worked with members of Cabaret Voltaire in a collective called The Studs and with Ian Craig Marsh and Martyn Ware in a band called The Future. Ian and Martyn went on to found The Human League.

Contents

History

The group was originally known for making a form of experimental electronic music involving treated tape loops and synthesisers. Clock DVA became associated with industrial music with the 1980 release of their album White Souls in Black Suits on Throbbing Gristle's Industrial Records. The album Thirst, released on Fetish Records, followed in 1981 to a favourable critical reaction,[2] knocking Adam and the Ants' Dirk Wears White Sox from the top of the NME Indie Charts, by which time the band had combined musique concrète techniques with standard rock instrumentation. The band split up in 1981, with the non original members of the band going on to form The Box.[3]

In 1983, Newton formed a new version of the band. First releasing the single "High Holy Disco Mass" on the major label Polydor Records under the name DVA, the band then released the album Advantage (with several singles) under the name Clock DVA. After a European tour, however, the band split acrimoniously.

After the 1983 breakup of Clock DVA, Adi Newton formed The Anti-Group or T.A.G.C..[2] They released several albums continuing in a similar vein to the early Clock DVA, yet more experimental.

In 1987, Adi Newton reactivated DVA and invited Dean Dennis and Paul Browse back into the fold to aid Newton's use of computer aided sampling techniques which he had been developing in the Anti Group. The album Buried Dreams, an electronic album which received critical acclaim as a pioneering work. Browse left the group in 1989 and was replaced by R E Baker. The album Man-Amplified was the next album to be released, an exploration of cybernetics. Digital Soundtracks, an instrumental album, was the next release. Following Dennis's departure, Newton and Baker produced the album Sign.

Adi Newton has now reactivated DVA along with his creative partner Jane Radion Newton in 2008.

Album list

  • Lomticks of Time (1978) Cassette
  • 2nd (1978) Cassette DVATION 01
  • Deep Floor (1979) Cassette DVATION 02
  • Fragment (1979) Cassette DVATION 03
  • White Souls In Black Suits (1980) Cassette Industrial Records IRC31
  • Thirst (1980) LP Fetish Records FR2002 (UK Indie #7)[4]
  • Advantage (1982) LP Polydor Records POLS 1082
  • White Souls in Black Suits (re-released 1982) LP Italian Records EX24
  • Advantage (re-released 1989) CD Interfisch 01706-10
  • Buried Dreams (1989) CD Interfisch 01717-26; CD Wax Trax! WAXCD 7094; CD Contempo CONTEDISC 193
  • White Souls in Black Suits (re-released 1990) LP Italian Records EX24
  • Transitional Voices (live; 1990) CD Interfisch Records 01718-26; CD Contempo CONTEDISC 194
  • Bit Mapping (live bootleg; 1990) CD Dunedin Records 025
  • Man-Amplified (1991) CD Contempo CONTEDISC 182
  • White Souls In Black Suits (re-released 1992) CD Contempo CONTEDISC 157
  • Advantage (re-released 1992) CD Contempo CONTEDISC 191
  • Thirst (re-released 1992) CD Contempo CONTEDISC 192
  • Digital Soundtracks (1992) CD Contempo CONTE 217
  • Tour 1992 (live bootleg; 1992) CD Smurf SMURFCD92-01
  • Sign (1993) CD Contempo CONTE 225CD
  • Collective (anthology; 1994) CD Cleopatra CLEO94822; CD Sub/Mission CDWHIP003-166700003-2; CD Hypnobeat/SPV 04632
  • Collective (anthology; 1994) 3 CD Hyperium/Sub-Mission 391010629
  • Buried Dreams (re-released 1998) CD Nextera ERA 9815-2

References

  1. ^ Clock Dva discography
  2. ^ a b Larkin, Colin (1992). The Guinness Who's Who of Indie and New Wave Music. Guinness Publishing. ISBN 0-85112-579-4. 
  3. ^ Strong, Martin C. (1999). The Great Alternative & Indie Discography. Canongate. ISBN 0-86241-913-1. 
  4. ^ Lazell, Barry (1997). Indie Hits 1980-1999. Cherry Red Books. ISBN 0-9517206-9-4. 

External links


 
 
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