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Closer

 
Movies:

Closer

  • Director: Mike Nichols
  • AMG Rating: starstarstarstar
  • Genre: Drama
  • Movie Type: Romantic Drama, Erotic Drama
  • Themes: Romantic Betrayal, Love Triangles, Breakups and Divorces
  • Main Cast: Julia Roberts, Jude Law, Natalie Portman, Clive Owen
  • Release Year: 2004
  • Country: US
  • Run Time: 101 minutes
  • MPAA Rating: R

Plot

Patrick Marber's acclaimed stage drama about the romantic interactions of four people has been given a reverent screen adaptation by director and producer Mike Nichols. Dan (Jude Law) is a writer in London who wants to finish a novel, but in the meantime supports himself by writing obituaries. One day he chances upon Alice (Natalie Portman), a beautiful young American expatriate, working as a stripper, when he sees her get hit by a car. Alice immediately falls for Dan, and gives him her love without reservation. Dan is initially enchanted with Alice, and returns her affection, but while she inspires him to write his novel (based on her life), her neediness begins to wear on him. Anna (Julia Roberts) is a photographer who is hired to take a portrait of Dan for the dust jacket of his book; Dan is attracted to her easy confidence, and while the two of them flirt, Anna soon (inadvertently through Dan's playful machinations) meets Larry (Clive Owen), a dermatologist, and marries him. Dan can't get Anna out of his mind even though she's married, and the two become lovers, but Dan is frustrated by the fact that Anna is reluctant to leave Larry for him. Patrick Marber wrote the screenplay for this adaptation of Closer; it was the playwright's first feature-film credit. ~ Mark Deming, All Movie Guide

Review

Mike Nichols has always possessed a superior ear for dialogue and, more importantly, the rhythm of dialogue. This is what makes him arguably the finest film director of stage works (Who's Afraid of Virginia Woolf?, Wit, Angels in America). Closer is yet another accomplished film to add to that list. Patrick Marber's play has been opened up visually, but the story remains about the intense relationships between four people who sleep with each other, lie to each other, and -- quite often -- lie to themselves. Clive Owen finds every dimension in his alpha-male character. During one of the many arguments in this film he shouts, "I am a caveman!" Never for a second does the audience question that sliver of self-revelation. Jude Law manages a performance so full of charm and self-loathing that he undercuts his work in Alfie from the same year. However, it is the women that surprise. Julia Roberts became a star after Pretty Woman, and although she tried to shake that image with a series of brave artistic choices in the mid-'90s, she eventually accepted her status wholeheartedly and appeared in a string of pieces shaped to her persona (My Best Friend's Wedding, Notting Hill, and winning the Oscar for Erin Brockovich). As Anna in Closer, Roberts shows not an ounce of movie-star self-consciousness. She is in character at all times, unconcerned with her image. The character is weak and selfish, and Roberts plays it unflinchingly without ever asking the audience for sympathy. It is hard to believe she had a performance like this in her. Last but not least, Natalie Portman announces with this film that she is an adult -- and an actress of the highest caliber. She can play girlish -- smiling and giggling with what appears to be genuine puppy love -- although she is no longer a girl. This character understands how her physicality (something much more than just her sexuality) affects the people around her, and Portman acts with every ounce of herself. The character may well be unknowable to the other characters and to the audience -- but Portman understands her inside and out. With his superior timing, Nichols allows each of these actors to hit every funny, cruel, and intimate moment in the script. Closer is a well-written, well-directed, and well-acted exercise in making cruel people compulsively watchable. ~ Perry Seibert, All Movie Guide

Cast

Colin Stinton - Customs Officer; Nick Hobbs - Taxi Driver

Credit

Hannah Moseley - Art Director, Mark Raggett - Supervising Art Director, Mary Bailey - Associate Producer, Paul A. Levin - Associate Producer, Michael Haley - Co-producer, Ann Roth - Costume Designer, Michael Haley - First Assistant Director, Mike Nichols - Director, John Bloom - Editor, Antonia Van Drimmelen - Editor, Robert Fox - Executive Producer, Scott Rudin - Executive Producer, Celia Costas - Executive Producer, Tim Hatley - Production Designer, Stephen Goldblatt - Cinematographer, Cary Brokaw - Producer, John Calley - Producer, Mike Nichols - Producer, Ivan Sharrock - Sound/Sound Designer, Patrick Marber - Screenwriter, Ron Bochar - Supervising Sound Editor, John Bush - Set Decorator, Paula Jalfon - Co-Executive Producer, Duncan Reid - Co-Executive Producer, James Clayton - Co-Executive Producer, Patrick Marber - Play Author

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Wikipedia: Closer (film)
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Closer

Theatrical poster
Directed by Mike Nichols
Produced by Mike Nichols
Cary Brokaw
John Calley
Written by Patrick Marber
Starring Julia Roberts
Jude Law
Natalie Portman
Clive Owen
Music by Suzana Peric
Cinematography Stephen Goldblatt
Editing by John Bloom
Antonia Van Drimmelen
Studio Columbia Pictures
Distributed by Sony Pictures Entertainment
Release date(s) December 3, 2004
Running time 98 minutes
Country United States
Language English
Budget $27 million[1]
Gross revenue $115,505,027

Closer is a 2004 American drama film written by Patrick Marber, based on his award-winning 1997 play of the same name. It was produced and directed by Mike Nichols and stars Natalie Portman, Julia Roberts, Jude Law and Clive Owen. The film, like the play on which it is based, has been seen by some as a modern and tragic version of Mozart's opera Così fan tutte, with references to that opera in both the plot and the soundtrack.[2] Owen starred in the play as Dan, the role assumed by Law in the film.

The film was recognized with a number of awards and nominations, including Oscar nominations (and Golden Globe wins) for both Portman and Owen for their performances in supporting roles.

Contents

Plot

In the opening scene, 20-year-old Alice Ayres (Natalie Portman) and Dan Woolf (Jude Law) see each other for the first time from opposite sides of a street in downtown London as they are walking toward each other among many other rush hour pedestrians. Alice is a young American stripper who just arrived in London and Dan is an unsuccessful British author who is on his way to work where he writes obituaries for a newspaper. Alice looks in the wrong direction as she crosses the street and is hit by a taxicab right in front of Dan's eyes. He rushes over. She smiles to him and says, "Hello, stranger." He takes her to a hospital, where Alice is treated and released. Afterward, on the way to his office, they stop by Postman's Park, the same park that he and his father visited after his mother's death. Pausing in front of the office before he leaves her and goes to work, he reminds her that traffic in England tends to come on from the right, and on impulse, he asks her for her name. They soon become lovers.

A year later, Dan is straying. He has written a novel based on Alice's life and while being photographed to publicize it, he flirts with the American photographer Anna Cameron (Julia Roberts). Anna shares a kiss with Dan before finding out that Dan and Alice are in a relationship. Alice arrives and borrows Anna's bathroom, leaving Anna and Dan alone again. Dan takes the chance to try to persuade Anna into having an affair with him but is cut short by Alice's return. Alice asks Anna if she can have her portrait taken as well. Anna agrees and Alice asks Dan to leave them alone during the photo shooting. While being photographed, she reveals to Anna that she overheard them, and is photographed weeping. Alice does not reveal what she overheard to Dan, even as he spends a year stalking Anna, who resists.

Another year later, Dan enters a cybersex chat room and randomly meets Larry Gray (Clive Owen), a British dermatologist. With Anna still on his mind, Dan pretends to be her, and using the pretense that they will be having sex, Dan convinces Larry to meet at the aquarium (where Anna told Dan she often went). Larry goes to the meeting place, only to be made a fool of. Anna tells Larry that a man who had pursued her, Dan, was most likely to blame for the setup. Soon, Anna and Larry become a couple and they refer to Dan as "Cupid" from then on.

Four months later, at Anna's photo exhibition, Larry meets Alice, whom he recognizes from the tearful photograph that is one of many being exhibited. Larry knows that Alice and Dan are a couple, from talking to Anna. Meanwhile, Dan convinces Anna to become involved with him. They begin cheating on their respective lovers for a year, even though Anna and Larry become married halfway through the year. Eventually Anna and Dan each confess the affair to their respective partners, leaving their relationships for one another.

Alice goes back to being a stripper, heartbroken by her loss. One day, Larry runs into her accidentally at the strip club and he (heart-broken himself) is convinced that she is the girl he met before. He asks her if her name is Alice, but no matter how much money he gives her, she keeps telling him her name is "Jane Jones." He asks her to have a one-night stand with him but she refuses. The line of questioning becomes pornographic, albeit without any explicit nudity, when Larry asks Alice: "What does your cunt taste like?" Alice replies with a laugh: "like Heaven." Larry then demands: "Alice, tell me one thing that is the truth?" Alice replies with a smile: "Lying is the most fun a girl can have without taking her clothes off," ..., "but it's better if you do." The full irony of Alice's response is not apparent until the conclusion of the film.

Eventually, Larry convinces Anna to see him one last time; she agrees to sleep with him so that he will sign the divorce papers and leave her alone. Dan guesses and Anna confesses it to Dan, who takes it badly. Anna returns to Larry. Distraught, Dan confronts Larry to try to get Anna back. Instead, Larry tells him Alice's whereabouts, and suggests that he go back to her. However, out of malice, he also tells him that he had a one-night stand with her.

Alice takes Dan back. Alice decides to return to America and Dan asks if he could come with her since he has never been to America before and she agrees. They are in a hotel room near Heathrow Airport happy to be back together. Alice notes that today is the day when they first met on that London street exactly four years ago. When Dan asks her whether she had a one-night stand with Larry, she initially denies it. But when he insists on the truth, she suddenly tells him that she doesn't love him anymore and goes on to say that she did sleep with Larry that night he found her working at the strip club. Dan then reveals that Larry had already told him about the one-night stand but that he's already forgiven her. She insists that it's over and tells him to leave. This leads to a heated argument ending with Alice spitting in Dan's face saying that she is no one and Dan replying with a slap.

The Alice Ayres tile in Postman's Park, London

In the end, Alice returns to New York alone. Passing through the immigration checkpoint on her way back into the United States, it is revealed through a shot of her passport that her real name is indeed Jane Rachel Jones and that she had lied about her name for the duration of her four-year relationship with Dan.

Back in London, Dan returns to Postman's Park, and to his surprise, notices the name "Alice Ayres" on a tile that is dedicated to a girl, "who by intrepid conduct," and at the cost of her young life, saved three children. The final scene shows Alice/Jane walking towards West 47th Street, in Manhattan, approaching a red traffic light, where passers-by are turning their heads staring at her, stunned at her beauty; a scene symmetrical with the opening scene, where Alice/Jane and Dan are staring at each other on the streets of London.

Production

Filming

Closer was filmed at Elstree Film and Television Studios and on location in London.

Music

The main theme of the film follows Mozart's opera Così fan tutte, with references to that opera in both the plot and the soundtrack.[3] Further the soundtrack contains songs from Jem, Damien Rice and Lisa Hannigan, Bebel Gilberto, The Devlins, Prodigy and The Smiths.

Reception

Critical reaction

The film received generally positive reviews from critics. In the review of Rotten Tomatoes reported 69% of the positive reviews, based on 188 reviews.[4] In another review, Metacritic reported 65% of positive reviews, based on 42 reviews.[5] Roger Ebert writing for Chicago Sun-Times that it "They are all so very articulate, which is refreshing in a time when literate and evocative speech has been devalued in the movies". Peter Travers writing for Rolling Stone that it "Mike Nichols haunting, hypnotic Closer vibrates with eroticism, bruising laughs and dynamite performances from four attractive actors doing decidedly unattractive things". Kenneth Turan writing for Los Angeles Times that it is "Despite involved acting and Nichols' impeccable professionalism as a director, the end result is, to quote one of the characters," a bunch of sad strangers photographed beautifully . Dana Stevens writing for The New York Times that it is "Unlike most movie love stories, Closer does have the virtue of unpredictability. The problem is that, while parts are provocative and forceful, the film as a whole collapses into a welter of misplaced intensity.

Box office

The film was released on December 2004, in the United States. Closer opened in limited release, but theatre count was increased after the film was released. The film was domestically a financial success, grossing $33,987,757.[1] Huge success followed in the international market, where the film grossed an additional $81,517,270, accounting for over 70% of its worldwide gross, which turned out to be $115,505,027. It was considered a great success at the box office as its actual production budget was only $27 million.[1]

Awards and nominations

The film won the following awards:

Year Award Category – Winner(s)
2005 BAFTA Awards Best Performance by an Actor in a Supporting Role – Clive Owen
2005 Golden Globes Best Performance by an Actor in a Supporting Role in a Motion Picture – Clive Owen
Best Performance by an Actress in a Supporting Role in a Motion Picture – Natalie Portman
2005 Las Vegas Film Critics Society Best Supporting Actor – Clive Owen
2004 National Board of Review Best Acting by an Ensemble – Jude Law, Clive Owen, Natalie Portman and Julia Roberts
2004 New York Film Critics Circle Best Supporting Actor – Clive Owen
2004 San Diego Film Critics Society Best Supporting Actress – Natalie Portman
2004 Toronto Film Critics Association Best Supporting Actor, Male – Clive Owen

The film was nominated for the following awards:

Year Award Category – Nominee(s)
2005 Academy Awards Best Performance by an Actor in a Supporting Role in a Motion Picture – Clive Owen
Best Performance by an Actress in a Supporting Role in a Motion Picture – Natalie Portman
2005 American Screenwriters Association Discover Screenwriting AwardPatrick Marber
2005 BAFTA Awards Best Screenplay – Adapted – Patrick Marber
Best Performance by an Actress in a Supporting Role – Natalie Portman
2005 Broadcast Film Critics Association Best Acting Ensemble – Jude Law, Clive Owen, Natalie Portman and Julia Roberts
Best Supporting Actor – Clive Owen
Best Supporting Actress – Natalie Portman
2005 Golden Globes Best Director – Motion Picture – Mike Nichols
Best Motion Picture – Drama
Best Screenplay – Motion Picture – Patrick Marber
2005 Online Film Critics Society Best Screenplay, Adapted – Patrick Marber
Best Supporting Actor – Clive Owen
Best Supporting Actress – Natalie Portman
2005 Satellite Award Best Actor in a Supporting Role, Drama – Clive Owen
Best Actress in a Supporting Role, Drama – Natalie Portman
Best Film Editing – John Bloom and Antonia Van Drimmelen
Best Screenplay, Adapted – Patrick Marber
2005 Teen Choice Awards Choice Movie Actress: Drama – Natalie Portman

Home media release

Closer was released in DVD in 2005 and high-definition Blu-ray Disc on May 22, 2007.

References

External links



 
 

 

Copyrights:

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