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Clyde Hurley

 
Artist: Clyde Hurley

Worked With:

Ray Eberle, Al Klink, Moe Purtill, Paul Tanner, Ernie Caceres, Glenn Miller, Billy May, Tex Beneke, Wilbur Schwartz, Jimmy Priddy, Babe Russin
  • Genres: Jazz
  • Instrument: Trumpet

Biography

Although his name is now quite obscure, Clyde Hurley took a trumpet solo that has been heard dozens of times by the average American; the familiar chorus on Glenn Miller's "In the Mood." Hurley originally taught himself to play by soloing along with Louis Armstrong records. He started out working with territory bands and then was discovered by Ben Pollack (who was traveling through Texas) in 1937. After a year with Pollack, Hurley settled in Los Angeles to become a studio musician. However, Glenn Miller signed him up in 1939 and, during his year with Miller, Hurley was a key soloist as can be heard on the bandleader's Carnegie Hall concert and his studio recordings. The trumpeter spent time in the big bands of Tommy Dorsey (1940-1941) and Artie Shaw (1941) and then freelanced in the studios, most notably for MGM (1944-1949) and NBC (1950-1955). Hurley also played in Dixieland groups in the '50s including Matty Matlock's Rampart Street Paraders and on a heated (and fortunately recorded) live set from the Club Hangover in 1954 with Ralph Sutton and Edmond Hall. Clyde Hurley, a fine trumpeter with a fat tone and a hard-driving style, led two recording dates resulting in four numbers for Keynote in 1946 and five for Crown in 1950. ~ Scott Yanow, All Music Guide
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Wikipedia: Clyde Hurley
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Clyde Hurley was a trumpeter during the big band era. He was born on September 3, 1916 in Fort Worth, Texas. Scott Yanow describes Hurley as "a(n excellent) trumpeter with a fat tone and a hard-driving style." He died on August 15, 1963 in Fort Worth.

Self taught, he learned to play the trumpet by playing along with Louis Armstrong records. He began his career working with territory bands. In 1937, Hurley joined Ben Pollack’s band. After a while with Pollack, Hurley became a studio musician in Los Angeles. Hurley was playing with Paul Whiteman when Glenn Miller sent for him to join the Miller band on its Glen Island Casino opening in May 1939.

During the time he was with Miller, Hurley was one of the key soloists. He appeared on the bands studio recordings and live performances throughout America, including Carnegie Hall, Cafe Rouge in Hotel Pennsylvania and the Paramount Theatre, New York. He shared trumpet solo honours with John Best - Hurley taking the "hot" solos - Best taking the rest. Hurley played the trumpet solo on Glenn Miller’s "In The Mood", "Slip Horn Jive" and "Tuxedo Junction." After a difference of opinion with Miller over the style of music the band was playing, Hurley left Miller in May 1940 to work with Tommy Dorsey and then joined Artie Shaw in 1941.

After his stint with Shaw, he did freelance work for the movie studios. He worked for MGM from 1944 to 1949 and for NBC from 1950 to 1955. During the late 1950s, Hurley played in Dixieland groups, recording with Matty Matlock’s Rampart Street Paraders. In 1954, he recorded live with Ralph Sutton and Edmond Hall at the Club Hangover. His studio work in the 1950s included sessions with Paul Weston. He played solo on "Memories of You" on Weston's "Solo Flight" album.

References



 
 
Learn More
Little Brown Jug, Vol. 3 (1939 Album by Glenn Miller & His Orchestra)
Spirit is Willing (1938 Album by Glenn Miller & His Orchestra)
The Complete Glenn Miller, Vol. 2 (1939) (1939 Album by Glenn Miller)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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