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Clyde Otis

 
Artist: Clyde Otis

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  • Active: '50s, '60s
  • Genres: Rock
  • Instrument: Producer, Songwriter

Biography

Best-known for his long and enormously successful collaboration with singer Brook Benton, Clyde Otis was among the most prolific songwriters and producers of the post-war era, making music business history as the first African American A&R executive for a major label. Born in Prentice, MS, Otis' early exposure to music was limited -- his family didn't even own a radio -- and he only began composing songs after meeting "Route 66" writer Bobby Troup during a stint in the Marines. Following his discharge, Otis settled in New York City, spending the next eight years enduring a series of day jobs while honing his songwriting at night. He was driving a cab when in 1954 he overheard one of his fares discussing a party being thrown by music publisher Sidney Kornhauser; Otis convinced the woman to give Kornhauser his song "That's All There Is to That," which became a Top 20 pop hit for Nat "King" Cole in mid-1956. Upon joining Mercury's A&R staff in 1958, Otis began writing and producing material for Brook Benton; beginning with the number three smash "It's Just a Matter of Time," they teamed for a series of 17 consecutive hits, including "Endlessly," "So Many Ways," "Kiddio," and the novelty favorite "The Boll Weevil Song." Otis also produced a number of duets between Benton and Dinah Washington, among them "Baby (You've Got What It Takes)" and "A Rockin' Good Way (To Mess Around and Fall in Love)"; he worked on Washington's solo efforts, as well, most notably the classic "What a Difference a Day Makes." Otis also helmed hits for Sarah Vaughan ("Broken-Hearted Melody"), Timi Yuro (the remarkable "Hurt") and the Diamonds ("The Stroll"), and in 1962 he alone produced an astounding 33 of Mercury's 51 chart hits. Upon leaving the label, he briefly tenured at Liberty Records before founding his own publishing firm, the Clyde Otis Music Group, and moving into independent production. Upon relocating to Nashville, Otis produced sessions for country stars Charlie Rich and Sonny James; Elvis Presley, Aretha Franklin, Johnny Mathis, and Patti Page all recorded his songs as well. ~ Jason Ankeny, All Music Guide
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Wikipedia: Clyde Otis
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Clyde Otis, born in Prentiss, Mississippi, (September 11, 1924January 8, 2008), was an American songwriter and producer best known for his collaboration with singer Brook Benton, and for being one of the first African American A&R executive for a major label.[1]

According to the music licensing organization Broadcast Music Inc., Otis is credited as the writer or co-writer of almost 800 songs.[1]

Contents

Early career

After serving in the Marines during World War II, Otis moved to New York and inspired by fellow-Marine Bobby Troup, best known for "Route 66", began writing songs. Otis' first success was Nat King Cole’s recording of his song “That’s All There Is to That”, which reached the Billboard Top 20 in 1956.

A&R executive

On joining Mercury Records as director of A&R in 1958,[1] Otis began writing and producing material for Brook Benton. This collaboration led to "It's Just a Matter of Time," "Endlessly," "So Many Ways," "Kiddio," and the novelty song, "The Boll Weevil Song".

Otis also produced a number of duets between Benton and Dinah Washington, among them "Baby (You've Got What It Takes)" and "A Rockin' Good Way (To Mess Around and Fall in Love)"; he worked on Washington's solo efforts, as well, most notably the classic "What a Difference a Day Makes" and "This Bitter Earth".

Otis also produced hits for Sarah Vaughan ("Broken-Hearted Melody"), Timi Yuro ("Hurt") and The Diamonds ("The Stroll"). In 1962 Otis produced 33 of Mercury's 51 chart hits.[citation needed]

Clyde Otis Music Group

Upon leaving the label, he briefly worked at Liberty Records before founding his own publishing firm, the Clyde Otis Music Group, and moving into independent production. Relocating to Nashville, Tennessee, Otis produced sessions for country singers Charlie Rich and Sonny James. His songs have also been recorded by Elvis Presley, Aretha Franklin, Johnny Mathis, and Patti Page.

Awards

Winner of a Grammy (1994) for producing Natalie Cole's "Take a Look",[2] Otis was given a Pioneer Award by the Rhythm and Blues Foundation in 2000.

Personal life

He lived in Englewood, New Jersey for over 40 years, and died there on January 8, 2008. He was survived by his wife, Lourdes; two sons, Isidro and Clyde III; a daughter, AnaIza; and five grandchildren.[1]

References

  1. ^ a b c d Obituary from The New York Times
  2. ^ Jaeger, Barbara. "REBUILDING A FOUNDATION", The Record (Bergen County), May 22, 1994. Accessed October 20, 2007. "Veteran songwriter, record producer, and music publisher Clyde Otis of Englewood, whose song "Take a Look" won a Grammy this year for best jazz vocal performance by Natalie Cole, has announced the reactivation of the Take a Look Foundation."

External links


 
 
Learn More
Red Hot and Blue (2001 Album by Brook Benton)
The Mercury Recordings (1992 Album by Jimmy McCracklin)
My Country (1966 Album by Brook Benton)

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