Norah Jones' debut on Blue Note is a mellow, acoustic pop affair with soul and country overtones, immaculately produced by the great Arif Mardin. (It's pretty much an open secret that the 22-year-old vocalist and pianist is the daughter of Ravi Shankar.) Jones is not quite a jazz singer, but she is joined by some highly regarded jazz talent: guitarists Adam Levy, Adam Rogers, Tony Scherr, Bill Frisell, and Kevin Breit; drummers Brian Blade, Dan Rieser, and Kenny Wollesen; organist Sam Yahel; accordionist Rob Burger; and violinist Jenny Scheinman. Her regular guitarist and bassist, Jesse Harris and Lee Alexander, respectively, play on every track and also serve as the chief songwriters. Both have a gift for melody, simple yet elegant progressions, and evocative lyrics. (Harris made an intriguing guest appearance on Seamus Blake's Stranger Things Have Happened.) Jones, for her part, wrote the title track and the pretty but slightly restless "Nightingale." She also includes convincing readings of Hank Williams' "Cold Cold Heart," J.D. Loudermilk's "Turn Me On," and Hoagy Carmichael's "The Nearness of You." There's a touch of Rickie Lee Jones in Jones' voice, a touch of Bonnie Raitt in the arrangements; her youth and her piano skills could lead one to call her an Alicia Keys for grown-ups. While the mood of this record stagnates after a few songs, it does give a strong indication of Jones' alluring talents. ~ David R. Adler, All Music Guide
Sam Yahel (Organ (Hammond)), Jesse Harris (Guitar (Electric)), Rob Burger (Organ (Pump)), Jessica Novod (Art Direction), Joanne Savio (Photography), Craig Street (Producer), Eden White (Production Coordination), Kenny Wollesen (Drums), Kevin Breit (Guitar), Rob Burger (Accordion), Lee Alexander (Bass), Jesse Harris (Guitar (Acoustic)), Jay Newland (Remixing), Norah Jones (Vocals), Norah Jones (Wurlitzer), Todd Parker (Mixing Assistant), Ted Jensen (Mastering), David Swope (Assistant), Arif Mardin (String Arrangements), Brian Blade (Percussion), Eli Wolf (A&R), Adam Levy (Guitar (Electric)), Gordon Jee (Creative Director), Brandon Mason (Assistant Engineer), Jay Newland (Mixing), Mark Wilder (Mastering), Brian Blade (Drums), Tony Scherr (Guitar (Acoustic)), Norah Jones (Piano (Electric)), Zach Hochkeppel (Product Manager), Jay Newland (Producer), Jesse Harris & the Ferdinandos (Guitar (Acoustic)), Shell White (Production Coordination), Norah Jones (Producer), Kevin Breit (Guitar (Electric)), Jessica Novod (Design), Kevin Breit (National Steel Guitar), Mark Birkey (Assistant Engineer), Jenny Scheinman (Violin), Dick Kondas (Assistant Engineer), Arif Mardin (Mixing), Jay Newland (Engineer), Todd Parker (Assistant Engineer), Bruce Lundvall (A&R), Arif Mardin (Producer), Husky Huskolds (Engineer), Chris Cofoni (A&R), Bill Frisell (Guitar (Electric)), Jesse Harris & the Ferdinandos (Guitar (Electric)), Dan Rieser (Drums), Adam Rogers (Guitar), Brian Bacchus (A&R), Adam Levy (Guitar (Acoustic)), Norah Jones (Piano), Kevin Breit (Guitar (Acoustic)), Tony Scherr (Slide Guitar)
Come Away with Me is the debut album of pianist and singer Norah Jones, released February 26, 2002 on Blue Note Records.[1] Recording sessions for the album took place at New York City's Sorcerer Sound Studio and Shokan's Allaire Studios in 2001.[2] Although genre classification has been disputed, Jones' mellow style and playing on Come Away with Me is recognized as contemporary jazz.[1]
The album's critical and commercial success was a breakthrough for Jones in 2002, as it reached the top of the Billboard 200 chart and several jazz charts. The album also topped many critics' "albums of the year" lists and gathered major music awards in the process,[3] including six Grammy Awards.[4] Following initial sales, Come Away with Me was certified diamond by the RIAA on February 15, 2005 having sold over 10 million copies in its first three years of release and this album has shipped over 20 million copies worldwide and it nevertheless became Jones's best-selling album, the tenth best-selling album of the 2000s, and was also the most successful Jazz album of all time, beating Kind of Blue by Miles Davis.[5] This album has been released with the Copy Control protection system in some regions.
Come Away with Me received universal acclaim from most music critics, based on an aggregate score of 82/100 from Metacritic.[6] The album received 3.5 out of 4 stars from both the Chicago Sun-Times and the Los Angeles Times.[7][8] The genre of Come Away with Me was the subject of much debate, especially within the vocal jazz community. Many artists held that because Norah Jones made few changes to the original melody and rhythm of the covered tracks, such as "Turn Me On" and "The Nearness of You", that the album did not qualify as jazz, which entailed some degree of interpretation and improvisation. Still, the presence of accomplished jazz musicians Bill Frisell, Adam Rogers, Brian Blade, and Sam Yahel, as well as the complex and sophisticated jazz-influenced compositions of Jesse Harris, gave the album an overall jazz feel.[1] Critics have viewed the music of Come Away with Me as a blend of vocal jazz and acousticpop with soul and country music overtones.[1]
Commercial performance
Despite genre classification disputes over the album, Come Away with Me's unique combination of jazz, folk, and soul, as well as Jones's fresh voice, caught the attention of consumers and critics alike. The album sold approximately 22.5 million copies worldwide and won five awards at the Grammy Awards of 2003, including "Record of the Year", "Album of the Year", and "Song of the Year" for "Don't Know Why".[9] Although she was happy about her success, Jones felt bad about sweeping the Grammy Awards. In an interview for 60 Minutes, Jones told Katie Couric:
I felt like I went to somebody else's birthday party and I ate all their cake. Without anybody else getting a piece. That's how I felt.[4]
—Norah Jones
Upon initial release on February 26, 2002, Come Away with Me had a slow progression up the charts. However, it eventually gained a platinum certification from the Recording Industry Association of America on August 22, 2002.[5] It went on to sell over ten million copies over the next year, and on February 15, 2005, was certified as a diamond record by the RIAA.[5] Other issues of the album, including a Canadian bonus DVD version, followed in response to the album's initial success.[10]
Polyphonic HMI's "Hit Song Science" software predicted the album's success months before its release, contradicting skeptical executives.[11]