- AMG Rating:



- Genre: Science Fiction
- Movie Type: Anthology Series, Psychological Sci-Fi
- Director: Leslie Stevens
- Release Year: 1964
- Country: US
- Run Time: 52 minutes
TV Episode:
The Outer Limits: Controlled Experiment |



| Wikipedia: Controlled Experiment |
| This article needs references that appear in reliable third-party publications. Primary sources or sources affiliated with the subject are generally not sufficient for a Wikipedia article. Please add more appropriate citations from reliable sources. (November 2008) |
| "Controlled Experiment" | |||||||
|---|---|---|---|---|---|---|---|
| The Outer Limits episode | |||||||
| Episode no. | Season 1 Episode 16 |
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| Written by | Leslie Stevens | ||||||
| Directed by | Leslie Stevens | ||||||
| Photographed by | John M. Nickolaus | ||||||
| Production no. | 6 | ||||||
| Original airdate | January 13, 1964 | ||||||
| Guest stars | |||||||
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| List of The Outer Limits episodes | |||||||
"Controlled Experiment" is an episode of the original The Outer Limits television show. It first aired on 13 January 1964, during the first season.
Contents |
A love triangle appears to end in murder, but a strange pair of men appear to have the ability to replay time itself.
| “ | Who hasn't seen the dark corners of great cities, whose small and shabby creatures wander without purpose in the secret corners of the night? Without purpose? There are those whose purpose reaches far beyond our wildest dreams. | ” |
The Martians maintain inconspicuous monitors on Earth, and one, Diemos, is contacted by Phobos One, a researcher who wants to investigate the concept of "Murder". Using a machine that can speed up time, slow it down, reverse it, or stop it altogether, they review the same murder scene over and over again. Phobos One, however, is unable to resist the opportunity to tamper with time.
| “ | Who knows? Perhaps the alteration of one small event may someday bring about the end of the world. But that someday is a long way off, and until then there is a good life to be lived in the here and now. | ” |
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