The Dillards' second album with rock-influenced arrangements was not as barrier-busting as 1968's Wheatstraw Suite, and further removed from their bluegrass roots. However, it was a similarly eclectic and, for the most part, joyous romp through a fusion of bluegrass, rock, folk, and country, with a bit of pop and orchestration along the ride, and the group's superb vocal harmonies being the main constant. "Touch Her If You Can" was the number with the most pop and orchestration, and worked extremely well, with its achingly sad melody. If anything the Dillards did on Elektra could have been a hit single, this would have been a likely candidate. Their unusual a cappella arrangement of the Beatles' "Yesterday" caught some attention, and "Brother John" is another simultaneous detour and highlight, with its Dave Brubeck-influenced jazzy rhythms and guitar picking that recalled the Byrds' psychedelic era. While other tracks, like the bluegrass tune "Old Man at the Mill" and Eric Andersen's "Close the Door Lightly," were more in the standard country-rock mode, they're also good, with the musicians applying care and creative production to the material throughout the disc. ~ Richie Unterberger, All Music Guide
Copperfields is the fifth album by bluegrass group The Dillards. The album continues the country rock style begun on the group's previous album, Wheatstraw Suite, featuring the same prominent orchestra and increased use of drums, electric bass and even electric guitar on "Brother John." Herb Pederson, who replaced Doug Dillard starting with Wheatstraw Suite, assumes a more prominent role on this album, penning more songs, contributing more vocals, and appearing more prominently on the album cover.
Track listing
Rainmaker
In Our Time
Old Man At The Mill
Touch Her If You Can
Woman Turn Around
Yesterday
Brother John
Copperfields
West Montana Hannah
Close The Door Lightly
Pictures
Ebo Walker (named for the friend of the group and future member of New Grass Revival)
Sundown
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