Coquelin, Benoît Constant (
bənwä' kôNstäN' kôklăN'), 1841-1909, French actor, known as Coquelin
aîné [the elder]. He made his debut at the Comédie française in 1860 and achieved fame in classic comic roles, such as the valets in Molière's plays and Beaumarchais's
Figaro. He made an extensive tour of Europe and America in 1886. In 1897 he created his greatest characterization, the title role in Rostand's
Cyrano de Bergerac, at the Théâtre de la Porte-Saint-Martin, which he also managed. In 1900 he toured the United States with Sarah Bernhardt and returned to Paris to play opposite her in Rostand's
L'Aiglon. Highly critical and analytical toward his art, and believing in simulated rather than real emotions, he wrote
L'Art et le comédien (1880) and
Les Comédiens, par un comédien (1882); his approach led to an interesting debate with Sir Henry
Irving on techniques of acting. His brother,
Ernest Alexandre Honoré Coquelin, 1848-1909, known as Coquelin
cadet [the younger], acted at the Comédie française after 1868. At his best in secondary comic roles, he was also popular for his monologues and several amusing books written under the pseudonym Pirouette.
