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Cranes

 

(Gruidae)

Class: Aves

Order: Gruiformes

Suborder: Grues

Family: Gruidae

Thumbnail description
Large birds with long neck and legs, usually gray or white plumage

Size
35–70 in (90–176 cm); 4.4–26.5 lb (2–12 kg)

Number of genera, species
4 genera; 15 species

Habitat
Typically inhabit shallow wetlands from tropical areas to the Arctic

Conservation status
Vulnerable: 5; Endangered: 6

Distribution
Present in all regions except Antarctica and South America

Evolution and systematics

Cranes are an ancient family that dates back some 40–60 million years to the end of the Age of the Dinosaurs in the remote Eocene. More than a dozen extinct species are represented in fossil records.

The Gruidae's closest relative is the New World limpkin of the family Aramidae. Somewhat smaller than cranes, limpkins have an upright stance and loud calls reminiscent of cranes. The next closest relative to the cranes and limpkins are the New World trumpeters of the family Psophidae. Native to the tropical forests of South and Central America, the jumpy behavior and the plumage of trumpeters somewhat resembles that of the most primitive of cranes, the crowned cranes. These close links of cranes to New World families suggests that the pro-crane originated in the New World and subsequently expanded into Asia where their closest relatives are bustards of the family Otidae—a family that is restricted to the Old World. From Asia, ancient cranes probably extended their ranges into Africa and Australia.

Crowned cranes are placed in the subfamily Balearicinae, and differ from cranes of the subfamily Gruinae in many ways. Crowned cranes have loose plumage and the inability to tolerate extreme cold. Gruinae cranes have compact plumage and are cold-hardy. Balearicinae cranes have elongated hind toes (hallux) and perch in trees. Gruinae cranes have vestigial short hind toes and seldom perch in trees. As the name suggests, crowned cranes have elaborate bristle-like feathers on the hind part of their heads that look like golden crowns. While Gruinae cranes lack this plumage, portions of the heads of most species are covered by predominantly bare red skin that is used in display. The trachea of crowned cranes proceeds directly from the neck to the lungs in contrast to the trachea of the Gruinae that coils to varying degrees into the sternum. The prevalence of extinct species of crowned cranes in fossil records in North America, suggests that the Balearicinae or its ancestor gave rise to the Gruinae. Today there are two living species of Baleariciae, both of the genus Balearica and both restricted to wetlands amidst the grasslands and savannas of sub-Saharan Africa.

The Gruinae includes thirteen species of the typical cranes. Although comparative studies of their DNA by American scientist Dr. Carey Krajewski suggest they all can be considered members of a single genus Grus, the species are divided into three genera—Grus, Anthropoides, and Bugeranus—based on anatomical and behavioral evidence.

The Grus includes 10 species divided into four subgroups, the Siberian; the sandhill; the Group of Five (Eurasian, whooping, hooded, black-necked and red-crowned); and the Group of Three (brolga, sarus, and white-naped). Anthropoides includes demoiselle and blue cranes, while Bugeranus has the wattled crane.

The Siberian is the enigma of the Gruinae. Although resembling the whooping crane with glistening white plumage and black primary flight feathers, the red facial comb is restricted to the area in front of the eyes, giving it a nun-like look and a pattern somewhat similar to that of the comb of the wattled crane. The reduced coiling of its trachea and its feeding behavior is also similar to the wattleds. But these similarities with Bugeranus are perhaps the consequence of convergent evolution. DNA of the Siberian suggest the species is definitely a Grus but with a more distant relationship to the remaining nine species within that genus.

The sandhill has some behavioral links to Siberian cranes but more DNA, anatomical, and behavioral links to the Group of Three. Within the Group of Three, DNA suggests the white-naped of Asia and the brolga of Australia are more closely related to each other than to the sarus of south Asia. Anatomical evidence suggests the brolga and the sarus are more closely aliened. DNA suggests the red-crowned crane is most distant within the Group of Five, and that the Eurasian, whooping, hooded, and black-necked cranes are closely related to each other. Perhaps the whooping crane arose from a stock of Eurasian cranes that immigrated into North America from Asia.

DNA suggests that the wattled crane is closely related to the demoiselle and blue cranes. Wattled cranes are adapted to African wetlands while the Anthropoides species live predominantly in grasslands in southern Africa (blue) and in Asia and north Africa (demoiselle). Perhaps the demoiselle cranelike ancestor from Asia radiated into African wetlands and grasslands to become the wattled and the blue cranes.

Physical characteristics

Cranes are large, long-legged, long-necked birds that typically inhabit shallow wetlands. They have loud calls that can carry for several miles.

Distribution

Cranes occur on all continents except Antarctica and South America.

Habitat

Most cranes nest in wetlands, where they also feed. Many species use freshwater wetlands in their summer breeding areas, but may use saltwater coastal marshes in their wintering ranges. Two species of cranes predominantly inhabit grasslands.

Behavior

Cranes of northern latitudes migrate thousands of miles (kilometers) south to wintering areas. When prevailing winds are correct, cranes climb mid-morning thermals to glide. While gliding they are not in "V" formation. However, when flap-flying without the aid of thermals, they do fly in "V" formation. For each crane population there are usually one or two traditional staging areas where the cranes remain for several weeks during migration. Otherwise, when migrating, cranes fly until late in the afternoon or evening and then roost opportunistically at available wetlands. Juvenile cranes remain close to their parents during migration and throughout most of the winter. Sometimes they accompany their parents back to natal areas in spring, and sometimes they leave their parents before or during the spring migration.

Cranes that live in warm climates typically breed during the wet season or seasons and gather in flocks during the dry season. Flocking is usually greatest just before the onset of the next breeding season and is presumed to facilitate integration of juveniles in sub-adult flocks and genetic mixing as new pairs form in the flocks.

Resources

Books:

Archibald, G.W. "Cranes and their Allies." In Encyclopedia of Birds: A Comprehensive Illustrated Guide by International Experts, 2nd ed. Edited by Joseph Forshaw. Sydney: UNSW Press Ltd., 1998. del Hoyo, J., A. Elliott, and J. Sargatal. Handbook of the Birds of the World. Vol. 3, Hoatzin to Auks. Barcelona: Lynx Edicions, 1996.

Meine, Curt D. and George W. Archibald, eds. The Cranes: Status Survey and Conservation Action Plan. Cambridge: IUCN Publication Services, 1996.

Sibley, C.G., and B.L. Monroe, Jr. Distribution and Taxonomy of Birds of the World. New Haven: Yale University Press, 1990.

Periodicals:

Horwich, Robert H. "Use of Surrogate Parental Models and Age Periods in a Successful Release of Hand-Reared Sandhill Cranes." Zoo Biology 8 (1989): 379–90.

Krajewski, Carey. "Phylogenetic Relationships Among Cranes (Gruiformes: Gruidae) Based on DNA Hybridization." Auk 106 (1989): 603–18.

Wessling, Bernhard. "Individual Recognition of Cranes, Monitoring and Vocal Communication Analysis by Sonography." IV European Crane Workshop. European Crane Working Group, 2000.

Organizations:

International Crane Foundation. P.O. Box 447, Baraboo, WI 53913-0447 USA. Phone: (608) 356-9462. Fax: (608) 356-9465. E-mail: explorer@savingcranes.org Web site:

[Article by: George William Archibald, PhD]

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Artist: Cranes
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Cranes

Group Members:

Alison Shaw, Mark Francombe, Matt Cope, Jim Shaw

Similar Artists:

Influenced By:

Followers:

Getaway Cruiser, Love Is Colder than Death, Insides, A Shoreline Dream

Performed Songs By:

J. Shaw, Alison Shaw
  • Formed: 1988, Portsmouth, England
  • Genres: Rock
  • Representative Albums: "Wings of Joy," "Forever," "Tragedy of Orestes and Electra"
  • Representative Songs: "Jewel," "Submarine," "Cloudless"

Biography

Cranes were one of the major trance-pop/shoegaze groups of the early '90s, combining ethereal vocals and melodies with loud, droning guitars. Cranes were formed by brother and sister Jim (drums) and Alison Shaw (vocals) in 1988 in Portsmouth, England; guitarist Mark Francombe and bassist Matt Cope joined the band two years later. The group independently released its first album, Fuse, on cassette in 1990; a small local label released Self-Non-Self the same year to good reviews. Both sets of music led to a record contract with Dedicated, an English record label. Later that year, they released their first EP for the label, Inescapable, which earned them a lot of attention, including a Melody Maker cover story; a second EP, Espero, also earned positive reviews, including a Melody Maker Single of the Week. The following year, the band released its first album on Dedicated, Wings of Joy, which received favorable reviews on both sides of the Atlantic, as well as earning the band a sizable cult following, including the Cure's Robert Smith; Smith picked Cranes to open for the Cure on their 1992 world tour, which earned them a larger audience. Forever, the group's second album, was released in 1993. It expanded their cult slightly, yet 1994's Loved found the band in a holding pattern commercially. After releasing the limited-edition Tragedy of Orestes and Electra in late 1996, Cranes returned with Population 4, which was greeted with mixed reviews and found the group's cult shrinking. A reissue of Self-Non-Self followed the next year, but a new studio album didn't arrive until 2001 with Future Songs -- a relatively straightforward departure from their former material, with Alison Shaw's vocals higher in the mix than before. Particles & Waves (2004) and Cranes (2008) incorporated electronics with sparse arrangements to good effect. ~ Stephen Thomas Erlewine, All Music Guide
Wikipedia: Cranes (band)
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Cranes

Background information
Origin Portsmouth
Genres Dream pop
Gothic rock
Shoegaze
Years active 1980s–current
Labels Manifesto/Dadaphonic/Lolo
Dedicated/RCA
Members
Alison Shaw
Jim Shaw
Paul Smith
Ben Baxter (bass guitar)
Jon Callender (drums)
Former members
Mark Francombe (guitar / bass guitar / keyboards)
Matt Cope (guitar)
Manu Ross (drums)

Cranes are a British music group. Their music has frequently been described as incorporating elements of gothic rock, dream pop, and shoegazing.

Formed in the mid 1980s in Portsmouth, England by siblings Alison and Jim Shaw, and named after the innumerable mechanical cranes around the city's docks, Cranes are best known for the childlike, high-pitched vocals of lead singer Alison, memorably likened by the NME to "a beautiful siren being slowly strangled on a spiral staircase of hammer-horror guitars".

Early on in their recording and performing career, the music of Cranes borrowed from both the industrial/avant-garde, deconstructive style of bands such as Einstürzende Neubauten, and the ethereal labyrinths of acts like Cocteau Twins. Following a general softening of their sound, the introduction of pop elements to their music, and a world tour with The Cure in 1992, the band's popularity increased, and peaked with the release of the albums Forever and Loved.

The band fell silent for a period of approximately four years after the release of Population 4 in 1997, but did not actually break up. In the early 2000s, they began writing music again, and released Future Songs and Particles and Waves on their own label, Dadaphonic. These albums signified a change in the overall style of their music, emphasising its ambient, ethereal qualities. Despite heading in a more electronic direction, however, the band's music continued to revolve around Alison Shaw's distinctive singing.

Contents

Discography

Albums

  • Fuse (MC, 1986)
  • Self-Non-Self (1989)
  • Wings of Joy (1991)
  • Forever (1993)
  • Forever Remixes (1993)
  • Loved (1994)
  • La tragédie d'Oreste et Électre (1996)
  • Population 4 (1997)
  • EP Collection, Vol. 1 & 2 (1997)
  • Future Songs (2001)
  • Live in Italy (2003)
  • Particles and Waves (2004)
  • Live at Paradiso 1991 (2007) (for download only)
  • Cranes (2008)

Singles & EPs

  • Inescapable (1990) - 4 non-album tracks
  • Espero (1990) - 3 non-album tracks
  • Adoration (1991) - 2 tracks including a non-album B-side
  • Tomorrow's Tears (1991) - 4 tracks including 2 non-album tracks
  • Adrift (1991) - 3 tracks including 1 non-album track
  • Jewel (1993) - 3 different releases with remixes. One of them includes a non-album track
  • Forever Remixes (1993) - 6 remixes of a few tracks from the Forever album
  • Shining Road (1994) - 2 different releases each of them with 4 tracks including 2 (different) non-album tracks
  • Can't Get Free (1997) - 5 tracks including 4 non-album tracks
  • Submarine (2002) - 8 remixes of a few tracks from the Future Songs album
  • The Moon City/It's a Beautiful World (7", 2002) - 2 non-album tracks

Notes

The track Astronauts from the 2004 album Particles and Waves has been used as music for the American Express commercial with actress Kate Winslet.

Alison Shaw recorded a new song "Endormie" with the group Twine on their last album, Violets.

External links


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