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Creep

 
Wikipedia: Creep (Radiohead song)
"Creep"
Single by Radiohead
from the album Pablo Honey
Released September 1992
Format 7", 12", CD, cassette
Recorded 1992
Genre Alternative rock, Length = 3:59
Label Parlophone
EMI
Writer(s) Thom Yorke
Producer Sean Slade,
Paul Q. Kolderie
Radiohead singles chronology
"Creep"
(1992)
"Anyone Can Play Guitar"
(1993)

"Creep" is a song by the English alternative rock band Radiohead, written by vocalist Thom Yorke. Radiohead released "Creep" as their debut single in 1992, and it later appeared on their first album, Pablo Honey (1993). During its initial release, "Creep" was not a chart success. However, upon re-release in 1993, it became a worldwide hit. The band began to dislike the song, as fans attended their early gigs primarily for the performance of "Creep". During the mid-to-late 1990s, "Creep" was played less frequently at gigs and in 1998, the band dropped the song from setlists altogether. It would not be played live again until 2001, and has since appeared sporadically in the band's live sets. However in 2009, during the Spring tour of South America and Mexico, the song was played at almost every gig. It also opened their set in the 2009 Reading Festival. "Creep" is one of Radiohead's biggest hits, and has been used in various media as well as having been covered by a number of musical artists.

Contents

Background and recording

According to Radiohead bassist Colin Greenwood, Thom Yorke wrote "Creep" while studying at Exeter University in the late 1980s.[1] Guitarist Jonny Greenwood said the song was inspired by a girl that Yorke had followed around who showed up unexpectedly during a show by the band.[2] Though original, the song borrows heavily from the melody and chords of The Hollies' "The Air That I Breathe", and writers Hammond and Hazlewood were given songwriting credit in the liner notes for Pablo Honey. In particular, the ostinato of "Creep" is taken from the first four chords of the verse of "The Air That I Breathe". The melody of that verse is also echoed in "Creep"'s middle eight ("She's running out again...").

In 1992 during rehearsal sessions with producers Sean Slade and Paul Q. Kolderie, Radiohead spontaneously performed "Creep". Yorke described "Creep" to the producers as "our Scott Walker song"; Slade and Kolderie misheard the singer's remark and mistakenly believed the song was a cover.[3] Tension arose due to unsatisfactory attempts at recording other songs, so to improve morale Slade and Kolderie requested the band play "Creep" again. The band recorded the song in a single take; after the performance everyone in the room burst into applause. Once the band assured Kolderie that "Creep" was an original song, he called EMI to tell them to consider the song as the band's next single.[4] While the recording had minimal overdubs and the band did not intend to release it, the producers were impressed with the song.[1][5]

Composition and lyrics

Ostinato from Radiohead's "Creep" features modal mixture, common tones between adjacent triads (B between G & B, C and G between C+ & C-), an emphasis on subdominant harmony (IV = C in G major), and, apparently, augmented triads.[6] About this sound Play

The G-B-C-Cm chord progression is repeated through the whole song, just alternating between arpeggiated chords in the verses and last chorus and loud power chords during the first two choruses. In G major, these may be interpreted as I-III#-IV-iv.[6] According to Guy Capuzzo, the ostinato musically portrays "the song's obsessive lyrics, which depict the "'self-lacerating rage of an unsuccessful crush.'" For example, the "highest pitches of the ostinato form a prominent chromatic line that 'creeps' up, then down, involving scale degrees \hat 5\hat 5\hat 6\hat 6....[while] ascend[ing], the lyrics strain towards optimism...descend[ing], the subject sinks back into the throes of self-pity...The guitarist's fretting hand mirrors this contour".[7]

When the song shifts from the verse to the chorus, Jonny Greenwood plays three blasts of guitar noise ("dead notes" played by releasing fret-hand pressure and picking the strings). Greenwood said he did this because he did not like how quiet the song was; he explained, "So I hit the guitar hard—really hard".[2] Ed O'Brien said, "That's the sound of Jonny trying to fuck the song up. He really didn't like it the first time we played it, so he tried spoiling it. And it made the song."[8] During the song's outro, Jonny Greenwood plays a piano figure. Kolderie forgot to add the piano part during the final mix until the end of the song, but the band approved of the final result.[9]

According to Yorke, "Creep" tells the tale of an inebriated man who tries to get the attention of a woman he is attracted to by following her around. In the end, he lacks the self-confidence to face her and feels he subconsciously is her. When asked about "Creep" in 1993, Yorke said, "I have a real problem being a man in the '90s... Any man with any sensitivity or conscience toward the opposite sex would have a problem. To actually assert yourself in a masculine way without looking like you're in a hard-rock band is a very difficult thing to do... It comes back to the music we write, which is not effeminate, but it's not brutal in its arrogance. It is one of the things I'm always trying: To assert a sexual persona and on the other hand trying desperately to negate it."[10] Jonny Greenwood said the song was in fact a happy song about "recognizing what you are".[2]

The version issued for US radio play replaced the line "So fucking special" with "So very special". The group was worried that issuing a censored version would be a "bit of a sellout" according to Jonny Greenwood, but they decided it was acceptable since Sonic Youth, their idols, had done the same thing. Nonetheless, Greenwood noted the British press "weren't impressed" by the action.[2] During the recording session for the censored lyrics, Kolderie convinced Yorke to rewrite the first verse, telling him he thought the singer could do better.[11]

Success and reaction

Despite initial reluctance, staff at EMI ultimately grew enthused by "Creep", and the label decided to issue it as a single.[12] "Creep" met with little success in the UK when it was first released in September 1992. Radio 1 found the song "too depressing" and refrained from playing the song.[13] "Creep" reached number 78 on the UK Singles Chart, selling only 6,000 copies.[14] The band soon moved onto a second single, "Anyone Can Play Guitar", to promote the album Pablo Honey, and released a non-album single, "Pop Is Dead".

Towards the end of 1992, acclaimed DJ Yoav Kutner played "Creep" incessantly on the Israeli radio. He had been introduced to the song by a local representative of EMI. The song soon became a national hit. Radiohead quickly set up tour dates in the country to capitalise on the success.[15] "Creep" had similar success in New Zealand, Spain, and Scandinavian countries.[16] Around the same time, the San Francisco, California radio station KITS added the song to its playlist; and soon other radio stations along the American west coast followed suit. A censored version of the song was made available to radio stations, and by the second half of 1993, the song had become a hit nationwide and peaked at number thirty-four in the Billboard Hot 100 and number two in the Billboard Hot Modern Rock Tracks.[1] By the time Radiohead came to the United States, they were surprised by the success of the song. Yorke told Melody Maker in 1993 that many journalists misunderstood the song, asking him if it was a "joke".[13]

Radiohead initially did not want to reissue "Creep" in the United Kingdom, but eventually relented. Bassist Colin Greenwood said that "after doing so well in America, there was this tremendous pressure from radio people, the press, the record company, even our fans, to put it out".[17] The 1993 reissue reached number seven on the UK Singles Chart.[18] The release was bolstered by a September 1993 Top of the Pops performance, which drew criticism from the music press and fellow artists: Oasis guitarist Noel Gallagher opined that Radiohead were willing to appear on the show and alter the lyrics to reflect the clean edit of the song "because it made them more money."[2][19] In June 2008, "Creep" reentered the UK Singles Chart at number 37 after its inclusion on the compilation album Radiohead: The Best Of.[20]

Performances

This led to the band's creation of "My Iron Lung", which featured as the title song of their next release, My Iron Lung EP (1994), and as track 8 on their second album The Bends (1995). This track deals with how "Creep" was the song they relied on, how it was their "life-support, [their] iron lung". Thom explained in an interview that they did not want to stop playing it as that would be making a big deal about it; however, he often made comments before the song on stage which suggested he had little respect for anyone who wanted to hear it.[citation needed]

After mid 1998, Radiohead did not play the song live at all until the final encore of a 2001 hometown concert at South Park, Oxford, when they played it in a seemingly impromptu decision after an equipment failure on the organ just after the start of "Motion Picture Soundtrack".[21] Thom Yorke commented that they would be playing a "slightly older song... I think." This is probably because "Creep" and "Motion Picture Soundtrack" were written on the same day, but "Creep" was released in 1992 while "Motion Picture Soundtrack" was finally released eight years later. To date, the last major performance of the song was at Reading Festival 2009, where it opened their set[22].

Charts

Chart (1993) Peak
position
Norwegan Singles Chart 3
Australian Singles Chart 6
UK Singles Chart 7
Ireland Singles Chart 13
Dutch Singles Chart 13
Austrian Singles Chart 15
French Singles Chart 17
New Zealand Singles Chart 19
Canadian RPM Singles Chart 30
US Billboard Hot 100 34
US Billboard Modern Rock Tracks 2
US Billboard Mainstream Rock Tracks 20
US Billboard Top 40 Mainstream 39
Swedish Singles Chart 35
Swiss Singles Chart 39
Chart (1996) Peak
position
Belgium Singles Chart (Wallonia) 8


Covers and other versions

  • In April 2008, Prince covered "Creep" at Coachella. This version was captured on a video from a concert-goer's mobile phone, and uploaded to YouTube. However, it was quickly taken down at Prince's request. After finding out about the blocking, Thom Yorke was quoted as saying, "Well, tell him to unblock it. It's our song."[23]
  • Dustin Kensrue lead singer of Thrice has performed "Creep" acoustic, numerous amount of times on his solo tours.
  • Oklahoma-based band, Axium, which features American Idol Season 7 winner David Cook, covered the song in a concert live in Tulsa, Oklahoma and featured in the live album, Alive in Tulsa.
  • Frank Bennett recorded a jazz rendition of the song for his album Five O'Clock Shadow.
  • Moby performed the cover of the song live on a few concerts.
  • Bill Bailey performed a Hindi version of the song at Wembley Arena as part of his 2008 Tinselworm tour, with the Bollywood Pandits, which he described as "Hindi Indie."
  • Allison Crowe regularly performed the song in concert sets of her rock bands in the '90s and up until 2003 (when she went solo).
  • Nell have also performed a cover of it live.
  • British Rock outfit InMe also covered the song on live television in 2003.
  • A cover by Echostream can be found on their Identity album.
  • Weezer covered the song during several Hootenannies from their Troublemaker tour, most notably during a Yahoo session.

Track listing

UK original release
  1. "Creep" – 3:55
  2. "Lurgee" – 3:07
  3. "Inside My Head" – 3:12
  4. "Million Dollar Question" – 3:18
(Cassette)
  1. "Creep" – 3:56
  2. "Faithless, the Wonder Boy
UK 1993 re-release (CD)
  1. "Creep" (album version) – 3:58
  2. "Yes I Am" – 4:25
  3. "Blow Out" (remix) -
  4. "Inside My Head" (live) – 3:07
UK 1993 re-release (12" vinyl)
  1. "Creep" (acoustic) – 4:19
  2. "You" (live) - 3:39
  3. "Vegetable" (live) - 3:07
  4. "Killer Cars" (live in Japan) - 2:17

References

Notes

  1. ^ a b c Marzorati, Gerald. "The Post Rock Band". The New York Times. 1 October 2000. Retrieved on 28 July 2008.
  2. ^ a b c d e Kempf, Christi. "The Radiohead Vision Creeps Onto Airwaves ". Chicago Sun-Times. 7 June 1993.
  3. ^ Randall, p. 83
  4. ^ Randall, p. 83-84
  5. ^ Sprague, David. "Contagious Creep". Billboard. 15 May 1993.
  6. ^ a b Guy Capuzzo (Autumn, 2004). "Neo-Riemannian Theory and the Analysis of Pop-Rock Music", p.186-87, Music Theory Spectrum, Vol. 26, No. 2, pp. 177-199.
  7. ^ Capuzzo ibid. Also quotes Ross 2001, 118.
  8. ^ CD Inlay Archive. 1993
  9. ^ Randall, p. 98
  10. ^ quoted in The Boston Globe, 8 October 1993
  11. ^ Randall, p. 99
  12. ^ Randall, p. 84-85
  13. ^ a b Jennings, Dave. "Creepshow". Melody Maker. 25 September 1993.
  14. ^ Randall, p. 88
  15. ^ http://israelity.com/2009/01/20/the-radiohead-israel-connection/ Harry Rubinstein, The Radiohead - Israel connection
  16. ^ Randall, p. 90-91
  17. ^ Randall, p. 117
  18. ^ Randall, p. 118
  19. ^ Live Forever: The Rise and Fall of Brit Pop, 2003, bonus interviews
  20. ^ The Official UK Charts Company: Top 100 Singles Chart. 15 June 2008.
  21. ^ BBC News | REVIEWS | Rapturous return for masters of misery
  22. ^ "Radiohead at Reading Festival - Live Report". Ateaseweb.com. 30 August 2009. http://www.ateaseweb.com/2009/08/30/radiohead-at-reading-festival-live-report/. Retrieved 31 August 2009. 
  23. ^ http://music.yahoo.com/read/news/60761951
  24. ^ http://www.youtube.com/watch?v=hXlzci1rKNM

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