Crosby, Stills & Nash

Crosby, Stills & Nash
Studio album by Crosby, Stills & Nash
Released	May 29, 1969
Recorded	June 26, 1968 - April 3, 1969 at Wally Heider's Studio III, Los Angeles
Genre	Rock Folk rock
Length	40:52
Label	Atlantic
Producer	Bill Halverson David Crosby Graham Nash Stephen Stills
Professional reviews
Allmusic link Robert Christgau (B+) link The Music Box Jan. '06
Crosby, Stills & Nash chronology
Crosby, Stills & Nash (1969) Déjà Vu (1970)

Crosby, Stills & Nash is the eponymous first album released by Crosby, Stills & Nash in 1969 on the Atlantic Records label. It spawned two Top 40 hits, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at #28 the week of August 23, 1969, and at #21 the week of October 25, 1969, on the Billboard Hot 100 singles chart. The album itself peaked at #6 on the Billboard Top Pop Albums chart.

The album was a very strong debut for the band, instantly lifting them to stardom. Along with the Byrds' Sweetheart of the Rodeo and The Band's Music From Big Pink of the previous year, it helped initiate a sea change in popular music away from the ruling late sixties aesthetic of bands playing blues-based rock music on loud guitars. Crosby, Stills & Nash presented a new wrinkle in building upon rock's roots, utilizing folk, blues, and even jazz without specifically sounding like mere duplication. Not only blending voices, the three meshed their differing strengths, Crosby for social commentary and atmospheric mood pieces, Stills for his diverse musical skills and for folding folk and country elements subtly into complex rock structures, and Nash for his radio-friendly pop melodies, to create an amalgam of broad appeal. Eventually going multi-platinum, in addition to the abovementioned singles, Crosby, Stills & Nash features some of their best known songs in "Wooden Ships" and "Helplessly Hoping." "Suite: Judy Blue Eyes" was composed for Judy Collins, and "Long Time Gone" was a response to the assassination of Robert F. Kennedy.

This album proved very influential on many levels to the dominant popular music scene in America for much of the 1970s. The success of the album generated gravitas for the group within the industry, and galvanized interest in signing like acts, many of whom came under management and representation by the CSN team of Elliot Roberts and David Geffen. Strong sales, combined with the group's emphasis on personal confession in its writing, paved the way for the success of the singer-songwriter movement of the early seventies. Their utilization of personal events in their material without resorting to subterfuge, their talents in vocal harmony, their cultivation of painstaking studio craft, as well as the Laurel Canyon ethos that surrounded the group and their associates, established an aesthetic for a number of acts that came to define the "California" sound of the ensuing decade, including The Eagles, Jackson Browne, post-1974 Fleetwood Mac, and others.

In 2003, the album was ranked number 259 on Rolling Stone magazine's list of the 500 greatest albums of all time.

The album has been issued on compact disc three times: mastered by Barry Diament at Atlantic Studios in the mid-1980s^[1]; remastered by Joe Gastwirt at Ocean View Digital and reissued on August 16, 1994; reissued again by Rhino Records as an expanded edition using the HDCD process on January 24, 2006.

Track listing

Side one

1. "Suite: Judy Blue Eyes" (Stills) – 7:25
   • Stephen Stills-vocals, guitar, bass, percussion; David Crosby-vocals; Graham Nash-vocals; Dallas Taylor-drums
2. "Marrakesh Express" (Nash) – 2:39
   • Stephen Stills-vocals, guitars, organ, piano, bass; David Crosby-vocals; Graham Nash-vocals, acoustic guitar; Jim Gordon-drums
3. "Guinnevere" (Crosby) – 4:40
   • David Crosby-vocals, guitars; Graham Nash-vocals
4. "You Don't Have to Cry" (Stills) – 2:45
5. "Pre-Road Downs" (Nash) – 3:01

Side two

1. "Wooden Ships" (Crosby, Stills, Paul Kantner [uncredited]) – 5:29
   • Stephen Stills-vocals, lead guitar, bass, organ; David Crosby-vocals, rhythm guitar; Graham Nash-vocals; Dallas Taylor-drums
2. "Lady of the Island" (Nash) – 2:39
   • David Crosby-vocals; Graham Nash-vocals, acoustic guitar
3. "Helplessly Hoping" (Stills) – 2:41
   • Stephen Stills-vocals, guitar; David Crosby-vocals; Graham Nash-vocals
4. "Long Time Gone" (Crosby) – 4:17
   • Stephen Stills-vocals, guitar, bass, organ; David Crosby-vocals; Graham Nash-vocals; Dallas Taylor-drums
5. "49 Bye-Byes" (Stills) – 5:16

2006 Expanded Edition

1. "Suite: Judy Blue Eyes" (Stills) – 7:24
2. "Marrakesh Express" (Nash) – 2:38
3. "Guinnevere" (Crosby) – 4:39
4. "You Don't Have to Cry" (Stills) – 2:44
5. "Pre-Road Downs" (Nash) – 2:57
6. "Wooden Ships" (Crosby, Paul Kantner, Stills) – 5:27
7. "Lady of the Island" (Nash) – 2:38
8. "Helplessly Hoping" (Stills) – 2:41
9. "Long Time Gone" (Crosby) – 4:17
10. "49 Bye-Byes" (Stills) – 5:12
11. "Do for the Others" (Stills) – 2:49 - Stills & Nash
12. "Song with No Words (Tree with No Leaves) [New Remix]" (Crosby) – 3:18 - Crosby & Nash
13. "Everybody's Talkin'" (Fred Neil) – 3:14
14. "Teach Your Children" (Nash) – 3:14 - Crosby & Nash

Miscellanea

Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (March 2009)

• The original vinyl LP was released in a gatefold sleeve that depicted the band members in large fur parkas with a sunset in the background on the gatefold, as well as the iconic cover art. A long folded page inside displayed the album credits, lyrics, track listing, as well as a quasi-psychedelic pencil drawing.
• The 2006 expanded edition of the CD features an additional four tracks, as well as a slight difference in the cover art. The face of drummer Dallas Taylor was added to the original as he was not present at the photoshoot. He can be seen looking through the window of the door on the rear of the sleeve. In the expanded edition, however, he is absent.
• Jefferson Airplane guitarist Paul Kantner was finally credited as co-composer of "Wooden Ships" on the expanded edition, something long-acknowledged on his group's version of the song from their Volunteers album, released the same year.
• David Crosby singing an excerpt of "Come on in My Kitchen" between "Long Time Gone" and "49 Bye-Byes" was left off the 2006 reissue at the request of the late Robert Johnson's estate.^{[citation needed]}
• Crosby, Stills, and Nash appear in the wrong order on the cover because the photo was taken before they came up with a name for the group. They found a house across from a Santa Monica car wash that they thought would be a perfect fit for their “image”. They posed for the photo in the order of Nash, Stills, and Crosby (for no particular reason). A few days later they decided on the name “Crosby, Stills, and Nash”. To prevent confusion, they went back to the house a day or so later to re-shoot the cover in the correct order, but when they got there they found the house was reduced to a pile of timber.

Personnel

Crosby, Stills & Nash

• David Crosby: Rhythm guitars, vocals. (except on 11)
• Stephen Stills: Guitars, bass guitar, organ, vocals. (except on 12 & 14)
• Graham Nash: Vocals, acoustic guitar (on "Lady Of The Island" & "Marrakesh Express").
• Dallas Taylor: Drums, percussion. (except on 11-14)

Additional Personnel

• Bill Halverson - engineer
• Gary Burden – art direction, design
• Henry Diltz – photography
• David Geffen – direction
• Ahmet Ertegün – spiritual guidance
• Barry Diament - mastering, first CD issue
• Joe Gastwirt – mastering, 1994 reissue
• Raymond Foye – liner notes, 2006 reissue

Charts

Album - Billboard (North America)

Singles - Billboard (North America)

Notes

1. ^ CSN Remaster or Original CD - SH Forums