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cross-purpose

 
Dictionary: cross-pur·pose
(krôs'pûr'pəs, krŏs'-)
n.
A usually unintentionally conflicting or contrary purpose.

idiom:

at cross-purposes

  1. Having or acting under a misunderstanding of each other's purposes: We're working at cross-purposes.


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Album Review: Cross Purposes
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  • Artist: Black Sabbath
  • Rating: StarStarStarHalf Star
  • Release Date: February 08, 1994
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

Cross Purposes could have been the ultimate Black Sabbath album. That may be a bold claim, but it combines members from several different eras together for perhaps the most promising lineup since Ronnie James Dio's days with the band. Geezer Butler is there to represent the classic '70s version, Tony Martin returned to the fold to be the '80s representative, new drummer Bob Rondinelli brings the '90s flavor to everything, and Tony Iommi is the never-say-die (no pun intended) original member who never left the flock. But instead of crafting Sabbath's masterful return to grace, they made a weird mishmash of power metal and stoner rock that works more often than not. At least Butler seems to have Iommi attempting memorable riffs again, something he couldn't quite get the hang of until the album previous to this. "I Witness" opens with a classic guitar part, while the drums drive the song along and the bass chugs away with a newfound energy. But this energy is offset by the increasingly soulful vocals of Martin, who simply cannot muster the creepy wail that Ozzy Osbourne brought to the band. In fact, he puts in a performance that is even below the standards he set on albums like The Eternal Idol. The minute his voice starts on the first track, it's as if Sabbath had to adjust to not make him sound out of place. Why the band couldn't have found a suitable replacement is a mystery, unless Iommi had simply given up on bringing in yet another singer after so many had come after Osbourne. "Virtual Death" is the brutally heavy shocker that suddenly appears in the middle of the album; it goes to show how they could have incorporated Martin much more effectively and is also the best slow crawl Iommi had worked on since 1983's "Zero the Hero." Butler does seem to have a good influence on Iommi whenever they work together, and their interplay becomes quite interesting as the album goes on. For whatever reason, most of the filler is at the beginning, leaving the better material to hang back for the second half. "Immaculate Deception" contains another good riff, although keyboardist Geoff Nichols spews inappropriate new age nonsense all over it. "Back to Eden" improves matters again with more wonderful interaction between Butler and Iommi, while "Cardinal Sin" is yet another good song that goes to show how misused Martin had been during his first run with the band. Many might disagree, but Cross Purposes is the first album since Born Again that actually sounds like a real Sabbath record. And it is probably the best thing they'd released since The Mob Rules, even with the filler tracks and keyboards. Of course, the lineup completely dissolved as Iommi perpetuated the band's downward spiral, but for a brief moment it seemed like Sabbath could have really shaped up into something special. ~ Bradley Torreano, All Music Guide

Tracks

Track TitleComposersPerformersTime
I Witness Cyndi Lauper, Tony Martin, Geezer Butler, Tony Iommi, John Turi, Mark Sten Black Sabbath (4:56)
Cross of Thorns Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (4:32)
Psychophobia Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (3:15)
Virtual Death (Lyrics) Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (5:49)
Immaculate Deception (Lyrics) Joe Henderson, Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (4:15)
Dying for Love Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (5:53)
Back to Eden (Lyrics) Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (3:57)
The Hand That Rocks the Cradle Ted Harris, Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (4:30)
Cardinal Sin Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (4:21)
Evil Eye (Lyrics) Tony Martin, Geezer Butler, Tony Iommi Black Sabbath (5:58)

Credits

Tony Cousins (Mastering), Leif Mases (Mixing), Leif Mases (Producer), Tony Martin (Vocals), Leif Mases (Engineer), Peter Mountain (Photography), Matt Curtis (Design), Dave Somers (Assistant Engineer), Geoff Nicholls (Keyboards), Geezer Butler (Bass), Darren Galer (Assistant Engineer), Dave Somers (Mixing Assistant), Tony Iommi (Guitar), Melody Hampson (Model), Black Sabbath (Producer), Tony Tommi (Guitar), Bob Rondinelli (Drums)
Word Tutor: cross-purposes
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pronunciation

IN BRIEF: An aim or goal unintentionally or innocently contrary to another aim or goal of oneself or someone else.

Wikipedia: Cross Purposes
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Cross Purposes
Studio album by Black Sabbath
Released 31 January 1994
Recorded 1993 at Monnow Valley Studios, Wales
Genre Heavy metal
Length 46:53
Label I.R.S.
Producer Black Sabbath
Professional reviews
Black Sabbath chronology
Dehumanizer
(1992)
Cross Purposes
(1994)
Cross Purposes Live
(1995)

Cross Purposes is the seventeenth studio album by British heavy metal band Black Sabbath, released in January 1994.

Contents

Album information

Dehumanizer saw the reunion of Mob Rules-era Black Sabbath but, after the tour, Ronnie James Dio (vocals) and Vinny Appice (drums) departed. They were replaced by former Sabbath vocalist Tony Martin and former Rainbow/Blue Öyster Cult drummer Bobby Rondinelli.

The song "Cardinal Sin" was originally intended to be titled "Sin Cardinal Sin" (or "Sin, Cardinal Sin") but a printing error on the album sleeve caused the first word to be removed. Sabbath simply adopted the title "Cardinal Sin" as the name of the song.

A promo video was shot for The Hand That Rocks The Cradle.

"What's the Use?" was released only on the Japanese edition of Cross Purposes, which also contained a free sticker of the artwork.

The album peaked at number 122 on the Billboard 200 charts.[1]

Track listing

Side one

  1. "I Witness" – 4:56
  2. "Cross of Thorns" – 4:32
  3. "Psychophobia" – 3:15
  4. "Virtual Death" – 5:49
  5. "Immaculate Deception" – 4:15

Side two

  1. "Dying for Love" – 5:53
  2. "Back to Eden" – 3:57
  3. "The Hand That Rocks the Cradle" – 4:30
  4. "Cardinal Sin" – 4:21
  5. "Evil Eye" – 5:58

Bonus track

The Japanese release added a bonus track, and a sticker of the album sleeve:

  1. "What's the Use" – 3:03

All songs were credited to Tony Martin, Tony Iommi, and Geezer Butler. "Evil Eye" was written by Martin, Iommi, and Butler with Eddie Van Halen, but Van Halen was not credited.

Personnel

References


Translations: Cross-purpose
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Dansk (Danish)
n. - misforståelser, modsigelser

idioms:

  • at cross-purposes    forbi hinanden

Nederlands (Dutch)
tegenstrijdig/ conflicterend

Français (French)
n. - malentendu, désaccord

idioms:

  • at cross-purposes    en désaccord, (ne pas parler) de la même chose

Deutsch (German)
n. - Gegenabsicht

idioms:

  • at cross-purposes    (unabsichtlich) aneinander vorbei, mit gegensätzlichem Ziel

Ελληνική (Greek)
n. - αντίθεση συμφερόντων

idioms:

  • at cross-purposes    άλλα αντ' άλλων, με αντικρουόμενα συμφέροντα

Italiano (Italian)
malinteso

idioms:

  • at cross-purposes    in contrasto

Português (Portuguese)
n. - oposição (f)

idioms:

  • at cross-purposes    em contradição

Русский (Russian)
противоположная цель

idioms:

  • at cross-purposes    недоразумение

Español (Spanish)
n. - fines opuestos, objetivos opuestos

idioms:

  • at cross-purposes    hablando de cosas distintas, diálogo de sordos

Svenska (Swedish)
n. - motsatt avsikt, missförstånd

中文(简体)(Chinese (Simplified))
相反的目的, 滑稽问答游戏, 相矛盾的目的

idioms:

  • at cross-purposes    相互误解, 相互矛盾

中文(繁體)(Chinese (Traditional))
n. - 相反的目的, 滑稽問答遊戲, 相矛盾的目的

idioms:

  • at cross-purposes    相互誤解, 相互矛盾

한국어 (Korean)
n. - 반대 목적

idioms:

  • at cross-purposes    서로 오해하는

日本語 (Japanese)
n. - 反対目的

idioms:

  • at cross-purposes    互いに誤解して

العربيه (Arabic)
‏(الاسم) مقصد عكسي‏

עברית (Hebrew)
n. - ‮מטרה מנוגדת‬


 
 
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