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czardas

 
Dictionary: czar·das   (chär'däsh') pronunciation
n.
  1. An intricate Hungarian dance characterized by variations in tempo.
  2. Music for this dance.

[Hungarian csárdás, from csárda, wayside tavern, from Serbo-Croatian čardāk, watchtower, from Turkish çardak, hut, trellis, from Persian chār ṭāq, from chahār ṭāq, four-cornered vault : chahār, four (from Old Iranian cathwārō) + ṭāq, vault (from Arabic, arch).]


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Music Encyclopedia: Csárdás
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A Hungarian dance in vogue c 1850-90, in simple duple time with syncopations and recurrent cadential formulas; it was related to the quick part of the VERBUNKOS.



Dictionary of Dance: csardas
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csardas (also czardas).A Hungarian dance for couples. It first appeared in Hungarian ball-rooms in the mid-19th century. The dance is in two parts: the first slow and melancholy, the second fast and high-spirited. There are several famous examples in classical ballet, including the ballroom act in Swan Lake and the divertissement in Raymonda.

Wikipedia: Csárdás
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This article is about a type of folkdance. For the specific composition by Vittorio Monti, see Csárdás (Monti)
Hungarians in Vojvodina, Doroslovo, dancing the csárdás
Hungarians in Vojvodina, Skorenovac, dancing the csárdás

Csárdás (Hungarian pronunciation: [ˈtʃaːrdaːʃ]) is a traditional Hungarian folk dance, the name derived from csárda (old Hungarian name for a pub). It originated in Hungary and was popularized by Roma music (Cigány) bands in Hungary and neighboring lands of Serbia, Slovakia, Slovenia, Burgenland, Croatia, Carpathian Ruthenia, Transylvania and Moravia, as well as among the Banat Bulgarians, including those in Bulgaria.[1]

Contents

History

The origin of the Csárdás can be traced back to the 18th century Hungarian verbunkos, used as a recruiting dance by the Hungarian army.

The Csárdás is characterized by a variation in tempo: it starts out slowly (lassú) and ends in a very fast tempo (friss, literally "fresh"). There are other tempo variations, called ritka csárdás, sűrű csárdás and szökős csárdás. The music is in 2/4 or 4/4 time. The dancers are both male and female, with the women dressed in traditional wide skirts, usually colored red, which form a distinctive shape when they whirl.

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and others. Probably the best-known csárdás is the composition by Vittorio Monti written for violin and piano. This virtuosic piece has 7 tempo variations.

See also

Bibliography

  • Sárosi, Bálint, Zigeunermusik (Gypsy Music), 1977

References

  1. ^ Kaufman, Nikolaj (2002). "Pesnite na banatskite bǎlgari" (in Bulgarian). Regionalni proučvanija na bǎlgarskija folklor. Tom 4. Severozapadna Bǎlgarija: obštnosti, tradicii, identičnost: p. 36. ISSN 0861-6558. 

External links


 
 
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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Dictionary of Dance. The Oxford Dictionary of Dance. Copyright © 2000, 2004 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Csárdás" Read more

 

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