For more information on Curt Sachs, visit Britannica.com.
| Britannica Concise Encyclopedia: Curt Sachs |
For more information on Curt Sachs, visit Britannica.com.
| Music Encyclopedia: Curt Sachs |
(b Berlin, 29 June 1881; d New York, 5 Feb 1959). American musicologist. He studied music history and art history in Berlin and only from 1909 devoted himself to music. In 1919 he became director of the Staatliche Instrumentensammlung, a distinguished collection of musical instruments, and taught at the university and elsewhere. Deprived of all his academic positions in 1933, he went to Paris and in 1937 to the USA, where he taught at New York and Columbia universities. Sachs was a giant among musicologists, as much for his astounding mastery of several subjects as for his ability to present a comprehensive view of a vast panorama. He was a founder of modern organology and he wrote a comprehensive dictionary and the best history of instruments. He became interested in non-Western music and hence a pioneer ethnomusicologist and also wrote on music of the ancient world, on rhythm and tempo and on the relationship between music and the other arts.
| Dictionary of Dance: Curt Sachs |
Sachs, Curt (b Berlin, 29 June 1881, d New York, 5 Feb. 1959). German-US musicologist and author of the classic World History of the Dance (1937), first published in German as Eine Weltgeschichte des Tanzes (Berlin, 1933).
| Wikipedia: Curt Sachs |
Curt Sachs (June 29, 1881 – February 5, 1959) was a German musicologist. He was one of the founders of modern organology (the study of musical instruments), and is probably best remembered today for co-authoring the Sachs-Hornbostel scheme of musical instrument classification with Erich von Hornbostel.
Sachs was born in Berlin. In his youth, he studied piano, music theory and composition. However, his doctorate from Berlin University (where he was later professor of musicology) in 1904 was on the history of art, with his thesis on the sculpture of Verrocchio. He began a career as an art historian, but promptly became more and more devoted to music, eventually being appointed director of the Staatliche Instrumentensammlung, a large collection of musical instruments. He reorganised and restored much of the collection, and his career as an organologist began.
In 1913, Sachs saw the publication of his book Real-Lexicon der Musikinstrumente, probably the most comprehensive survey of musical instruments in 200 years. In 1914 he and Erich Moritz von Hornbostel published the work for which they are probably now best known in Zeitschrift für Ethnologie, a new system of musical instrument classification. It is today known as the Sachs-Hornbostel system. It has been much revised over the years, and has been the subject of some criticism, but it remains the most widely used system of classification by ethnomusicologists and organologists.
In 1933, Sachs was dismissed from his posts in Germany by the Nazi Party because he was a Jew. Sachs consequently moved to Paris, and later to the United States, where he settled in New York City. He taught at New York University from 1937 to 1953, and also worked at the New York Public Library.
He wrote books on rhythm, dance and musical instruments, with his The History of Musical Instruments (1940), a comprehensive survey of musical instruments worldwide throughout history, seen as one of the most important. His relationship with W. W. Norton & Company began with The Rise of Music in the Ancient World (1943)[1]. Although these works have been superseded by more recent research, they are still seen as essential texts in the field.
Sachs died in 1959 in New York City. The American Musical Instrument Society has a "Curt Sachs Award", which it gives each year to individuals for their contributions to organology.
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