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Déjà Vu

 
Album Review: Déjà Vu

Review

One of the most hotly awaited second albums in history -- right up there with those by the Beatles and the Band -- Déjà Vu lived up to its expectations and rose to number one on the charts. Those achievements are all the more astonishing given the fact that the group barely held together through the estimated 800 hours it took to record Déjà Vu and scarcely functioned as a group for most of that time. Déjà Vu worked as an album, a product of four potent musical talents who were all ascending to the top of their game coupled with some very skilled production, engineering, and editing. There were also some obvious virtues in evidence -- the addition of Neil Young to the Crosby, Stills & Nash lineup added to the level of virtuosity, with Young and Stephen Stills rising to new levels of complexity and volume on their guitars. Young's presence also ratcheted up the range of available voices one notch and added a uniquely idiosyncratic songwriter to the fold, though most of Young's contributions in this area were confined to the second side of the LP. Most of the music, apart from the quartet's version of Joni Mitchell's "Woodstock," was done as individual sessions by each of the members when they turned up (which was seldom together), contributing whatever was needed that could be agreed upon. "Carry On" worked as the album's opener when Stills "sacrificed" another copyright, "Questions," which comprised the second half of the track and made it more substantial. "Woodstock" and "Carry On" represented the group as a whole, while the rest of the record was a showcase for the individual members. David Crosby's "Almost Cut My Hair" was a piece of high-energy hippie-era paranoia not too far removed in subject from the Byrds' "Drug Store Truck Drivin' Man," only angrier in mood and texture (especially amid the pumping organ and slashing guitars); the title track, also by Crosby, took 100 hours to work out and was a better-received successor to such experimental works as "Mind Gardens," out of his earlier career with the Byrds, showing his occasional abandonment of a rock beat, or any fixed rhythm at all, in favor of washing over the listener with tones and moods. "Teach Your Children," the major hit off the album, was a reflection of the hippie-era idealism that still filled Graham Nash's life, while "Our House" was his stylistic paean to the late-era Beatles and "4+20" was a gorgeous Stephen Stills blues excursion that was a precursor to the material he would explore on the solo album that followed. And then there were Neil Young's pieces, the exquisitely harmonized "Helpless" (which took many hours to get to the slow version finally used) and the roaring country-ish rockers that ended side two, which underwent a lot of tinkering by Young -- even his seeming throwaway finale, "Everybody I Love You," was a bone thrown to longtime fans as perhaps the greatest Buffalo Springfield song that they didn't record. All of this variety made Déjà Vu a rich musical banquet for the most serious and personal listeners, while mass audiences reveled in the glorious harmonies and the thundering electric guitars, which were presented in even more dramatic and expansive fashion on the tour that followed. ~ Bruce Eder, All Music Guide

Tracks

Track TitleComposersPerformersTime
Carry On Stephen Stills Crosby, Stills, Nash & Young (4:25)
Teach Your Children (Lyrics) Graham Nash Crosby, Stills, Nash & Young (2:53)
Almost Cut My Hair (Lyrics) David Crosby Crosby, Stills, Nash & Young (4:25)
Helpless (Lyrics) Neil Young Crosby, Stills, Nash & Young (3:30)
Woodstock (Lyrics) Joni Mitchell Crosby, Stills, Nash & Young (3:52)
Déjà Vu (Lyrics) David Crosby Crosby, Stills, Nash & Young (4:10)
Our House (Lyrics) Graham Nash Crosby, Stills, Nash & Young (2:59)
4 + 20 Stephen Stills Crosby, Stills, Nash & Young (1:55)
Country Girl: Whiskey Boot Hill/Down, Down, Down/"Country Girl" (I ...) Neil Young Crosby, Stills, Nash & Young (5:05)
Everybody I Love You (Lyrics) Stephen Stills, Neil Young Crosby, Stills, Nash & Young (2:20)

Credits

Crosby, Stills & Nash (Main Performer), Jerry Garcia (Guitar (Steel)), Jerry Garcia (Slide Guitar), Graham Nash (Guitar), Graham Nash (Keyboards), Graham Nash (Vocals), Graham Nash (Producer), Graham Nash (Performer), John Sebastian (Harmonica), Stephen Stills (Bass), Stephen Stills (Guitar), Stephen Stills (Keyboards), Stephen Stills (Vocals), Stephen Stills (Producer), Stephen Stills (Performer), Neil Young (Guitar), Neil Young (Harmonica), Neil Young (Piano), Neil Young (Keyboards), Neil Young (Vocals), Neil Young (Producer), Neil Young (Performer), Gary Burden (Art Direction), Gary Burden (Design), David Crosby (Guitar), David Crosby (Vocals), David Crosby (Producer), David Crosby (Performer), Henry Diltz (Photography), Bill Halverson (Engineer), Greg Reeves (Bass), Greg Reeves (Percussion), Dallas Taylor (Percussion), Dallas Taylor (Drums), Tom Gundelfinger (Photography)
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Wikipedia: Déjà Vu (album)
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"Down, Down, Down" redirects here. For The Presets song, see "Down Down Down".
Déjà Vu
Studio album by Crosby, Stills, Nash & Young
Released March 11, 1970
Recorded July - December, 1969 at Wally Heider's Studio C, San Francisco and Wally Heider's Studio III, Los Angeles
Genre Rock, folk rock
Length 36:24
Label Atlantic Records
Producer Crosby, Stills, Nash & Young
Professional reviews
Crosby, Stills, Nash & Young chronology
Crosby, Stills & Nash
(1969)
Déjà Vu
(1970)
Four Way Street
(1971)

Déjà Vu is the first album by the rock band Crosby, Stills, Nash & Young, and the second by the trio configuration of Crosby, Stills, and Nash. It was released in March of 1970 by Atlantic Records, catalogue SD-7200. It topped the pop album chart for one week and generated three Top 40 singles: "Teach Your Children," "Our House," and "Woodstock."

Contents

History

Déjà Vu was the first album Crosby, Stills & Nash released following the addition of Neil Young to the group, and was greatly anticipated after the popularity of the first CSN album. Some noted the influence of Buffalo Springfield[citation needed], Stills and Young's previous band, notably in the closing song "Everybody I Love You" and the inclusion of a segment of the unreleased Springfield song "Down Down Down" within Young's "Country Girl."

Stills estimates that the album took somewhere in the neighborhood of 800 hours of studio time to record; this figure may be exaggerated, even though the individual tracks display meticulous attention to detail.[1] The album was done as individual sessions by each of the members when they turned up, apart from the quartet's version of Joni Mitchell's "Woodstock", contributing whatever was needed that could be agreed upon.[2] Young does not appear on all of the tracks, and drummer Dallas Taylor and bassist Greg Reeves are credited on the cover, given junior-partner status with their names in slightly smaller typeface. Jerry Garcia plays pedal steel on "Teach Your Children" and John Sebastian plays mouth-harp on the title track.

In May 1970, two months after the album was released, the group recorded Neil Young's quickly penned response to the Kent State shootings, "Ohio." That single, backed with Stephen Stills' "Find the Cost of Freedom," was released in late June of the same year, making it to #14 on the Billboard Hot 100, notwithstanding its accusatory sentiment during the years of Nixon's "silent majority."

In 2003, the album was ranked number 147 on Rolling Stone magazine's list of the 500 greatest albums of all time. The same year, the TV network VH1 named Déjà Vu the 61st greatest album of all time. The album ranked at #14 for the Top 100 Albums of 1970 and #217 overall by Rate Your Music.

The album was reissued for compact disc after being remastered from the original tapes at Ocean View Digital by Joe Gastwirt on September 6, 1994.

Track listing and credits

Side one

  1. "Carry On" (Stephen Stills) – 4:26
  2. "Teach Your Children" (Nash) – 2:53
  3. "Almost Cut My Hair" (Crosby) – 4:31
  4. "Helpless" (Young) – 3:33
    • Young - guitar, harmonica, lead vocal; Stills - electric guitar, piano, vocal; Nash - guitar, vocal; Crosby - vocal; Reeves - bass; Taylor - drums
  5. "Woodstock" (Joni Mitchell) – 3:54
    • Stills - electric guitar, organ, lead vocal; Nash - electric guitar, vocal; Crosby - vocal; Young - electric guitar; Reeves - bass; Taylor - drums

Side two

  1. "Déjà Vu" (Crosby) – 4:12
    • Crosby - guitar, lead vocal; Stills - electric guitar, vocal; Nash - guitar, piano, vocal; John Sebastian - harmonica; Reeves - bass; Taylor - drums
  2. "Our House" (Nash) – 2:59
    • Nash - piano, harpsichord, lead vocal; Stills - bass, vocal; Crosby - vocal; Taylor - drums
  3. "4 + 20" (Stills) – 2:04
    • Stills - guitar, vocal
  4. "Country Girl" ("Whiskey Boot Hill," "Down, Down, Down," "Country Girl (I Think You're Pretty)") (Young) – 5:11
    • Young - guitar, organ, harmonica, lead vocal; Stills - guitar, vocal; Crosby - guitar, vocal; Nash - guitar, vocal; Reeves - bass; Taylor - drums
  5. "Everybody I Love You" (Stills, Young) – 2:21
    • Stills - electric guitar, organ, vocal; Crosby - electric guitar, vocal; Nash - vocal; Young - electric guitar; Reeves - bass; Taylor - drums

Personnel

Crosby, Stills, Nash & Young

Additional personnel

Production

  • Producers: David Crosby, Stephen Stills, Graham Nash, Neil Young
  • Engineer: Bill Halverson
  • Art direction: Gary Burden
  • Design: Gary Burden
  • Photography: Henry Diltz, Tom Gundelfinger
  • Direction: Elliot Roberts and associates
  • Agent: David Geffen
  • Digital remastering: Joe Gastwirt

References

  • Zimmer, Dave, and Diltz, Henry. Crosby, Stills & Nash: The Authorized Biography (First Edition), 1984. ISBN 0-312-17660-0

Note

Charts

Album - Billboard (North America)

Year Chart Position
1970 Pop Albums 1

Album - Album Charts (UK)

Year Chart Position
1970 Albums 5

Album - ARIA Charts (Australia)

Year Chart Position
1970 Australian Kent Music Report Albums Chart 1

Singles - Billboard (North America)

Year Single Chart Position
1970 "Our House" Pop Singles 30
1970 "Teach Your Children" Pop Singles 16
1970 "Woodstock" Pop Singles 11
Preceded by
Bridge over Troubled Water by Simon and Garfunkel
Billboard 200 number-one album
May 16 - May 22, 1970
Succeeded by
McCartney by Paul McCartney
Preceded by
Let It Be by The Beatles
Australian Kent Music Report number-one album
July 13 - July 26, 1970
Succeeded by
Cosmo's Factory by Creedence Clearwater Revival

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Déjà Vu (album)" Read more

 

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