Daddies (1918), a comedy by John L. Hobble. [ Belasco Theatre, 340 perf.] Several confirmed bachelors, who insist “marriage was made for women” and who dread the thought of raising children, nevertheless are talked into adopting war orphans. Their experiences vary, with one of them finding himself saddled with triplets, and several, on coming to care for the tots, agreeing to wed the mothers when they are found. But one bachelor, the writer Robert Aubrey (Bruce McRae), is disconcerted to discover that his orphan is not a tot but a seventeen‐year‐old beauty, Ruth Atkins (Jeanne Eagels). She not only persuades him to turn his writing skills toward helping the orphans' cause but wins his love in the process. During the war, David Belasco produced a number of successful comedies such as this, a departure from his more serious earlier productions. But his sense of production values remained steadfast. George Abbott, who in only his second Broadway acting experience was cast as the bachelor with the triplets, recalled that in the first act soda siphons sometimes drowned out actors' laugh lines. When the actors complained to Belasco he replied, “I'd rather lose three laughs than lose the atmosphere created by that sound.”




