Drummer Nicko McBrain kicks off Iron Maiden's 13th studio record with an uncharacteristic one-two-three-four before launching into the rousing opener, "Wildest Dreams." This bar-band sensibility permeates Dance of Death's first three refreshing yet unremarkable tracks before shifting into the more familiar fantasy rock of previous releases. That shift begins with the remarkable "Montsegur," a brutal, melodic assault that recalls the group's glory days and showcases lead singer Bruce Dickinson at his venom-spitting best. The anthemic "New Frontier" is a musical sibling to the band's 1982 classic "Number of the Beast" and eclipses any doubt about the band's ability to keep up with the phantom specter of age. Despite the dark imagery and the ferocity of the performances, there's a looseness to the record that conveys a surreal sense of fun. They enjoy playing together, and that more than anything shines through on old-fashioned rockers like "No More Lies" and "Gates of Tomorrow." No Iron Maiden album would be complete without a Dungeons and Dragons-style epic, and they deliver on the hammy title track and the lush closer, "Journeyman." The group's innate ability to consistently cater to its fans' stubborn tastes, while maintaining a level of integrity that other veteran bands displace with unintentional Spinal Tap zeal, is a testament to its talent and experience. While the keyboard-heavy sound of their previous release, the excellent Brave New World, creeps into some of the more indulgent tracks, Dance of Death is a triumphant return to form for these heavy metal legends. ~ James Christopher Monger, All Music Guide
Dance of Death is Iron Maiden's 13th studio album, released first in Japan on September 2 and rest of the world on September 8, 2003.
This album marks the first participation in songwriting by Nicko McBrain, who co-wrote the song "New Frontier" and also is the first (and so far only) time that all members of the band get a songwriting credit. It is sometimes mistakenly said that Steve Harris performed all the keyboard parts on the album because no credit is given to usual collaborator Michael Kenney, but this is actually due to an oversight in the printing of the album booklet (no instrument credits are given to any of the full band members either). The band's usual message in every album (a variation on the line "Up the Irons!") is absent too.
Give Me Ed... 'til I'm Dead Tour & Dance of Death World Tour was the tour supporting the album. Dance of Death once again brought costumes to Maiden's stage show. During "Dance of Death," Bruce Dickinson would wear theatrical masks and a cape while moving around the stage; at the end he would dress as the Grim Reaper for the final chorus. During the song "Paschendale", Dickinson would sometimes wear a traditional British Infantryman suit as worn during World War I and act out his death onstage during the song.
The song "Montségur" was inspired by Bruce Dickinson's holiday stay near Montségur, the last stronghold of the Cathars conquered by the Albigensian Crusade in 1244. The lyrics include verse As we kill them all so God will know his own, referring to a well-known quote of the papal legate before the massacre of thousands in Béziers in 1209. It also mentions "Templar believers," as it is frequent popular belief today that there was some link between Knights Templar, Cathars and Montségur.
"Journeyman" is Iron Maiden's first fully acoustic song in over 20 years. According to Bruce Dickinson, before playing the song on the Death on the Road live album, the song is about "the whole process of song writing and being a musician," though the lyrics seem to be more focused on appreciating life while you have it.
Other lyrical themes are current events in the world ("Face in the Sand" and "Age of Innocence"), religion ("No More Lies", "Montségur"), and realising yourself ("Wildest Dreams," "Rainmaker," "Journeyman"). The title track features lyrics in a more classic storytelling vein, being about a man who experiences the Danse Macabre and has many similarities to both the poem Tam o' Shanter and "The Number of the Beast". The album is also notable for its heavy Celtic influences in the guitar melodies, especially the title track, "No More Lies," and "Montségur."
Cover art
The computer-generated cover art for the album was provided by David Patchett, but he asked to be removed from the credits because he was not satisfied with the result. The version used was actually a prototype provided by Patchett, but the band decided to use it in its incomplete form. Upon close inspection, one can note several of errors: The character on the far right looking out of the picture appears to have a broken neck. The White dog is standing on the snake underneath it. The baby's foot is cutting into the dog and appers more to be suspended in mid-air than sitting on a wolf. The small child character at the front on the left is standing on the other characters foot. The character doing a backflip on the left of Eddie has a dislocated shoulder, his left hand is also against his right arm instead of on the floor and the backflipping character's right leg is dislocated.[1]
