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Dane Rudhyar

 
Music Encyclopedia: Dane Rudhyar
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(b Paris, 23 March 1895; d San Francisco, 13 Sept 1985). American composer of French origin. He studied at the Paris Conservatoire (1912-13), then moved to the USA in 1916 and settled in southern California in 1919; in 1926 he took American nationality under a Hindu name and he became a pioneer in advocating Asian musical concepts. During the 1920s he wrote piano and orchestral pieces in a post-Skryabin style, but by the mid-1970s was best known as an astrologer. After 1970 he composed prolifically in a poignant, stop-and-go style.


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Occultism & Parapsychology Encyclopedia: Dane Rudhyar
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Home > Library > Religion & Spirituality > Occultism & Parapsychology Encyclopedia
(1895-1985)

Musician, painter, poet, novelist, and one of the most important voices redirecting astrology in the twentieth century.

Rudhyar was born in Paris, on March 23, 1895. At age 12 a severe illness and surgery disabled him and he turned to music and intellectual development to compensate for his lack of physical agility. He studied at the Sorbonne, University of Paris (graduating at age 16) and at the Paris Conservatoire. His early ventures into philosophy and association with the artistic community in Paris led to his conviction that all existence is cyclical in character.

His music led him to New York in 1916, where he composed some of the first polytonal music performed in the United States. He also met Sasaki Roshi, one of the early Japanese Zen teachers in America, who led him in the study of Oriental philosophy and occultism. His interest was further stimulated by his association with Theosophy, which began when he was asked to compose music for a production at the society's headquarters in Los Angeles in 1920. Rudhyar became a naturalized citizen of the United States in 1926. He stayed in California (often commuting to New York) through the 1920s and in 1930 married Marla Contento, secretary to independent Theosophist Will Levington Comfort. Comfort introduced Rudhyar to Marc Edmund Jones, who in turn introduced him to astrology.

Rudhyar learned astrology during a period when he was also studying the psychological writings of Carl G. Jung, and he began to think in terms of bringing astrology and Jungian psychology together. The marriage overcame some basic problems of astrology, including its deterministic approach to life and the trouble of designating an agreeable agent to produce the astrological effects. Rudhyar postulated that the stars did not cause the effects seen in human life but were pictures synchronistically aligned to human beings. They detailed psychological forces working in individuals, but did not override human freedom in responding to those forces, he said. At first he called his new interpretation "harmonic astrology" and as the ideas matured renamed it "humanistic astrology," the subject of his monumental volume, The Astrology of Personality, published in 1936. A friend, Alice A. Bailey, encouraged the development of his thought and published his book.

Over the next two decades Rudhyar continued to write and lecture on astrology, but while he was honored within the astrological community he was little known outside of it. It was not until the 1970s, as the New Age movement emerged, that major publishing houses discovered him and began to publish his writings: among the first was The Practice of Astrology, published in 1970 by Penguin Books.

In 1969 Rudhyar founded the International Committee for Humanistic Astrology, a small professional society that would work on the development of his perspective. He began one of the most fruitful periods of his life, turning out several books a year for the next decade. He began to absorb the insights of transpersonal astrology, which concentrated on exploring altered and exalted states of perception, and by the mid-1970s had moved beyond humanistic astrology to what he termed "transpersonal astrology." He also began to reflect upon the New Age movement and wrote several of the more sophisticated volumes on planetary consciousness and New Age philosophy.

He died September 15, 1985, in California.

Sources:

Melton, J. Gordon, Jerome Clark, and Aidan A. Kelly. New Age Encyclopedia. Detroit: Gale Research, 1990.

Rudhyar, Dane. The Astrology of Personality: A Reformulation of Astrological Concepts and Ideals, in Terms of Contemporary Psychology and Philosophy. New York: Lucis Publishing, 1936.

——. The Astrology of Transformation: A Multilevel Approach. Wheaton, Ill.: Theosophical Publishing House, 1980.

——. From Humanistic to Transpersonal Astrology. Palo Alto, Calif.: Seed Center, 1975.

——. Occult Preparations for the New Age. Wheaton, Ill.: Theosophical Publishing House, 1975.

——. Person-centered Astrology. Lakemont, Ga.: CSA Press, 1972.

——. The Planetarization of Consciousness. New York: Harper, 1972.

——. Rhythm of Wholeness: A Total Affirmation of Being. Wheaton, Ill.: Theosophical Publishing House, 1983.

Artist: Dane Rudhyar
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Similar Artists:

Ruth Crawford Seeger, Alexander Scriabin

Followers:

Johanna Magdelena Beyer
  • Born: March 23, 1895, Paris, France
  • Died: September 13, 1985, San Francisco, CA
  • Active: '10s, '20s, '30s, '40s, '50s, '70s, '80s
  • Genres: Avant-Garde
  • Instrument: Composer
  • Representative Albums: "Five Stanzas for String Orchestra (1927), Epic Poem for Piano (1979)," "Syntony/Pentagram III for Piano," "Piano Music: Paeans (1927), Stars (1927), Granite (1929)"

Biography

American composer Dane Rhudyar was known not only for his music, but for pioneering a humanist approach to astrology, and writing about both topics. Born Daniel Chennevière in Paris, before the turn of the century, he heard Stravinsky's "Rite of Spring" when it premiered. He emigrated to the U.S. during the teens (but his early 20s), and continued composing. One of his works, "Paens," was included in a program with works by Ruggles and Copland, organized by Henry Cowell, and in Cowell's first New Music Editions in the late '20s. While he may be best known for the piano piece, "Stars," it was his orchestral work "Soul Fire" which earned him a prize by the LAPO. Despite this, and the influence that his writings on music -- specifically, Dissonant Harmony (1928) and The New Sense of Sound (1930) -- had on many composers, Rudhyar was little known for his music until late in life when composers James Tenney and Peter Garland helped bring him to the attention of the music world. Garland wrote that Rudhyar's "best works occurred in the 1920s and... 1970s!" For at this time, he began composing again, experiencing a revival at the age of 80, mostly writing piano and chamber music. Regardless of his musical ups and downs, Rudhyar remained creatively active throughout his life, taking up painting in New Mexico in the late '30s, writing about music, exploring religion, philosophy, and theosophy (which led to his name change based on a Sanskrit term). He eventually came to form a different conception of astrology that was more spiritual, and wrote many books on this topic, as well as his own biography. ~ Joslyn Layne, All Music Guide
Actor: Dane Rudhyar
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  • Died: Sep 13, 1985
  • Occupation: Actor
  • Active: '20s
  • Major Genres: Romance

Biography

Eclectic French intellectual and artist Dane Rudhyar has published books on a wide variety of subjects ranging from psychology to astrology. At age 16, he published a biography of composer Debussy. Rudhyar also composed serious orchestral music. In 1923, Rudhyar played Christ in DeMille's silent version of The Ten Commandments. ~ Sandra Brennan, All Movie Guide
Wikipedia: Dane Rudhyar
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 This article is missing citations or needs footnotes. Please help add inline citations to guard against copyright violations and factual inaccuracies. (August 2008)

Dane Rudhyar (March 23, 1895, in Paris – September 13, 1985, in San Francisco), born Daniel Chennevière, was an author, modernist composer and humanistic astrologer. He was the pioneer of modern transpersonal astrology.

Contents

Biography

Dane Rudhyar was born in Paris, on March 23, 1895. At age 12 a severe illness and surgery disabled him and he turned to music and intellectual development to compensate for his lack of physical agility. He studied at the Sorbonne, University of Paris (graduating at age 16) and at the Paris Conservatoire. His early ventures into philosophy and association with the artistic community in Paris led to his conviction that all existence is cyclical in character.

His music led him to New York City in 1916, where he composed some of the first polytonal music performed in the United States. He also met Sasaki Roshi, one of the early Japanese Zen teachers in America, who led him in the study of Oriental philosophy and occultism. His interest was further stimulated by his association with Theosophy, which began when he was asked to compose music for a production at the society's headquarters in Los Angeles in 1920. Rudhyar became a naturalized citizen of the United States in 1926. He stayed in California (often commuting to New York) through the 1920s and in 1930 married Marla Contento, secretary to independent Theosophist Will Levington Comfort. Comfort introduced Rudhyar to Marc Edmund Jones, who in turn introduced him to astrology.

Rudhyar learned astrology during a period when he was also studying the psychological writings of Carl G. Jung, and he began to think in terms of bringing astrology and Jungian psychology together. The marriage overcame some basic problems of astrology, including its deterministic approach to life and the trouble of designating an agreeable agent to produce the astrological effects. Rudhyar postulated that the stars did not cause the effects seen in human life but were pictures synchronistically aligned to human beings. They detailed psychological forces working in individuals, but did not override human freedom in responding to those forces, he said. At first he called his new interpretation "harmonic astrology" and as the ideas matured renamed it "humanistic astrology," the subject of his monumental volume, The Astrology of Personality, published in 1936. A friend, Theosophist Alice A. Bailey (the person who invented the term New Age), encouraged the development of his thought and published his book on her press, Lucis Publishing.

Over the next two decades Rudhyar continued to write and lecture on astrology, but while he was honored within the astrological community he was little known outside of it. It was not until the 1970s, as the New Age movement emerged, that major publishing houses discovered him and began to publish his writings: among the first was The Practice of Astrology, published in 1970 by Penguin Books.

In 1969 Rudhyar founded the International Committee for Humanistic Astrology, a small professional society that would work on the development of his perspective. He began one of the most fruitful periods of his life, turning out several books a year for the next decade. He began to absorb the insights of transpersonal astrology, which concentrated on exploring altered and exalted states of perception, and by the mid-1970s had moved beyond humanistic astrology to what he termed "transpersonal astrology." He also began to reflect upon the New Age movement and wrote several of the more sophisticated volumes on planetary consciousness and New Age philosophy. [1]

Dane Rudhyar died September 13, 1985, in San Francisco, California.

Astrological writings

Most of Rudhyar's more than forty books and hundreds of articles concern astrology and spirituality. The book that established his reputation in the astrological field was his first on the subject, The Astrology of Personality (1936). Arguing that astrology is not essentially predictive but rather productive of intuitive insights, this has proven to be one of the most influential tracts of "free-will" astrology, despite being written in the dense, circuitous style that characterizes much of Rudhyar's writing.

Rudhyar's astrological works were influential in the New Age movement of the 1960s and 1970s, especially among the hippies of San Francisco, where he lived and gave frequent lectures. Rudhyar regarded the hippies as potential harbingers of a New Age, noting with reservations the use of psychedelics as providing a gateway to the transcendental: “Following the 1954 publication of Aldous Huxley’s Doors of Perception, increased interest in LSD and other psychedelic drugs led to experimentation by Timothy Leary and his pioneering New England group. The publicity resulting from this work led to widespread use of the drug by young people fascinated by its powerful effects, until “acid” was declared illegal in October of 1966. In 1967 the psychedelic scene reached its peak in the…Summer of Love in San Francisco.” [2] Most notably, Dane Rudhyar predicted in 1972 that the Age of Aquarius would begin in AD 2062. [3]

Fiction novels

Dane Rudhyar also wrote several novels:

When Cosmic Love Awakens - A Transpersonal Love Story, by Dane Rudhyar was written and published in 1952. Story synopsis: There was a conjunction of Venus and Mars on Valentine's Day 1951. On that day two men and a woman who worked at a New York City science fiction magazine office met a Mr. Ramar, who showed them how to travel to the planets within. When Cosmic Love Awakens:

Rania - An Epic Narrative, by Dane Rudhyar, was written in 1930 and first published in 1973. Story synopsis: It is the intense and dramatic story of the evolution of a woman's soul. Rania's tortuous search for spiritual growth sustains her in her final battle with the Powers of Darkness. Rania:

Return from No Return (subtitled 'A Paraphysical Novel'), by Dane Rudhyar, was also first published in 1973. Story synopsis: Set in a 22nd- century Earth with a unified world government intent on peaceful space exploration, a poetic astronaut agrees to undertake a physically perilous mission to travel beyond an outer-region threshold that has disintegrated all previous explorers. He intends to report back to Earth (to his wife on Earth) via telepathic communication methods that they have spent time scientifically preparing. As the book jacket says: "...Return from No Return weaves the drama of a global crisis, an intense love story, and profound esoteric truths into a powerful and suspenseful novel." [4]

Transcendental art

Dane Rudhyar joined the Transcendental Painting Group in Santa Fe, New Mexico in 1938 and 1939. The idea behind transcendental painting and drawing was to paint or draw images of Jungian archetypes. Transcendental painting may be considered a cousin of surrealist art and a precursor of the cosmic art of the 1950s[5], the psychedelic art of the 1960s, and the visionary art of the 1970s. Throughout his career, Dane Rudhyar continued to paint and draw new transcendental artwork, or use artwork he had previously painted, to illustrate his pamphlets and books about astrology.

An example of one of Rudhyar’s transcendental art drawings: Black and white reproduction of the 1938 transcendental art painting "Storm Gods" by Dane Rudhyar: An example of one of Rudhyar’s transcendental art paintings: Color transcendental art painting called "Creative Man" painted in 1947 by Dane Rudhyar (used by Rudhyar to illustrate the cover of his 1980 book The Astrology of Transformation): An overview of a large selection of color reproductions of Dane Rudhyar's transcendental art paintings, with the date each one was painted: A gallery of color reproductions of several transcendental art paintings by Dane Rudhyar (click on column at left of web page to view a larger image of each painting):

Writings on music and musical compositions

Dane Rudhyar wrote extensively on music as well, producing such books as Claude Debussy and His Work (1913), Dissonant Harmony (1928), Rebirth of Hindu Music (1928), The New Sense of Sound (1930), and The Magic of Tone and the Art of Music (1982).

Rudhyar's own compositions tend to employ dissonant harmony, emphatically not of a systematic variety such as Charles Seeger's—Rudhyar was philosophically opposed to such a rigid approach. His musical thought was influenced by Henri Bergson and theosophy, and he viewed composers as mediums, writing that "the new composer" was "no longer a 'composer,' but an evoker, a magician. His material is his musical instrument, a living thing, a mysterious entity endowed with vital laws of its own, sneering at formulas, fearfully alive." Rudhyar's most distinctive music is for piano, including his Tetragram (1920–67) and Pentagram (1924–26) series, Syntony (1919–24, rev. 1967), and Granites (1929). His works are almost all composed of brief movements—he felt that length and its attendant structural demands led to abstraction and away from the sensuous physicality of sound. He influenced several early-twentieth-century composers including Ruth Crawford and Carl Ruggles, members of the group centered around Henry Cowell known as the "ultra-modernists." Cowell paid homage to him with a solo piano piece, A Rudhyar (1924).

Late in his life, Rudhyar's musical work was rediscovered by the composers James Tenney and Peter Garland, who declared that Rudhyar's "best works occurred in the 1920s and...1970s!!!">

References

  1. ^ Melton, J. Gordon, Jerome Clark, and Aidan A. Kelly New Age Encyclopedia Detroit:1990 Gale Research
  2. ^ Rudhyar, Dane The Astrology of America's Destiny: A Birth Chart for the United States of America New York: 1974 Random House Page 173
  3. ^ Rudhyar, Dane Astrological Timing: The Transition to the New Age New York: 1972 Harper & Row
  4. ^ Rudhyar, Dane Return from No Return Palo Alto: 1973 The Seed Center
  5. ^ Piper, Raymond F. and Lila K. Cosmic Art New York:1975 Hawthorn Press. (Contains a transcendental art drawing by Dane Rudhyar)

Further reading

  • Dane Rudhyar: His Music, Thought, and Art a new biography by Deniz Ertan published in 2009 by the University of Rochester Press.
  • Kirkpatrick, John, et al. (1997 [1988]). 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein. New York and London: W. W. Norton. (D. Rudhyar: p. 129.)
  • Morang, Alfred Transcendental Painting Santa Fe: American Foundation for Transcendental Painting Inc., 1940.

Dane Rudhyar bibliography

  • Chennevière, Daniel Claude Debussy et Son Oeuvre Paris: Durand, 1913.
  • Rudhyar, Dane Rhapsodies (Première Série) Ottawa: Imprimerie Beauregard, 1919.
  • Rudhyar, Dane "The Birth of the Twentieth Century Piano: Concerning John Hays Hammond's New Device." Eolus 5, 14-17, 1926 (On "the new composer": p. 15.).
  • Rudhyar, Dane Toward Man: Poems Carmel: The Seven Arts, 1928.
  • Rudhyar, Dane Dissonant Harmony: A New Principle of Musical and Social Organization Carmel: Hamsa Publications, 1928. (Subtitled Seed-Ideas No. 1 when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane The New Sense Of Space: A Reorientation of the Creative Faculty in Man Carmel: Hamsa Publications, 1929. (Subtitled Seed-Ideas No. 2 when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane The Cycle of Culture and Sacrifice Carmel: Hamsa Publications, 1929. (Subtitled Seed-Ideas No. 3 when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane Art of Gestures and Art of Patterns Carmel: Hamsa Publications, 1929. (Subtigled Seed-Ideas No. 4 when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane Art as Release of Power Carmel: Hamsa Publications, 1929. (Subtitled Seed-Ideas No. 5 when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane Synthetic Drama as a Seed of Civilization Carmel: Hamsa Publications, 1929. (Subtitled Seed-Ideas No. 6. when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane Education, Instruction, Initiation 1929. (Seed Ideas 1-6 series)
  • Rudhyar, Dane The New Individual and the Work of Civilization Carmel: Hamsa Publications, (no date, circa 1930) (Subtitled Seed-Ideas No. 7 when Printed by the Halcyon Press, Halcyon, California)
  • Rudhyar, Dane Art as Release of Power: A Series of Seven Essays on the Philosophy of Art (Seed-Ideas--First Series) Carmel: Hamsa, 1930. Contains:

1. Dissonant Harmony, A New Principle of Musical and Social Organization. 1928. 2. The New Sense of Space, A Reorientation of the Creative Faculty in Man. 3. The Cycle of Culture and Sacrifice. 4. Art of Gestures and Art of Patterns. 5. Art as Release of Power. 6. The Synthetic Drama as a Seed of Civilization. 7. The New Individual and the Work of Civilization

  • Rudhyar, Dane The Astrology of Personality: A Reformulation of Astrological Concepts and Ideals, in Terms of Contemporary Psychology and Philosophy New York: Lucis Publishing, 1936.
  • Rudhyar, Dane New Mansions For New Men New York: Lucis Publishing, 1938. (The section titled Meditations at the Gates of Light is a mystical epic poem to the Zodiac.)
  • Rudhyar, Dane The Transcendental Movement in the Arts [1939] (unpublished manuscript) (This work deals with modern dance as well as painting.)
  • Rudhyar, Dane The Faith That Gives Meaning To Victory Hollywood: Foundation for Human Integration, 1942.
  • Rudhyar, Dane Modern Man’s Conflicts: The Creative Challenge of a Global Society New York: Philosophical Library, 1948.
  • Rudhyar, Dane Gifts Of The Spirit Los Angeles: New Age Publishing, 1956.
  • Rudhyar, Dane The Pulse of Life. New Dynamics in Astrology The Netherlands: Servire-Wassenaar, 1963.
  • Rudhyar, Dane The Lunation Cycle. A Key to the Understanding of Personality The Hague, Netherlands: Servire. Distributed in the United States by Llewellyn Publication, 1967.
  • Rudhyar, Dane Astrology For New Minds: A Non-dualistic Harmonic Approach to Astrological Charts and to the Relation Between Man and the Universe Lakemont, Georgia: CSA Press, 1969.
  • Rudhyar, Dane The Practice of Astrology New York: Penguin Books, 1970.
  • Rudhyar, Dane Person-centered Astrology Lakemont, Ga.: CSA Press, 1972.
  • Rudhyar, Dane The Planetarization of Consciousness New York: Harper, 1972.
  • Rudhyar, Dane Astrological Timing: The Transition to the New Age New York: Harper & Row, 1972.
  • Rudhyar, Dane The Rhythm of Human Fulfillment:In Tune with Cosmic Cycles Palo Alto, California: The Seed Center, 1973.
  • Rudhyar, Dane The Astrology of America's Destiny: A Birth Chart for the United States of America New York: Random House, 1974.
  • Rudhyar, Dane The Sun Is Also A Star: The Galactic Dimension of Astrology New York: Dutton, 1975.
  • Rudhyar, Dane From Humanistic to Transpersonal Astrology Palo Alto, California: The Seed Center, 1975.
  • Rudhyar, Dane Occult Preparations for the New Age Wheaton, Ill.: Theosophical Publishing House, 1975.
  • Rudhyar, Dane The Astrology of Transformation: A Multilevel Approach Wheaton, Ill.: Theosophical Publishing House, 1980.
  • Rudhyar, Dane Rhythm of Wholeness: A Total Affirmation of Being Wheaton, Ill.: Theosophical Publishing House, 1983.

External links

Listening

  • Rudhyar Audio Archives lectures by Rudhyar on astrology, philosophy, poetry, and music, free to stream or download as mp3 files

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
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