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Dark Water

 
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Dark Water

  • Director: Walter Salles, Jr.
  • AMG Rating: starstarstar
  • Genre: Horror
  • Movie Type: Haunted House Film, Psychological Thriller
  • Themes: Ghosts, Mothers and Daughters, Custody Battles
  • Main Cast: Jennifer Connelly, John C. Reilly, Tim Roth, Dougray Scott, Pete Postlethwaite
  • Release Year: 2005
  • Country: US
  • Run Time: 105 minutes
  • MPAA Rating: PG13

Plot

Directed by Walter Salles Jr., this remake of Hideo Nakata's supernatural psychological drama Honogurai Mizuno Soko Kara revolves around the plight of a single mother (Jennifer Connelly) whose messy divorce and subsequent battle for the custody of her five-year-old daughter is taking a heavy toll on her emotional well-being. Ultimately, the mother and daughter are able to relocate to an apartment, which, despite its excessively dilapidated interior, seems to be an adequate location for beginning a new life. Before long, however, what appears to be the spirit of a young girl begins to haunt them. No stranger to mental illness, the wary young woman brushes the visions aside as part of the inherent stress of making the transition from housewife to working, single mom. As time goes by and the apparent haunting does not subside, the apartment's new residents are forced to examine the history of its former tenants. Dark Water also features performances from John C. Reilly, Tim Roth, and Dougray Scott. ~ Tracie Cooper, All Movie Guide

Review

It's easy to get frustrated with Hollywood when considering the studio system's over-reliance on remakes and at times seemingly paralyzing phobia of producing anything that could be perceived as remotely original -- and for fans of Japanese horror films in particular, the remake explosion has cut especially close to the bone. In rare cases, though, when given time and careful consideration -- and when the original shows promise yet lacks perfection -- a remake can be a truly satisfying and more effective extension of the concepts presented in the original. With his remake of Ring director Hideo Nakata's 2002 thriller Dark Water, Motorcycle Diaries director Walter Salles achieves the rare feat of actually improving on the original, thanks in no small part to the screenwriting skills of Rafael Yglesias -- who realized that a little subtlety can go a long way. Not only are the actions of the characters more believable in the American incarnation of Kôji Suzuki's dark mystery, but by reducing the focus on the now-clichéd creepy little girl with long hair and instead focusing on the mental deterioration of the mother, the strain of her failed marriage, and the frail but loving relationship that she shares with her daughter, Yglesias and Salles allow the viewer to truly connect with the characters before ratcheting up the tension by introducing the supernatural element.

While it is true that some of the more explicit "scare" scenes were excised in this version in favor of crafting better-drawn characters, the substitution ultimately makes the end payoff more effective. Even for those who don't have children, it will be difficult not to empathize with the mother who, while quite possibly emotionally unbalanced, does her best to reconcile the trauma of her own childhood, and it's here where actress Jennifer Connelly truly brings the character of Dahlia to life. The supporting players -- including John C. Reilly's hoagie-chomping slumlord, Tim Roth's phone-camera-happy lawyer, and Pete Postlethwaite's crusty superintendent -- also shine, with Salles and Yglesias providing just enough character quirks to allow them to stand out and make an impression. Another performance worth mentioning is Dougray Scott's portrayal of Dahlia's husband, Kyle -- a role effectively expanded in the American version to both give viewers a better understanding of Dahlia's past and enhance the mystery. Though younger audiences may not be able to connect with Dark Water as well as older viewers due to its mature themes and favoring of slow-burn dread over quick-cut shocks, the film remains a shining example of low-key psychological horror that, while remaining true to its roots in the J-horror movement, transcends its mediocre origins to provide chills that run deep and will likely only improve with age. ~ Jason Buchanan, All Movie Guide

Cast

Camryn Manheim - Teacher; Ariel Gade - Ceci; Perla Haney-Jardine - Natasha / Young Dahlia; Bill Buell - Mediator; Elina Löwensohn - Dahlia's Mother; Debra Monk - Young Dahlia's Teacher; Simon Reynolds - Man in Elevator; J.R. Horne - Man in Tram; Alison Sealy-Smith - Radiology Clinic Supervisor; Diego Fuentes - Night Doorman; Jennifer Baxter - Mary; Linda Emond - Mediator; Warren Belle - UPS Man; muMs - Platzer's Backseat Client; Matt Lemcke - Steve; Kate Hewlett - Teacher's Aide; Zoe Heath - Natasha's Mother; Edward Kennington - Billy

Credit

Nicholas Lundy - Art Director, Andrew M. Stearn - Art Director, Kerry Foster - Associate Producer, Steve Switzer - Boom Operator, Denis Bellingham - Boom Operator, Daniel Rosenblum - Boom Operator, Moshe Saadon - Boom Operator, Patrick Martens - Boom Operator, Mali Finn - Casting, Tina Gerussi - Casting, Grant Wilfley Casting Incorporated - Casting, Diana Pokorny - Co-producer, Michael Wilkinson - Costume Designer, David J.Webb - First Assistant Director, David Hallinan - First Assistant Director, Jack Boem - First Assistant Director, Walter Salles, Jr. - Director, Daniel Rezende - Editor, Ashley Kramer - Executive Producer, Wayne Herndon - Hair Styles, Laurel Kelly - Hair Styles, Mark Logan - Location Manager, Lauri Pitkus - Location Manager, Larry Ring - Location Manager, Angelo Badalamenti - Composer (Music Score), Tina Earnshaw - Makeup, Gordon J. Smith - Makeup Special Effects, Angelo Colavecchia - Camera Operator, Monty Rowan - Camera Operator, Kirk R. Gardner - Camera Operator, Paul Varrieur - Camera Operator, Mike Thomas - Camera Operator, Sandy Hays - Camera Operator, Therese DePrez - Production Designer, Marc Fisichella - Production Designer, Affonso Beato - Cinematographer, Amy Herman - Production Manager, Takashige Ichise - Producer, Doug Davison - Producer, Roy Lee - Producer, Bill Mechanic - Producer, Michael Shocrylas - Set Designer, Grant Van Der Slagt - Set Designer, Rudy Braun - Set Designer, Michael Barosky - Sound Mixer, Glen Gauthier - Sound Mixer, Shawn Holden - Sound Mixer, Frank Graziadei - Sound/Sound Designer, Frank Gaeta - Sound/Sound Designer, Henrique Rezende - Sound Special Effects, Sound For Film - Sound Editor, Jeffrey Lee Gibson - Stunts, Kelly Jones - Stunts, Blaise Corrigan - Stunts, Tom Farr - Stunts, Jay Spadaro - Stunts, Lauren A. Bonfiglio - Stunts, Mavis Corrigan - Stunts, Chloe Jones - Stunts, Ciara Jones - Stunts, Dana Jones - Stunts, Morgan Rue - Stunts, Jamie Jones - Stunts Coordinator, G.A. Aguilar - Stunts Coordinator, Bob Brown - Stunts Coordinator, Peter M. Chesney - Special Effects Supervisor, Lyn Lucibello-Brancatella - Unit Production Manager, Rafael Yglesias - Screenwriter, Sonja Christoph - Production Assistant, Chris "Fish" Shadley - Production Assistant, Marc Siegel - Production Assistant, Cathy Coulson - Production Assistant, Kevin Drysdale - Production Assistant, Adam Lee Jordan - Production Assistant, Cassandre Khoury - Production Assistant, Rich Mcdonough - Production Assistant, Greg Newman - Production Assistant, Cathy Novembre - Production Assistant, K. Dan Prussmann - Production Assistant, Ulises Rodriguez - Production Assistant, Peter Scheer - Production Assistant, Kyle Sucher - Production Assistant, William Mesa - Visual Effects Supervisor, Mark O. Forker - Visual Effects Supervisor, Lewis Goldstein - Sound Effects Editor, Roland N. Thai - Sound Effects Editor, Derek Vanderhorst - Sound Effects Editor, Paul Berolzheimer - Sound Effects Editor, Phil Marshall - Additional Music, Karen Pidgurski - Unit Publicist, Pablo Prietto - Additional Editing, Maria Montoreano - Associate Editor, John Colavecchia - First Assistant Camera, Heather Norton - First Assistant Camera, Felipe Reinheimer - First Assistant Camera, Russel Bowie - First Assistant Camera, Mark Laskowski - First Assistant Camera, Brent Robinson - First Assistant Camera, Jeffrey Lynn - First Assistant Camera, Morris Flam - Gaffer, Larry Wallace - Gaffer, Chris Howard - Gaffer, Wayne Goodchild - Grip, Glen Goodchild - Grip, John Patrick Graham - Grip, Michael McNamara - Grip, Thomas Prate Jr. - Key Grip, David Nims - Key Grip, Mike Kirilenko - Key Grip, Kenny Burke - Key Grip, John Coats - Matte Painting Supervisor, Joe E. Rand - Music Editor, Olivia Guimaraes - Post Production Coordinator, Claudine Franco - Post Production Coordinator, Graham Stumpf - Post Production Supervisor, Kate Kelly - Production Coordinator, Sabine Graham - Production Coordinator, Christine Zavala - Production Coordinator, Andrea Isaacs - Production Supervisor, Vic Rigler - Properties Master, Bobby Griffon - Properties Master, Tony Bonaventura - Properties Master, Scott Millan - Re-Recording Mixer, David Parker - Re-Recording Mixer, Nadia Guglieri - Script Supervisor, Alison Young - Script Supervisor, Amy Lynn - Second Assistant Director, Bruno Bryniarski - Second Assistant Director, Stephanie O'Brien - Second Assistant Director, Steve Kirshoff - Special Effects Coordinator, Kaz Kobielski - Special Effects Coordinator, Mark Bero - Special Effects Coordinator, Phil Notaro - Special Effects Coordinator, Sandy Hays - Steadicam Operator, Rafy - Still Photographer, James Bridges - Still Photographer, Jeffrey White - Visual Effects Producer, Todd Isroelit - Visual Effects Producer, Eric Thompson - ADR Mixer, Paul J. Zydel - ADR Mixer, Alex Raspa - ADR Recordist, Chris Navarro - ADR Recordist, Jay Duboisson - Assistant Costumer Designer, Susan Carrano - Assistant Costumer Designer, Lydia Pensa - Assistant Hair, Catherine Crawford - Assistant Location Manager, Rafael Garcia - Assistant Location Manager, Chris Leonidas - Assistant Location Manager, Kip Meyers - Assistant Location Manager, Lynn Powers - Assistant Location Manager, Julia Valente - Assistant Makeup, Lee Ann Cotton - Assistant Production Coordinator, Daniel Reid Warman - Assistant Production Coordinator, John McDonnell - Assistant Properties, Ellis Barbacoff - Assistant Properties, Jonathan Kovacs - Assistant Properties, Rickley W. Dumm - Assistant Sound Editor, Paul Hackner - Assistant Sound Editor, Michael Flood - Best Boy Electric, William Almeida - Best Boy Electric, Michael L. Hall - Best Boy Electric, Ron Yolevsky - Best Boy Grip, Kevin W. Flynn - Best Boy Grip, Mark Greenberg - Best Boy Grip, Jennifer Lai - Camera Loader, David Rapaport - Casting Associate, Roberta Romano - Casting Associate, Robert J. Carlyle - Construction Coordinator, John MacKenzie - Construction Coordinator, Richard Hebrank - Construction Coordinator, Robin Bush - Costumes Supervisor, Kate Quinlan - Costumes Supervisor, Hartsell Taylor - Costumes Supervisor, Gianna Degiulio - DGA Intern, Jed M. Dodge - Dialogue Editor, Bob Jackson - Dialogue Editor, Cameron Steenhagen - Dialogue Editor, Russ Formarco - Dialogue Editor, Dwight LaVers - Dolly Grip, Ronald Burke - Dolly Grip, Ron Renzetti - Dolly Grip, Herb Reischl Sr. - Electrician, Tony Eldridge - Electrician, R. L. Hannah - Electrician, Heather Newsome - Electrician, Central Casting - Extra Casting, Zamaret Kleiman - Extra Casting, Paul W. Whitehead - First Assistant Editor, Dawn M. Stoliar - First Assistant Editor, James Kirkpatrick - First Assistant Editor, Suzie Gilbert - First Assistant Editor, Helena Lent - First Assistant Editor, Christopher Moriana - Foley Artist, Catherine A. Harper - Foley Artist, Javier Bennassar - Foley Editor, John Quaglia - Key Hairstylist, David R. Beecroft - Key Hairstylist, Loretta Nero - Key Hairstylist, Elisa Marsh - Key Make-up, Lori Hicks - Key Make-up, Sylvain Cournoyer - Key Make-up, Joe Proscia - Leadman, Keith A. Cuba - Leadman, Sasha Markova - Personal Assistant, Maria Carlota Bruno - Personal Assistant, Eileen Gibson - Personal Assistant, Jennifer Mclaughlin - Personal Assistant, Louise Muskala - Personal Assistant, Neil Parris - Personal Assistant, Cylvan Desrouleaux - Second Assistant Camera, Ed Nessen - Second Assistant Camera, Kath Corgan - Second Assistant Camera, Carson Reeves - Second Assistant Camera, Blain Thrush - Second Assistant Camera, Jaclyn Young - Second Assistant Camera, Dylan Hopkins - Second Second Assistant Director, Adam T. Weisinger - Second Second Assistant Director, David Jaquest - Set Dresser, David O. Charles - Set Dresser, Brenton Brown - Set Dresser, Kimothy Steede - Set Dresser, Rodney Rosene - Set Dresser, Tom Wilson - Set Dresser, Rob McCallum - Storyboard Artist, Digital Domain - Visual Effects, Flash Film Works - Visual Effects, David Koneff - Set Decorator, Clive Thomasson - Set Decorator, Nicholas Evans - Set Decorator, Kôji Suzuki - Book Author, Paul Tuerpé - ADR Loop Group, Doug Stone - ADR Loop Group, Georgia Simon - ADR Loop Group, Octavio Gomez - ADR Loop Group, Nick Guest - ADR Loop Group, Dave Mallow - ADR Loop Group, Bert Rosario - ADR Loop Group, Toby Stone - ADR Loop Group, David Bach - ADR Supervisor, Tim Boggs - ADR Supervisor, Rocky Quiroz - Cable Person, Kenny Becker - Color Timing, Nerses Gezalyan - Foley Mixer, Chris Trent - Foley Mixer, Mary Beth Smith - Negative Cutter, John Thomas - Production Secretary, Mark Zecca - Production Secretary, Chester Coleman - Set Medic/First Aid, B. J. Smith - Set Medic/First Aid, Greg Wood - Set Medic/First Aid, Bruce Donnellan - Special Effects Foreman, Robert T. Scupp - Special Effects Foreman, Ted Ross - Special Effects Technician, Albert Marangoni - Special Effects Technician, Shaun Glendenning - Special Effects Technician, Tim Lidstone - Special Effects Technician, Jim Reischl - Special Effects Technician, Inese Dzenis - Special Effects Technician, Sophie Vertigan - Special Effects Technician, Troy Rundle - Special Effects Technician, Gary Kleinsteuber - Special Effects Technician, Michael Bird - Special Effects Technician, Paul Brown - Special Effects Technician, Aaron Dinsmore - Special Effects Technician, Richard Bryon Douglas - Special Effects Technician, Judy Kuntz - Special Effects Technician, Salvatore Larizza - Special Effects Technician, Mike Sherwin - Special Effects Technician, Mark Simon - Special Effects Technician, Jack Boem - Third Assistant Director, John Sauve - Third Assistant Director, Brian Carmichael - Video Assist, Dave Schmalz - Video Assist, Stephen Kolodziej - Video Playback, Lincoln Kupchak - Visual Effects Editor, Debra Wolff - Visual Effects Editor, Doug Stone - Voice Casting, David Best - Graphic Design, Paul Greenberg - Graphic Design, Pacific Title Digital - Title Design, Beth Gilinsky - Art Department Coordinator, Adriano Mato - Assistant Editor, Barbara Mcdermott - Assistant Music Editor, Ken Keavy - Properties Maker, Tyler Clark - Properties Maker

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Wikipedia: Dark Water (2005 film)
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Dark Water

original film poster
Directed by Walter Salles
Produced by Doug Davison
Ashley Kramer
Roy Lee
Written by Rafael Yglesias
Koji Suzuki
Starring Jennifer Connelly
Tim Roth
John C. Reilly
Dougray Scott
Ariel Gade
Pete Postlethwaite
Camryn Manheim
Music by Angelo Badalamenti
Editing by Daniel Rezende
Distributed by Touchstone Pictures
Release date(s) July 8, 2005
Running time 105 min.
Language English
Budget $30,000,000
Gross revenue $49,483,352

Dark Water is a 2005 American drama-horror film directed by Walter Salles and starring Jennifer Connelly. The film is a remake of the 2002 Japanese film of the same name, and also stars John C. Reilly, Pete Postlethwaite, Tim Roth, Perla Haney-Jardine and Ariel Gade. The film is based on the short story Floating Water from the horror anthology Honogurai mizu no soko kara by Koji Suzuki, author of Ring (which also had an American remake).

The film was released on July 8, 2005 and grossed almost $50 million worldwide.

Contents

Plot

When the film opens, the audience sees a young girl standing outside after school in the rain, waiting for her mother, who has yet to show up. The scene is dated 1974.

Flash forward to 2005, we see a grown-up Dahlia in the midst of a bitter mediation with her ex-husband, Kyle, over sharing custody of their daughter, Cecilia, also known as Ceci. Kyle wants Cecilia to live closer to his apartment in Jersey City so the joint-custody agreement would be easier, but Dahlia wants to move to Roosevelt Island, where she has found a good school for Cecilia. Kyle threatens to sue for full custody because he feels the distance to see his daughter is too great. He claims that Dahlia is an "unfit" mother because she was abused by her father and abandoned by her mother at a young age. He also claims that Dahlia is "mentally unstable" and suffers from debilitating migraines, though Dahlia insists the migraines are not severe. Dahlia shouts that Kyle "doesn't even remember Cecilia's birthday and that he doesn't even like playing with her".

Dahlia and Cecilia see an apartment in a complex on Roosevelt Island, which is just a few blocks from Cecilia's new school. The super of the apartment building is Mr. Veeck, who is charged with the general maintenance of the building's many lacking features. The manager, Mr. Murray, uses questionable tactics in order to rent the substandard and undersized apartment. During the tour, Cecilia sneaks up onto the roof where she finds a Hello Kitty backpack near a large water tank. They leave the bag with Mr. Veeck, and Mr. Murray promises Cecilia that she can have it if no one claims it in a week. Cecilia, who has disliked the apartment from the moment she arrived, now wants desperately to live there. Dahlia agrees and they move in.

Shortly after moving in, the ceiling in the bedroom begins to leak dark water. The source is the apartment above, 10F, where a family, the Rimskys, lived up until a month ago. Since then, two teens have reportedly been vandalizing the apartment. At one point, Dahlia enters 10F and finds the place flooded, with dark water flowing from every faucet in the apartment and from the walls and toilet. Dahlia finds a family portrait of the former tenants. There is a mother, father, and young girl who looks about Cecilia's age. Dahlia complains to both Mr. Veeck and Mr. Murray about the water, but the former does little about it despite the insistence of the latter. Things become even more strange for Dahlia when she has dreams of a little girl who appears to be Cecilia returning from a visit to her father's home, but the girl's appearance changes every time Dahlia looks away from her in the dream, so that she looks like the young girl in the portrait in 10F.

Cecilia has started school, but according to her new teacher, she isn’t fitting in with the class and is spending too much time with an imaginary friend, named Natasha. A psychologist is recommended, but Dahlia refuses and tells Cecilia to ignore Natasha. This is made more difficult when Dahlia discovers the Hello Kitty backpack in the laundry room's garbage, although Mr. Veeck had said it was claimed. Dahlia leaves it in the garbage, but Cecilia finds it—in the elevator. The name in the backpack reads “Natasha Rimsky”.

The ceiling, shoddily patched up by Mr. Veeck, begins to leak again, but more heavily than before. At school, Cecilia appears to get into a fight with Natasha, who appears to control Cecilia's hand while painting. She's taken to the girls’ bathroom where she passes out after dark water starts gushing from the toilets and sinks. Dahlia, who is meeting with her lawyer, can’t be reached at work, so Kyle picks her up from the hospital and takes her to his apartment without telling Dahlia.

Dahlia breaks down when she can’t find her daughter and begins having strange dreams. These lead her back onto the roof and up the ladder of the water tank. She looks inside and finds Natasha’s body in there. When the police arrive, they discover that there was a grave miscommunication between the Rimskys; the father thought that Natasha was with her mother while the mother thought the girl was with her father. The father was an alcoholic who was known for always shouting, and the mom was no better. The mother left because she didn't feel she could care for Natasha, and the father left soon afterward, somehow under the impression that Natasha was with her mother. The girl was left alone in the abandoned apartment and fell into the water tank, which Mr. Veeck had left open. He was aware of her body, which was why he refused to fix the water problem plaguing the complex. Mr. Veeck is arrested and Mr. Murray is questioned.

Dahlia agrees to move closer to Kyle so the shared custody will go easier. As Dahlia is packing, Cecilia is taking a bath. A girl in a hooded bathrobe comes out of the bathroom, wanting to read with Dahlia. Dahlia begins reading, but when she hears voices in the bathroom, she realizes that the girl in the bathrobe is Natasha. Natasha begs Dahlia not to leave her, but Dahlia rushes into the bathroom to save Cecilia. Natasha then locks Cecilia in the bathtub (which has a shatterproof panel instead of a curtain) and holds her underwater. Dahlia pleads with Natasha, promising to be her mother forever. Natasha lets Cecilia go and floods the apartment, causing Dahlia to drown and fulfill her promise. Her ghost and that of Natasha then walk away down the hallway.

Kyle picks up the traumatized Cecilia from the police station, and weeks later, the two go back to pick up the rest of her stuff. Cecilia has a flashback of her and her mother looking at pictures together, and in the elevator, her mother's ghost braids her hair and comforts her—telling her she will always be there. Kyle, momentarily horrified with a malfunction in the elevator, the weird behavior of his daughter, and perhaps noticing her hair had been braided while in the elevator, finally takes her away to his own apartment in Jersey City.

Differences between Japanese and U.S. versions

  • In the Japanese version, Yoshimi (Dahlia) dies with Mitsuko (Natasha) in the elevator, while it's in the bathroom in the U.S. version. In the U.S. version it is clearer that Natasha would immediately kill Cecilia if Dahlia didn't promise to be the girl's mother. In the Japanese version, the ghost is much slower to act against the living child.
  • At the end of the Japanese version, Ikuko (Cecilia) returns to the apartment room 10 years later as a teenager and sees her mother, while in the U.S. version she encounters her in the elevator three weeks later.
  • Mr. Kamiya (Mr. Veeck) in the Japanese version is not arrested and is a much more minor character.
  • The suspicious/threatening teenage boys are absent from the Japanese version.
  • Mitsuko's face is not as clearly seen as Natasha's, and she wears a yellow raincoat, as opposed to Natasha's red dress.
  • In the Japanese version, the backpack has a bunny on it, while in the U.S. version has a Hello Kitty backpack.
  • Mitsuko has been dead for 2 years, while Natasha has been dead for two weeks.

DVD

Dark Water is available on DVD, in two releases. One release is in pan and scan full screen and includes the theatrical cut, which is PG-13 and runs 107 minutes. The other is in widescreen (aspect ratio 2.35:1) and includes an Unrated cut, which is actually shorter than the theatrical cut and runs at 103 minutes. Note that exact specifications vary by DVD region. There is also a PlayStation Portable UMD Video version of the movie.

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