Darkness is a 2002 horror film directed by Jaume Balagueró about an American teenage girl who moves into a haunted house with her family in the Spanish countryside. The film was premiered in Spain on October 3, 2002, and was released in theaters across the country eight days later on October 11, 2002. It was later sold to Miramax Films for American distribution, but ended up being shelved for a year. It was eventually released in theaters in an edited, PG-13-rated cut in the United States on December 25, 2004.
Cast
Plot
Forty years after an unfinished occult ritual resulted in the disappearance of six children, an American family has moved into a never before inhabited house in Spain. The mother, Maria (Olin), wants to get the place in order, while the father, Mark (Glen), goes to work, and their children, teenager Regina (Paquin) and her younger brother Paul (Enquist), try to settle into their daily routines.
It helps that Mark's doctor father, Albert Rua (Giannini) has furnished them with their residence and is nearby, especially when Mark begins to suffer from some mental breakdown attacks that periodically reoccur. Regina is not only worried about him, but also Paul who is now scared of the dark for the first time. The young boy has reason for that, however, as there seems to be some sort of supernatural force beneath his bed. Furthermore, there are instances when figures of children are seen standing in the shadow and darkness, watching the family.
As Paul becomes more scared and their father increasingly unstable, Regina eventually figures out it must have something to do with their home where the power is lost everyday. With the help of her new friend, Carlos (Martinez), the two eventually meet the man, Villalobos (Reixach), who designed the house, and learn that it was built for a supernatural ritual requiring the sacrifice of seven children (each sacrificed by "hands that love them") to coincide with an eclipse that only occurs every forty years. With the next one quickly approaching, and now armed with the knowledge that the earlier occult ritual needs one more death to be completed, Regina races to make sure that Paul is not the final victim.
Taking a shortcut through her grandfather Albert's house, Regina finds out that her grandfather is, in fact, a member of the cult which has been performing these satanic rituals. Her grandfather explains that in the ritual forty years ago, there actually were seven children in the original ritual, the seventh child being none other than Regina's father, Mark. Albert did not sacrifice his son because at the last minute he realized that he did not love Mark. Waiting 40 years he has brought Mark and his family to the house with the intention of making sure Mark is sacrificed during this eclipse by "hands that love him." Armed with this knowledge, Regina races back to her home to find her father in the midst of another nervous breakdown, choking on pills as the eclipse begins. Maria tries to perform a tracheotomy on him, but is unable to bring herself to make the cut. Regina volunteers to, but inadvertently causes his death. Since Regina genuinely loved Mark, the ritual is finally complete. The darkness then takes the form of Regina and Paul, convincing their mother to turn off the lights. The darkness kills Maria, and then takes the form of Regina's friend Carlos, who picks them up in his car. The real Carlos arrives at the house, only to be killed by the darkness. The fake Carlos drives Regina and Paul into a dark tunnel, which allows the darkness to kill them.
Influences and Themes
In the film, the Darkness is presented as an evil, all-encompassing force that is released after the completion of a ritual (the murder of seven children by a loved one). The association of the Darkness with lies, malevolence and evil in the film echoes the Jewish and Christian visions of the serpent in the Garden of Eden and of the Devil or Satan.
However, the Darkness as depicted in the film resembles that found in ancient Egyptian mythology and religion - the state of chaos and formless void that existed before Creation and which constantly threatened existence thereafter. This primal darkness was embodied in the Ogdoad and in the great serpent Apophis; was associated with water (hence the constant rainy weather in the film); and opposed Ma'at, the Egyptian concept of Truth and Order).
Release Information
The film premiered in Spain on October 3, 2002, and was then given a wide release on October 11, 2002. It later was released in a number of European countries throughout 2003, and was then sold to Miramax Films, but was shelved for a year. It was eventually released in the United States through Miramax's Dimension Films branch on December 25, 2004 (a strange juxtaposition from the usual holiday films that are released on Christmas). It was given an even later release in the United Kingdom in March 2005.
Critical reception
The film was not screened for critics, but overall received generally negative reviews. It currently holds a 4% average rating based on 50 reviews.[citation needed] Many[who?] considered the film dull and pointless, with hardly any scares. Dave Alexander from the Rue Morgue Magazine stated "Darkness is a ridiculous film choked with genre clichés and stolen scares, yet there’s something genuinely dark and nasty wrapped inside all that ridiculousness." Those who favored the film however had different opinions, the Combustible Celluloid called Darkness "A good case of style over substance."
Box office
Despite many negative reviews and very little promotion, Darkness still did moderately well at the US box office. It was released Christmas Day 2004, which was a Saturday. It came in at no. 7 that weekend on December 26 with $6.1 million (at $3,625 average per theater), which was a fairly decent turn out for the film, earning over half of its budget back after being in theaters for one day. It also did financially well considering the fact that it was a horror film being released during the holiday season. The following week it dropped down to no. 10 with $4.6 million. To date the film has made $22,036,907 at the US domestic box office, covering well over its $10 million dollar budget.
External links
