Share on Facebook Share on Twitter Email
Answers.com

Dave Evans

 
Artist: Dave Evans

Similar Artists:

  • Active: '70s, '80s, '90s, 2000s
  • Genres: Country
  • Instrument: Vocals, Guitar
  • Representative Albums: "The Best of the Vetco Years", "Classic Bluegrass", "A Hell of a Night: Tribute to Bon Scott

Biography

Dave Evans is one of a select group of bluegrass banjo pickers whose careers have primarily involved leading their own bands. He is not to be confused with a stream of other Dave Evans such as the British guitar fingerpicker from the '70s or U2's guitarist The Edge, whose real name is Dave Evans. Even a charming story of how the banjoist became interested in bluegrass} is fraught with the danger of mistaken identity: Evans' mother bought a banjo for his father, whose name was Bill Evans--but this is not the jazz} pianist of great fame who was sitting in front of the little tot, framed by the branches of a Christmas tree, picking on an old Silvertone.

Evans had already been fooling with the accordion yet it was the banjo that became that certain special interest that children seek as they grow up, not to mention their parents who might be trying to keep them out of juvenile detention. From this beginning the Evans biography already differs from that of many other contemporary banjoists, who almost as a unit select
Earl Scruggs as the man who introduced them to the banjo, not not their dads. Evans also developed a knack for singing while playing a banjo, a form of musical expression that many other pickers have been content to leave to the rhythm guitarist/frontman dude. On top of this pair of talents, Evans also began writing his own songs as early as the age of 13.

His first professional gig was in 1968 with Earl Taylor and the Stoney Mountain Boys; he continued playing with this group for about a year. Following the death of Evans' mother he brought his own banjo back to his father's side and remained around his hometown area for several years, playing local gigs. Larry Sparks lured him out into wider exposure with his Lonesome Ramblers group in the early '70s. A good deal of Evans' distinctive singing style was developed during that period, as bandleader Sparks began making effective use of the banjoist's singing in the tenor range. Evans went on to work with Red Allen and The Kentuckians, The Boys from Indiana and The Goins Brothers before forming his own group in 1978, Dave Evans and River Bend. Rebel records has consistently documented this artist's efforts since that time, releasing at least eight albums under Evans' name. ~ Eugene Chadbournebluegrass} banjo pickers whose careers have primarily involved leading their own bands. He is not to be confused with a stream of other Dave Evans such as the British guitar fingerpicker from the '70s or U2's guitarist The Edge, whose real name is Dave Evans. Even a charming story of how the banjoist became interested in bluegrass is fraught with the danger of mistaken identity: Evans' mother bought a banjo for his father, whose name was Bill Evans--but this is not the jazz} pianist of great fame who was sitting in front of the little tot, framed by the branches of a Christmas tree, picking on an old Silvertone.

Evans had already been fooling with the accordion yet it was the banjo that became that certain special interest that children seek as they grow up, not to mention their parents who might be trying to keep them out of juvenile detention. From this beginning the Evans biography already differs from that of many other contemporary banjoists, who almost as a unit select
Earl Scruggs as the man who introduced them to the banjo, not not their dads. Evans also developed a knack for singing while playing a banjo, a form of musical expression that many other pickers have been content to leave to the rhythm guitarist/frontman dude. On top of this pair of talents, Evans also began writing his own songs as early as the age of 13.

His first professional gig was in 1968 with Earl Taylor and the Stoney Mountain Boys; he continued playing with this group for about a year. Following the death of Evans' mother he brought his own banjo back to his father's side and remained around his hometown area for several years, playing local gigs. Larry Sparks lured him out into wider exposure with his Lonesome Ramblers group in the early '70s. A good deal of Evans' distinctive singing style was developed during that period, as bandleader Sparks began making effective use of the banjoist's singing in the tenor range. Evans went on to work with Red Allen and The Kentuckians, The Boys from Indiana and The Goins Brothers before forming his own group in 1978, Dave Evans and River Bend. Rebel records has consistently documented this artist's efforts since that time, releasing at least eight albums under Evans' name. ~ Eugene Chadbournebluegrass} is fraught with the danger of mistaken identity: Evans' mother bought a banjo for his father, whose name was Bill Evans--but this is not the jazz pianist of great fame who was sitting in front of the little tot, framed by the branches of a Christmas tree, picking on an old Silvertone.

Evans had already been fooling with the accordion yet it was the banjo that became that certain special interest that children seek as they grow up, not to mention their parents who might be trying to keep them out of juvenile detention. From this beginning the Evans biography already differs from that of many other contemporary banjoists, who almost as a unit select Earl Scruggs as the man who introduced them to the banjo, not not their dads. Evans also developed a knack for singing while playing a banjo, a form of musical expression that many other pickers have been content to leave to the rhythm guitarist/frontman dude. On top of this pair of talents, Evans also began writing his own songs as early as the age of 13.

His first professional gig was in 1968 with Earl Taylor and the Stoney Mountain Boys; he continued playing with this group for about a year. Following the death of Evans' mother he brought his own banjo back to his father's side and remained around his hometown area for several years, playing local gigs. Larry Sparks lured him out into wider exposure with his Lonesome Ramblers group in the early '70s. A good deal of Evans' distinctive singing style was developed during that period, as bandleader Sparks began making effective use of the banjoist's singing in the tenor range. Evans went on to work with Red Allen and The Kentuckians, The Boys from Indiana and The Goins Brothers before forming his own group in 1978, Dave Evans and River Bend. Rebel records has consistently documented this artist's efforts since that time, releasing at least eight albums under Evans' name. ~ Eugene Chadbournejazz pianist of great fame who was sitting in front of the little tot, framed by the branches of a Christmas tree, picking on an old Silvertone.

Evans had already been fooling with the accordion yet it was the banjo that became that certain special interest that children seek as they grow up, not to mention their parents who might be trying to keep them out of juvenile detention. From this beginning the Evans biography already differs from that of many other contemporary banjoists, who almost as a unit select Earl Scruggs as the man who introduced them to the banjo, not not their dads. Evans also developed a knack for singing while playing a banjo, a form of musical expression that many other pickers have been content to leave to the rhythm guitarist/frontman dude. On top of this pair of talents, Evans also began writing his own songs as early as the age of 13.

His first professional gig was in 1968 with Earl Taylor and the Stoney Mountain Boys; he continued playing with this group for about a year. Following the death of Evans' mother he brought his own banjo back to his father's side and remained around his hometown area for several years, playing local gigs. Larry Sparks lured him out into wider exposure with his Lonesome Ramblers group in the early '70s. A good deal of Evans' distinctive singing style was developed during that period, as bandleader Sparks began making effective use of the banjoist's singing in the tenor range. Evans went on to work with Red Allen and The Kentuckians, The Boys from Indiana and The Goins Brothers before forming his own group in 1978, Dave Evans and River Bend. Rebel records has consistently documented this artist's efforts since that time, releasing at least eight albums under Evans' name. ~ Eugene Chadbourne, All Music Guide
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Dave Evans (singer)
Top
Dave Evans
Born 20 July 1953 (1953-07-20) (age 56)
Origin Carmarthen, Wales, United Kingdom
Genres Rock
Hard rock
Instruments Vocals
Years active 1973 - present
Associated acts AC/DC, Rabbit, The Badasses, The Hot Cockerels, Thunder Down Under, The Apprentices
Website Official site

Dave Evans (born 20 July 1953) is an Australian singer best known for being the first lead singer of the Australian rock 'n' roll band AC/DC from 1973-1974.

Contents

AC/DC

Dave Evans is one of the original members of AC/DC along with Angus and Malcolm Young, Colin Burgess and Larry Van Kriedt during the band's foundation.[1] His involvement with the band was for a year before being replaced by Bon Scott around October 1974. During his time with AC/DC, Evans recorded one single ("Can I Sit Next To You, Girl"/ "Rocking In The Parlour") which was released in Australia and New Zealand. A promotional video for "Can I Sit Next To You, Girl" was also produced.

After AC/DC

After AC/DC, Evans joined Newcastle band Rabbit, replacing original singer Greg Douglas. Rabbit released 6 singles and two albums between 1975 and 1977. Rabbit were described as frenetic and were famous for their wild hedonistic stage act and the second album, Too Much Rock n Roll, was released in Europe and Japan with mild success. His other bands included Dave Evans & The Hot Cockerels and Thunder Down Under.

Evans has also released two solo albums. The first was a live recording, "A Hell Of A Night", which was a memorial gig for the late Bon Scott featuring Rohan Moran on lead guitar, Simon Croft on rhythm guitar, Steve michelmore drums Dave Ross bass on the 20th anniversary of his death with Melbourne AC/DC tribute band Thunderstruck after Evans was invited to perform by friend and Thunderstruck member, Simon Croft and a live recording was released in the year 2000. The second of which was an album released in February 2006 that was recorded with some of the members of his previous groups, Rabbit and Hot Cockerel plus some of Newcastle's finest rockers, and was entitled Sinner.

Evans has toured in Europe with Munich band, Thunderstruck and with his own band, The Badasses as support to USA southern rock band, Molly Hatchet to great reviews in magazines and newspapers.

Most recent, Dave Evans returned to Australia in late 2008, to perform at the Adelaide International Guitar Festival with The Party Boys, and later played a number of shows in the country with a band of young up and coming musicians from Victoria. The band featuring Dave Evans on vocals, Liam Marsh (23) lead guitar, Sean Walsh (19) rhythm guitar, Jack De Rosso (18) bass and Jordan McDonald (16) drums, played their last show of the tour at the Peaches and Cream [1] Festival in Cobram alongside Mammal and Cog.

Discography

with AC/DC

with Rabbit

  • Rabbit (1976)
  • Too Much Rock N Roll (1976)

with Thunder Down Under

  • Thunder Down Under (1986)

solo

  • Hell of a Night featuring Rohan Moran on lead guitar, Simon Croft, rhythm guitar.(2001)
  • Sinner (2006)
  • Judgement Day (2008)

other appearances 2007 - Bon Scott Concert- Fremantle

In 2007 Dave Evans has been nominated to perform at The LA MUSIC AWARDS for his song of the SINNER CD "Sold My Soul to Rock 'n' Roll"

  • "Sellout" - Blood Duster, from the album Blood Duster (2003)

References

  1. ^ Why AC/DC Matters, by Anthony Bozza

Other references

  • Highway to Hell: The Life and Times of AC/DC Legend Bon Scott, Clinton Walker, 1994 ISBN 0 7251 0742 1
  • Who's Who of Australian Rock, Chris Spencer, Paul McHenry, Zbig Nowara 2002 ISBN 1 86503 891 1
  • "Two Sides To Every Glory", Paul Stenning, 2005
  • "Metal Hammer & Classic Rock present AC/DC", Metal Hammer magazine special, 2005

Dave Evans has recently launched his new album "Judgement Day" on 2008 signing with STF Records.

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Dave Evans (singer)" Read more