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Art Encyclopedia:

David d'Angers

(b Angers, 12 March 1788; d Paris, 6 Jan 1856). French sculptor. A remarkably comprehensive view of this most prolific of 19th-century sculptors is provided by the collection of his work in the Mus?e des Beaux-Arts et Galerie David d'Angers in Angers. Begun in 1839 from models for the sculptor's public statues that he had consistently sent to his home town, the collection was enriched after his death by numerous donations; in 1983 it was rehoused in the 13th-century abbey of Toussaints adjacent to the Mus?e des Beaux-Arts. Unless otherwise stated, plaster or marble versions of specific works mentioned in this article can be found in this collection.

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Columbia Encyclopedia: David d'Angers
or Pierre-Jean David (dävēd' däNzhā'; pyĕr-zhäN) , 1788–1856, French sculptor. His works are numerous and present national figures, often nude, in statues, busts, reliefs, and medallions. The pediment of the Panthéon in Paris shows a group of distinguished Frenchmen receiving wreaths from the hand of France. Although he was considered a romantic in his day, his style reflects a strong academic training. The Musée David at Angers, his birthplace, has a fine collection of his sculptures.
 
Wikipedia: Pierre Jean David
Monument to General Gobert (Père Lachaise)
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Monument to General Gobert (Père Lachaise)

Pierre-Jean David (March 12, 1788 -January 4, 1856), usually called David d'Angers, was a French sculptor.

He was born at Angers. His father was a sculptor or a mason, but had gone into the army as a musketeer, fighting against the Chouans of La Vendée. He returned to his trade at the end of the civil war to find his customers gone, so that young David was born into poverty. His father wished for him to have a better career, and in his eighteenth year left for Paris to study art, with only eleven francs. After struggling for survival for a year and a half, he succeeded in taking the prize at the Ecole des Beaux-Arts. An annuity of 600 francs was granted to him by the municipality of his native town in 1809, and in 1811 David's Epaminondas gained the prix de Rome. He spent five years in Rome, during which his enthusiasm for the works of Antonio Canova were often excessive.

Reviving Greece: Monument to the Greek liberator Markos Botsaris Victor Hugo once said of the sculpture, "It is difficult to see anything more beautiful in the world; this statue joins the grandeur of Pheidias to the expressive manner of Puget."
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Reviving Greece: Monument to the Greek liberator Markos Botsaris Victor Hugo once said of the sculpture, "It is difficult to see anything more beautiful in the world; this statue joins the grandeur of Pheidias to the expressive manner of Puget."

Returning from Rome around the time of the restoration of the Bourbons and their accompanying foreign conquerors and returned royalists, David d'Angers would not remain in the neighborhood of the Tuileries, opting instead to travel to London. Here Flaxman and others visited upon him the sins of David the painter, to whom he was erroneously supposed to be related. With great difficulty he made his way to Paris again, where a comparatively prosperous career opened before him. His medallions and busts were in much request, as well as orders for monumental works. One of the most famous of these was that of Gutenberg at Strassburg; but those he himself valued most were the statue of Barra, a drummer boy who continued to beat his drum until the moment of death in the war in La Vendée, and the monument to the Greek liberator Markos Botsaris. David's busts and medallions were very numerous, and among his sitters may be found not only the illustrious men and women of France, but many others both of England and Germany countries which he visited professionally in 1827 and 1829. His medallions number over 500.

 Musée David d'Angers, ancient Abbey Toussaint of Angers
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Musée David d'Angers, ancient Abbey Toussaint of Angers

David's fame rests firmly on his pediment of the Pantheon, his marble Wounded Philopoemen in the Louvre and his monument to General Gobert in Père Lachaise Cemetery. In addition to that of Gobert, he did sculptures for seven other tombs at Père Lachaise, including the bronze busts of the writer, Honoré de Balzac and physician Samuel Hahnemann. In the Musée David in Angers is an almost complete collection of his works either in the form of copies or in the original moulds. As an example of his benevolence of character may be mentioned his rushing off to the sickbed of Rouget de Lisle, the author of the Marseillaise Hymn, modelling and carving him in marble without delay, making a lottery of the work, and sending to the poet in the extremity of need the seventy-two pounds which resulted from the sale.

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Pierre Jean David" Read more

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