Representative Albums: "The Spectrum Between", "Rickets & Scurvy", "Guess at the Riddle
Representative Songs: "The Seasons Reverse", "Two Shades of Green", "A Watery Kentucky
Biography
Brooklyn-based guitarist/pianist/vocalist David Grubbs made a major impact on the indie music scene during a ten-year residence in Chicago. Originally hailing from Louisville, Kentucky, he was a member of Bastro, and Squirrel Bait before teaming up with Jim O'Rourke in Gastr del Sol. That band issued a number of critically acclaimed albums in the mid-'90s before O'Rourke split to pursue solo projects and focus on his Drag City boutique label Moikai. Grubbs first solo album of his own was released by the Table of Elements label in 1997, entitled Banana Cabbage, Potato Lettuce, Onion Orange. His second album, The Thicket, garnered a lot more critical and commercial attention when it was released in 1998 by Drag City. Apertura, a project with Sweedish reedist Mats Gustafsson, followed in 1999. In 2000, Grubbs paired up with Gustafsson again along with Noel Akchote and John McEntire to record The Spectrum Between. Featuring clever lyrics paired with delicate guitar work, the album was a fine addition to Grubbs growing discography. Though it was recorded around the time of The Thicket sessions, The Coxcomb, a musical adaptation of Stephen Crane's short story "The Blue Hotel," was not released domestically until late 2000 on the Drag City subsidiary Blue Chopsticks. Thirty Minute Raven appeared the following year, but 2002 was a big year as he put out both Rickets & Scurvy and the instrumental Act Five Scene One. The following year, he released Off-Road, a collaboration with Swedish improv saxophonist Mats Gustafsson, and a split single with Avey Tare of Animal Collective on Fat Cat. A Guess at the Riddle, which reunited Grubbs with Rickets & Scurvy collaborator Rick Moody, arrived in 2004, while An Optimist Notes the Dusk followed four years later in 2008.. ~ Stacia Proefrock, All Music Guide
Since the partnership's breakup in 1997, Grubbs has released numerous solo and collaborative records, mostly on the Drag City label. In 2000, his album The Spectrum Between was named “Album of the Year” in the London Sunday Times. He operates his own label, Blue Chopsticks, which has released both new and archival recordings from Luc Ferrari, Derek Bailey and Noël Akchoté, Workshop, Van Oehlen, and Mats Gustafsson. He has appeared on recordings by Tony Conrad, Matmos, Palace Music, Pauline Oliveros, and many more. Grubbs is also known for his collaborations with writers Susan Howe, Rick Moody, and Kenneth Goldsmith as well as with visual artists including Anthony McCall, Angela Bulloch, Stephen Prina, and Cosima von Bonin.
Grubbs's soundtrack work includes music with Matmos for Thierry Jousse’s feature film Les Invisibles. He has composed the soundtracks for Angela Bulloch’s installations Z Point and Horizontal Technicolour, and Hybrid Song Box.4, and his music appears in two installations by Doug Aitken. Grubbs’s sound installation “Between a Raven and a Writing Desk” was included in the 1999 group exhibition “Elysian Fields” at the Centre Pompidou. Grubbs has also contributed music to the Red Krayola’s soundtrack to Norman and Bruce Yonemoto’s film Japan in Paris in LA as well as to Augusto Contento's film Strade Trasparenti, Braden King and Laura Moya’s film Dutch Harbor: Where the Sea Breaks its Back, and John Boskovich’s film North. Music by Gastr del Sol appears in the P.B.S. television series The United States of Poetry, Hal Hartley’s film The Book of Life, and Doug Aitken’s film The Diamond Sea. Grubbs composed music for Karl Bruckmaier’s radio adaptation of Peter Weiss’s Die Ästhetik des Widerstands, which was named “Hoerbuch des Jahres 2007” (Audio Book of the Year) by Hessischer Rundfunk.
Grubbs in 2009.
From 1997-99, David Grubbs was a part-time instructor in the Liberal Arts and Sound departments at the School of the Art Institute of Chicago. He is currently an assistant professor of Radio and Sound Art at Brooklyn College, CUNY, and director of Brooklyn College’s graduate programs in Performance and Interactive Media Arts (PIMA). Grubbs received a Ph.D. in English from the University of Chicago. His criticism has appeared in Conjunctions, Bookforum, Texte zur Kunst, and Purple, and from 1999-2007 he regularly contributed music criticism to the Munich newspaper Süddeutsche Zeitung. In 2006 he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award.